Music Theory Online

General Editor                  Editorial Board
Lee Rothfarb          
(UC Santa Barbara)    David Headlam (Eastman School of Music)
                      Justin London (Carleton College)
                      Catherine Nolan (University of Western Ontario)

Reviews Editor                 Consulting Editors
Brian Alegant         Bo Alphonce               Thomas Mathiesen
(McGill University)   Jonathan Bernard          Benito Rivera
                      John Clough               John Rothgeb  
                      Nicholas Cook             Arvid Vollsnes
                      Allen Forte               Robert Wason
                      Marianne Kielian-Gilbert  Gary Wittlich
                      Stephen Hinton		   

MTO Correspondents
Per Broman, Sweden              Nicolas Meeus, Belgium, France
Peter Castine, Germany          Ken-ichi Sakakibara, Japan
Wai-ling Cheong, Hong Kong      Roberto Saltini, Brazil
Geoffrey Chew, England          Michiel Schuijer, Holland
Gerold W. Gruber, Austria       Uwe Seifert, Germany
Henry Klumpenhouwer, Canada     Arvid Vollsnes, Norway
Marco Renoldi, Italy
					  
Manager                Editorial Assistants      Music Example Designer    MIDI Consultant
     
Robert Judd      Cindy Nicholson     William Loewe           David Patrick Watts
                 Martin Steffen
                 Nicholas Blanchard
                 Jon Koriagin
HTML and Java Consultant


Bruce Petherick

TABLE OF CONTENTS

1. Commentaries

Rosemary Killam, Response to Professor Morse's Open Letter
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Justin London, A Different Response to Killam
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2. Reviews

Larry Barnes, Review of J. Kent Williams's Theories and Analyses of Twentieth-Century Music
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William M. Marvin, Review of Daniel Kazez, Rhythm Reading: Elementary Through Advanced Training, 2nd ed.
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3. Music Theory International

Per Broman, Report from the Third Triennial ESCOM Conference in Uppsala, Sweden, 7-12 June, 1997
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Wai-Ling Cheong, Theory Reception in China: Report on Journals of Central Conservatory and Shanghai Conservatory of Music
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Nicolas Meeus, Music Theory and Analysis in France and Belgium
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4. Announcements

Society for Seventeenth-Century Music Meeting

International Conference on 19th-century Music

Search Facility for Conferences and Dissertation Abstracts

GAMUT/MTSE: General Announcement

Women and Music: A Journal of Gender and Culture

Music as Heard: Listeners and Listening in Late-Medieval and Early Modern Europe (1300-1600)

5. Employment

Pro-Art Musica (private music school Majorca, Spain): Researcher/Multimedia Developer

Assistant Professor (tenure track), New York University

6. New Dissertations

Dudeque, Norton E. "Tonal Harmony and the Concept of Monotonality in the Writings of Arnold Schoenberg"

Foulkes-Levy, Laurdella. "A Synthesis of Recent Theories of Tonal Melody, Contour, and the Diatonic Scale: Implications for Aural Perception and Cognition"

Gonzales-Lizausaba, Oswaldo. "A Formalized Analysis of Luciano Berio's Erdenklavier for Piano Solo: An Undulatory Approach"

Jacobus-Freund, Suzanne A. "The Art of Development: Development and the Development Section Seen Through the Eyes of Theorists, ca. 1775-1830"

Power, Richard. "An Analysis of Transformation Procedures in Gyorgy Ligeti's String Quartet No. 2"

7. New Books

Craig Harris, ed. Computer Music in Context

Tom Morgan, ed. Aspects of Complexity in Recent British Music

Klaus-Michael Hinz, ed. New Developments in Contemporary German Music

Nicola Lefanu and Sophie Fuller, eds. Reclaiming the Muse

Trevor Wishart, On Sonic Art

James Boros and Richard Toop, eds. Brian Ferneyhough: Collected Writings

David Blake, ed. Hanns Eisler: A Miscellany

Vladimir Barsky, Chromaticism

University of California Press

Lawrence Kramer, After the Lovedeath: Sexual Violence and the Making of Culture

Judit Frigyesi, Bela Bartok and Turn-of-the-Century Budapest

Walter Frisch, The Early Works of Arnold Schoenberg, 1893-1908

William Kinderman, Beethoven

8. Communications

Editor's Message

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