Dissertation Index


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Author Title Institution Completed
Amato, Alexander G.
Thematic and Formal Narrative in Respighi’s Sinfonia DrammaticaUniversity of North TexasNovember 2013
Barley, Raymond B., Jr.
Tonality and Modality in Finnish Folk MusicUnion Institute & UniversityApril 2011
Brown, Jenine L.
Cognitive Models of Interval Perception in Twelve-Tone Music: Hearing Webern\'s Concerto, Op. 24, and Other WorksUniversity of Rochester-Eastman School of MusicApril 2014
Cathey, Sheila C.
Profiles, Perceptions, and Practices Related to Customizable Computer-Aided Instruction (MacGAMUT) Among Postsecondary Aural-Training InstructorsBoston UniversityMay 2014
Fankhauser, Gabe
Cadential Intervention and Tonal Expansion in Select Works of Shostakovich
Florida State UniversityDecember 1999
Fielding, Peter G
The Traditional Vocal Repertoire of Nova Scotia: A Classification of Pitch Space
University of Massachusetts AmherstFebruary 2014
Fishbein, Joshua H.
Leonard Bernstein\'s Chichester Psalms: An Analysis and Companion PieceUniversity of California, Los AngelesDecember 2014
Harley, Konrad
Harmonic Function in the Music of Sergei ProkofievUniversity of TorontoApril 2014
Losada, C. Catherine
A Theoretical Model for Collage in Music Derived from Selected Works by Berio, Zimmermann and RochbergCity University of New York Graduate CenterAugust 2004
Lundberg, Mattias O.
The Tonus Peregrinus in the Polyphony of the Western ChurchUniversity of LiverpoolJune 2007
Marie, George T
Tiny Infinity for Orchestra and Stefan Wolpe\'s Zone Technique and Ralph Shapey\'s Late Music: An Intensive Analysis of String Quartet No. 9University of UtahAugust 2014
Metz, Andreas
Temporality, Pace, and Formal Structure in Selected Passages from Brahms\'s Adagio GenreIndiana UniversityMay 2014
Ofcarcik, Judith
A Structural-Aesthetic Study of the Variation Movements of Beethoven\'s Late Period\"Florida State UniversityMay 2013
Pellegrin, Richard S.
On Jazz Analysis: Schenker, Salzer, and SalienceUniversity of WashingtonJune 2013
Peter M. van Tour
Counterpoint and Partimento: The Teaching of Composition in Late Eighteenth-Century Naples.Uppsala UniversityMay 2015
Porterfield, Richard
Melodic Function and Modal Process in Gregorian ChantCUNY Graduate CenterDecember 2013
Ratay, Elizabeth L
To Be ReflectedUniversity of California, Santa CruzDecember 2013
Reid, Leah C
Composing Timbre Spaces, Composing Timbre in Space: An Exploration of the Possibilities of Multidimensional Timbre Representations and their Compositional ApplicationsStanford UniversityJune 2013
Sekula, Kate A.
Utilizing Computer Programming to Analyze Post-Tonal Music: A Segmentation and Contour Analysis of Twentieth-Century Music for Solo FluteUniversity of ConnecticutDecember 2014


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