Dissertation Index


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Author Title Institution Completed
Adams, Kyle
A New Theory of Chromaticism from the Late Sixteenth to the Early Eighteenth CenturyCUNY Graduate CenterSeptember 2006
Adlington, Robert C.
Temporality in post-tonal musicUniversity of SussexSeptember 1996
Alegant, Brian
The Seventy-Seven Partitions of the Aggregate: Analytical and Theoretical ImplicationsEastman School of MusicOctober 1992
Amos, Laura Christine
An Examination of 1920s Parisian Polytonality: Milhaud's Ballet La Creation du mondeThe University of Texas at AustinMay 2007
Andrew Aziz
In Name Only: The Interaction of Title and Genre in the Sonata Forms of Debussy and RavelEastman School of Music, University of RochesterApril 2013
Anson-Cartwright, Mark
The Development Section in Haydn's Late Instrumental WorksCity University of New YorkAugust 1998
Antonio Jardim
Music: vigency of poetical thinkingUFRJ Doctor in PoeticsDecember 1997
Argentino, Joe R
Transformations and Hexatonic Tonnetz Spaces in Late Works of SchoenbergThe University of Western OntarioFebruary 2010
Arndt, Matthew
Schenker and Schoenberg on the Tone and the GeniusUniversity of Wisconsin–MadisonAugust 2008
Arthurs, Daniel J.
Reconstructing Tonal Principles in the Music of Brad MehldauIndiana University, BloomingtonMay 2011
Atkinson, Sean E
An Analytical Model for the Study of Multimedia Compositions: A Case Study in Minimalist MusicFlorida State UniversityApril 2009
Attar, Ron
Analysis of Bela Bartok's Performances to Selected CompositionsBar-Ilan University, IsraelJune 2007
Attas, Robin E.S.
Meter as Process in Groove-Based Popular MusicThe University of British ColumbiaApril 2011
Auerbach, Brent, L
The Analytical Grundgestalt: A New Model and Methodology Based on the Music of Johannes BrahmsUniversity of Rochester - Eastman School of MusicMay 2005
Auerbach, Jennifer Sadoff
Drafts, Page Proofs, and Revisions of Heinrich Schenker’s Der freie Satz: the Collection at the Austrian National Library and Schenker’s Generative ProcessUniversity of North TexasMay 2009
Austin, Michael L
The Phenomenological Impact of Interface on the Analysis of Digital Music and Sonic ArtUniversity of Texas at DallasJune 2011
Ayotte, Benjamin McKay
Incomplete Ursatzformen Transferences in the Vocal Music of Heinrich SchenkerMichigan State UniversityMay 2008
BaileyShea, Matthew L.
The Wagnerian Satz: The Rhetoric of the Sentence in Wagner's Post-Lohengrin OperasYale UniversityMay 2003
Bakker, Sara
Playing with Patterns: Isorhythmic Strategies in György Ligeti\'s Late Piano WorksIndiana UniversityApril 2013
Ballard, Jack D., Jr.
Part One: The Castle (Ballet for Large Orchestra) and Part Two: Hyperextended Chord Tones: Chromatic Consonance in a Tertian ContextKent State UniversityDecember 2008
Balter, Tamara
A Theory of Irony in Music: Types of Irony in the String Quartets of Haydn and Beethoven.
Indiana University, Bloomington (Music Theory)November 2009
Barker, Naomi Joy
Analytical Issues in the Toccatas of Girolamo FrescobaldiUniversity of LondonJuly 1995
Bauer, Amy, M
Compositional Process and Parody in the Music of Gyorgy LigetiYale UniversityAugust 1996
Beaudoin, Paul E
Rhetoric as a Heuristic in the First Movement of Beethoven's Third Sonata for Violoncello and Piano, op. 69Brandeis UniversityFebruary 2002
Behrens, Lisa, S.
Cyclic Pitch Organization in the Twelve-Tone Works of Aaron CoplandThe Graduate Center, CUNYOctober 2012
Bell, Vicki P.
Shaker Music Theory: The Nineteenth-Century Treatises of Isaac Newton Youngs and Russel HaskellUniversity of KentuckyMay 1998
Benoit, John R.
An Alternative Model of Fundamental Structure in Selected Lieder by Franz SchubertThe University of Texas at AustinAugust 1994
Berry, David Carson
Stravinsky's "Skeletons": Reconnoitering the Evolutionary Paths from Variation Sets to SerialismYale UniversityMarch 2002
Bhogal, Gurminder
Maurice Ravel, Metric Dissonance, Art Nouveau, Ornament, French Aesthetics, Symbolism, ArabesqueUniversity of ChicagoAugust 2004
Biamonte, Nicole V
The Modes in Romantic MusicYale UniversityMarch 1998
Bisciglia, Sebastiano
On Row-Class Equivalence ClassesEastman School of Music, University of RochesterApril 2013
Blom-Smith, Richard N. W.
