MTO

Music Theory Online

ISSN 1067-3040

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Volume 8, Number 3, October 2002
Copyright � 2002 Society for Music Theory
Table of Contents

Articles


Murray Dineen (University of Ottawa)

Figured Bass and Modulation: The Wiener-Tonschule of Joseph Preindl

[With Frames] [Without Frames]
 

Ciro G. Scotto (Eastman School of Music)

Transformational Networks, Transpositional Combination, and Aggregate Partitions in Processional by George Crumb

[With Frames] [Without Frames]


Employment Opportunities

New Dissertations

  • Hook, Julian L. "Uniform Triadic Transformations." Indiana University, May 2002.
  • Bribitzer-Stull, Matthew P. "Thematic Development and Dramatic Association in Wagner's Der Ring des Nibelungen." Eastman School of Music, July 2001.

New Books

Book Review


Guy Capuzzo (Texas Tech University)

Review of Robert D. Morris, Class Notes for Advanced Atonal Music Theory (Lebanon, N.H.: Frog Peak Music, 2001)

[Without Frames]


Announcements

Calls for Papers

Conference Announcements

Journal-Related Announcements

Please direct all queries to the MTO Editor or to the MTO Manager

MTO PERSONNEL
Co-Editors
mto-editor@societymusictheory.org
Eric Isaacson (Indiana University) Timothy Koozin (University of Houston)
Reviews Editor
mto-reviews@societymusictheory.org
Jack Boss (University of Oregon)
Editorial Board
Jane Piper Clendinning (Florida State University)
Nicola Dibben (University of Sheffield)
Robert Hatten (Indiana University)
Patrick McCreless (Yale University)
Catherine Nolan (University of Western Ontario)
John Snyder (University of Houston)
List Managers Editorial Assistants
Jay Rahn (York University): mto-talk Manager

Stanley V. Kleppinger
Brent Yorgason

Ichiro Fujinaga (McGill University): MTO Manager

Copyright Statement

Copyright � 2002 by the Society for Music Theory.
All rights reserved.

[1] Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

[3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory.

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This page prepared by Eric J. Isaacson, co-editor
Updated 18 November 2002