MTO

Music Theory Online

ISSN 1067-3040

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Volume 9, Number 3, August 2003
Copyright � 2003 Society for Music Theory
Table of Contents

Articles


Robert W. Peck (Louisiana State University)
Klein-Bottle Tonnetze           
 
Diane J. Urista (Oberlin College)
Beyond Words: The Moving Body as a Tool for Musical Understanding
[With Frames] [Without Frames]
 
Tuire Kuusi (Sibelius Academy)
The Role of Set-Class Identity in the Estimation of Chords
[With Frames] [Without Frames]
 

Employment Opportunities

New Dissertations

  • Chong, Eddie K. M. "Extending Schenker�s Neue musikalische Theorien und Phantasien: Towards a Schenkerian Model for the Analysis of Ravel�s Music" University of Rochester, Eastman School of Music, May 2002.
  • Richards, William H. "Transformation and Generic Interaction in the Early Serial Music of Igor Stravinsky." University of Western Ontario, June 2003.
  • Dolenko, Elena. "Schoenberg. The Early Years." [Molodoy Schoenberg]. Moscow State Tchaikovsky Conservatory, October 2000.

Conference Review

Announcements

Calls for Papers

Conference Announcements

Journal-Related Announcements

Other Announcements

Please direct all queries to the MTO Editor or to the MTO Manager

MTO PERSONNEL
Editor
mto-editor@societymusictheory.org
Timothy Koozin (University of Houston)
Reviews Editor
mto-reviews@societymusictheory.org
Jack Boss (University of Oregon)
Editorial Board
Nicola Dibben (University of Sheffield) Julian L. Hook (Indiana University)
Robert Hatten (Indiana University) Andrew Mead (University of Michigan)
John Snyder (University of Houston)
Managing Editor
Brent Yorgason (Indiana University)
Editorial Assistant
Stanley V. Kleppinger (Indiana University)
List Managers
Jay Rahn (York University): mto-talk Manager Ichiro Fujinaga (McGill University): MTO Manager

Copyright Statement

Copyright � 2003 by the Society for Music Theory.
All rights reserved.

[1] Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

[3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory.

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This page prepared by Timothy Koozin, Editor
Updated 25 August 2003