A Theory of Accent in Tonal Music with an Assessment of Selected Modern AccentologiesKing's College London, University of LondonApril 1994
Boland, Marguerite M
The All-Trichord Hexachord: Compositional Strategies in Elliott Carter's "Con Leggerezza" and "Gra".La Trobe University, Melbourne, AustraliaDecember 1999
Bor, Mustafa
Contour Reduction Algorithms: A Theory of Pitch and Duration Hierarchies for Post-Tonal MusicUniversity of British ColumbiaApril 2009
Boss, Jack F.
An Analogue to Developing Variation in a Late Atonal Song of Arnold SchoenbergYale UniversityMay 1991
Botelho, Mauro
Rhythm, Meter, and Phrase: Temporal Structures in Johann Sebastian Bach's ConcertosUniversity of MichiganMarch 1993
Boyd, James W.
Mahler and Directional TonalityUniversity of MichiganSeptember 1993
Brasky, Jill Tovah
'Far Have I Flown': Chromatic Dominants and Functional Transformations in Schoenberg's GurreliederUniversity of BuffaloMay 2005
Brass, Christophe
La basse fondamentale dans le Clavier bien tempéré de J. S. BachUniversité Strasbourg II (= Université Marc Bloch)September 2001
Bribitzer-Stull, Matthew, P.
Thematic Development and Dramatic Association in Wagner's Der Ring des NibelungenEastman School of MusicJuly 2001
Brover-Lubovsky, Bella
Vivaldi's Harmony: Practice and TheoryHebrew University of Jerusalem, IsraelOctober 2000
Brown, Stephen C.
Dual Interval Space in Twentieth-Century MusicYale UniversityMay 1999
Bruno, Luca
Theory and Analysis of Harmony in Adrian Willaert's Canzone villanesche alla napolitana (1542-1545)University of Trento, ItalyJanuary 2009
Bryden, Kristy A.
Musical Conclusions: Exploring Closural Processes in Five Late Twentieth-Century Chamber WorksUniversity of Wisconsin-MadisonMay 2001
Buchler, Michael H.
Relative Saturation of Subsets and Interval Cycles as a Means for Determining Set-Class SimilarityEastman School of MusicOctober 1997
Buehrer, Theodore E.
An Alternative Pedagogical Paradigm for Aural Skills: An Examination of Constructivist Learning Theory and its Potential for Implementation into Aural Skills CurriculaIndiana UniversityDecember 1998
Buhler, James
Informal Music Analysis: A Critique of Formalism, Semiology, and Narratology As Discourses on MusicUniversity of PennsylvaniaMay 1996
Burkett, Lyn Ellen Thornblad
Tensile Involvement: Counterpoint and Compositional Pedagogy in the Work of Seeger, Hindemith, and KrenekIndiana UniversityApril 2001
Burns, Kristine H.
The History and Development of Algorithms in Music Composition, 1957-93Ball State UniversityApril 1994
Burton, Deborah, E.
An Analysis of Puccini's Tosca: a heuristic approach to the unifying elements of the operaUniversity of MichiganMay 1995
Butterfield, Matthew W.
Jazz Analysis and the Production of Musical Community: A Situational PerspectiveUniversity of PennsylvaniaMay 2000
Byron, Avior
Schoenberg as Performer: An Aesthetics in PracticeRoyal Holloway, University of LondonJune 2007
Cahn, Steven J.
Variations in Manifold Time: Historical Consciousness in the Music and Writings of Arnold SchoenbergSUNY at Stony BrookAugust 1996
Cairns, Zachary A.
Multiple-Row Serialism in Three Works by Edison DenisovUniversity of Rochester (Eastman School of Music)April 2010
Campbell, Edward
Boulez and Expression: A Deleuzoguattarian ApproachUniversity of EdinburghJune 2000
Capuzzo, Guy
Variety Within Unity: Expressive Ends and their Technical Means in the Music of Elliott Carter, 1983-1994Eastman School of Music, University of RochesterDecember 1999
Carey, Norman, A
Distribution Modulo 1 and Musical ScalesUniversity of RochesterFebruary 1998
Carter, Chandler
The Progress in "The Rake's" ReturnThe City University of New YorkJanuary 1995
Castine, Peter
Set Theory Objects: Abstractions for Computer-Aided Analysis and Composition of Serial and Atonal MusicTechnische Universitaet BerlinJanuary 1994
Castren, Marcus
RECREL: A Similarity Measure for Set-ClassesSibelius AcademyDecember 1994
Cavanagh, Lynn, M.
Tonal Multiplicity in Schoenberg's First String Quartet, Op. 7The University of British ColumbiaJune 1996
Chang, Sangtae
Boulez's Sonatine and the Genesis of his Twelve-tone PracticeThe University of North TexasMarch 1998
Chenette, Timothy K
Counterpoint, Transformations, and Musical Spaces in the Late Sixteenth CenturyIndiana UniversityMay 2013
Chong, Eddy K. M.
