Dissertation Index


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Author Title Institution Completed

0000
Bourne, Janet E
A Theory of Analogy for Musical Sense-Making and Categorization: Understanding Musical JabberwockyNorthwestern UniversityMay 2015
Bradford, Wesley J
Developing a Mathematically Informed Approach to Musical Narrative through the Analysis of Three Twentieth-Century Monophonic Woodwind WorksLouisiana State UniversityJune 2016
Burns, Alexandra
The Musical Voices of the “Double-Man”: Nature and Religious Identity in Gustav Mahler’s First SymphonyThe University of SheffieldMay 2016
Cohen, Gilad
Expansive Rock: Large-Scale Structure in the Music of Pink FloydPrinceton UniversityJune 2015
Davis, Colin
Polyphonic Harmony in Three of Ferruccio Busoni\'s Orchestral ElegiesUniversity of North TexasMay 2015
Dellosa, Lerie Grace
Messiaen\'s Musical Language: Technique and Theological Symbolism in Les Corps glorieux, \"Combat de la mort et de la vie\"University of North TexasOctober 2015
Ensign, Jeffrey S.
Form in Popular Song, 1990-2009University of North TexasAugust 2015
Evan Ware
Their Ways: Theorizing Reinterpretation in Popular MusicUniversity of MichiganMay 2015
Gerg, Ian W
The Virtual Observing Agent in Music: A Theory of Agential Perspective as Implied by Indexical GestureUniversity of Texas at AustinAugust 2015
Geyer, Benjamin M.
Meter, Phrase, and Form in the Compositions of Maria SchneiderUniversity of KentuckyApril 2016
LaCour, Darren A.
The Long-Playing Ellington: Analyzing Composition and Collaboration in the Duke Ellington OrchestraWashington University in St. LouisApril 2016
McDonnell, Cari E
Genre in Context: the Musical in Classical HollywoodThe University of Texas at AustinAugust 2015
Murphy, Nancy E.
\"The Times They Are A-Changin\'\": Flexible Meter and Text Expression in 1960s and 70s Singer-Songwriter MusicThe University of British ColumbiaDecember 2015
Newton, Alex
Semiotics of Music, Semiotics of Sound, and Film: Toward a Theory of AcousticonsThe University of Texas-AustinJune 2015
Palmer, James K N
Form-Functional and Topical Sources of Humour in Classical Instrumental MusicUniversity of British ColumbiaAugust 2015
Rabinovitch, Gilad
Tracing Galant Threads: Gjerdingen\'s Schemata and the Evolution of Musical Form, 1730-1780Eastman School of Music, University of RochesterJuly 2015
Ripley, Angela N.
Surviving Set Theory: A Pedagogical Game and Cooperative Learning Approach to Undergraduate Post-Tonal Music Theory
The Ohio State UniversityJuly 2015
Rudman, Jessica L.
Common-tone Preserving Contextual Inversions in the Music of Ellen Taaffe ZwilichThe Graduate Center, City University of New YorkApril 2015
Sant \' Ana, Edson Hansen
Intervalar Expressivity in the Almeida Prado\'s PoesilúdiosUniversidade de Brasília (UnB)August 2009
Schumann, Scott C.
Making the Past Present: Topics in Stravinsky’s Neoclassical WorksThe University of Texas at AustinApril 2015
Sherrill, Paul M.
The Metastasian Da Capo Aria: Moral Philosophy, Characteristic Actions, and Dialogic FormIndiana UniversityMay 2016
Sofer, Danielle, S
Making Sex Sound: Erotic Currents in Electronic MusicUniversity of Music and Performing Arts GrazJune 2016
van Tour, Peter M.
Counterpoint and Partimento: Methods of Teaching Composition in Late
Eighteenth-Century Naples
Uppsala University, SwedenMay 2015
Vurkaç, Mehmet
Prestructuring Multilayer Perceptrons based on Information-Theoretic Modeling of a Partido-Alto-based Grammar for Afro-Brazilian Music: Enhanced Generalization and Principles of Parsimony, including an Investigation of Statistical ParadigmsPortland State UniversityDecember 2011


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