Dissertation Index


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Author Title Institution Completed

0000
Lavengood, Megan L.
A New Approach to the Analysis of TimbreCity University of New YorkMay 2017
Iker, Sarah M.
An Experience-Oriented Approach to Analyzing Stravinsky\'s NeoclassicismUniversity of ChicagoAugust 2017
Belcher, Owen H
Analytical Studies of Selected Cantatas by J.S. BachEastman School of MusicApril 2018
Hauck-Silva, Caiti
Diction, Expressivity and Conductor’s Choices in Choral Works Sung in German: Discussing Relationships Between Writings and RecordingsUniversity of São PauloMarch 2017
Tompkins, Daniel C.
Early Seventeenth-Century Harmonic Practice: A Corpus Study of Tonality, Modality, and Harmonic Function in Italian Secular Song with Baroque Guitar Accompaniment in Alfabeto TablatureFlorida State UniversityMarch 2017
Day-O\'Connell, Jeremy
Pentatonicism in Nineteenth-Century MusicCornell UniversityAugust 2002
James, Emma R.
Telling Tales: Narrative Semiotics in the Music of Béla BartókEastman School of Music, University of RochesterAugust 2016
O\'Hara, William E.
The Art of Recomposition: Creativity, Aesthetics, and Music TheoryHarvard UniversityMay 2017
Byrne, David A.
The Harmonic Theories of Sigfrid Karg-Elert: Acoustics, Function, Transformation, PerceptionUniversity of CincinnatiMarch 2018
Sampaio, Marcos da Silva
The Musical Contour Relations Theory: inconsistencies, solutions and toolsUniversidade Federal da BahiaDecember 2012
Oinas, Cecilia E.
\'Magic points\' and evaded cadences. Analysis, performance, and their interaction in four opening piano trio movements of Felix Mendelssohn and Robert Schumann.The Sibelius Academy of the University of the Arts HelsinkiFebruary 2017
Burns, Alexandra
\'Sterben werd\' ich, um zu leben!\': The Eschatological Questions in Gustav Mahler\'s Second SymphonyThe University of SheffieldSeptember 2017


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