Extending Schenker’s Neue musikalische Theorien und Phantasien: Towards a SchenkerianUniversity of Rochester, Eastman School of MusicMay 2002
Chor, Ives
Cognitive Frameworks for the Production of Musical RhythmNorthwestern UniversityJune 2010
Clement, Brett
A Study of the Instrumental Music of Frank ZappaUniversity of CincinnatiJuly 2009
Clevenger, John R.
The Origins of Debussy's StyleUniversity of RochesterMarch 1993
Coenen, Alcedo, E.
Meta-Plus: Stockhausen's Plus-Minus computerized and analyzedUniversity of AmsterdamNovember 1995
Collaros, Pandel, L.
Quanti-MAS: A Quantitative System of Melodic AnalysisOhio State UniversityDecember 1996
Cornicello, Anthony M.
Timbral Organization in Tristan Murail's "Désintégrations" and "Rituals"Brandeis UniversityMay 2000
Cotner, John S.
Archetypes of Progressive Rock, ca. 1966-1973University of Wisconsin-MadisonDecember 1999
Cox, Arnie W.
The Metaphoric Logic of Musical Motion and SpaceUniversity of OregonJune 1999
Cramer, Alfred W.
Music for the Future: Sounds of Early Twentieth-Century Psychology and Language in Works of Schoenberg, Webern, and Berg, 1908 to the First World WarUniversity of PennsylvaniaApril 1997
Crownfield, Elizabeth E.
The Intellectual Backgrounds of Morley's Plaine and Easie IntroductionNew York UniversityJanuary 2000
Cuciurean, John D.
A Theory of Pitch, Rhythm, and Intertextual Allusion for the Late Music of György LigetiState University of New York at BuffaloAugust 2000
Cutler, Timothy S.
Orchestration and the Analysis of Tonal Music: Interaction between Orchestration and Other Musical Parameters in Selected Symphonic Compositions, c. 1785-1835Yale UniversityMarch 2000
Cvetkov, Vasil A.
“CHROMATIC FANTASY SONATA” BY DAVE BRUBECK
Louisiana State University December 2010
Danby, Judd
Array and Superarray Structure and Projection in Milton Babbitt's recent Orchestral MusicUniversity of Illinois at Urbana-ChampaignNovember 1997
de Clercq, Trevor O.
Sections and Successions in Successful Songs: A Prototype Approach to Form in Rock MusicEastman School of Music, University of RochesterJanuary 2012
Decker, Bradley D
Preserving the Fragment: Techniques and Traits of Franco Donatoni's Joyous Period (1977 to 2000)University of Illinois at Urbana - ChampaignJanuary 2006
Decker, Gregory J.
The Language of Baroque Opera: Topic, Structure, and Characterization in Handel's Italian-Language OperasFlorida State UniversityApril 2011
Deguchi, Tomoko
Forms of Temporal Experience in the Music of Toru TakemitsuUniversity at Buffalo, SUNYNovember 2005
Demske, Thomas R.
Recognizing Melodic Motion in Musical Scores: Rules and ContextsYale UniversityMarch 1993
Derfler, Brandon
Single-Voice Transformations: A Model for Parsimonious Voice LeadingUniversity of WashingtonNovember 2007
Derkert, Jacob
Tonalitet och harmonisk artikulation i Claude Debussys verk. Om reception, armonikteori och analysUniversity of StockholmOctober 1998
DeThorne, Jeffrey D.
ORCHESTRATING ELECTROACOUSTICS: ON THE AESTHETICS OF INSTRUMENTATION, ORCHESTRATION, AND ELECTRONIC MUSIC
University of Wisconsin-MadisonAugust 2010
Djordjevic, Michael, L.
Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical ContinuumRadio Belgrade, Hilandarska 2, 11000 Belgrade, Serbia, YUJune 1995
Dodds, Michael R.
The Baroque Church Tones in Theory and PracticeUniversity of RochesterJanuary 1999
Doerksen, John F.
A Theory of Set-class Salience for Post-tonal Music, with Analyses of Selected Lieder by Anton WebernUniversity of Western OntarioJune 1994
Dogantan, Mine
Mathis Lussy's Theory of Rhythm as a Basis for a Theory of Expressive PerformanceColumbia University, New YorkMay 1997
Dolenko, Elena
Schoenberg. The Early Years. [Molodoy Schoenberg]Moscow State Tchaikovsky ConservatoryMay 2003
Doll, Christopher
Listening to Rock HarmonyColumbia UniversityMay 2007
Douw, Andre, M.
The Construction of Order and Direction in Igor Stravinsky's In Memoriam Dylan Thomas, Canticum Sacrum, and ThreniUtrecht UniversityMarch 1995
Dudeque, Norton E.
Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951)University of ReadingApril 2002
Dudeque, Norton E.
Tonal Harmony and the Concept of Monotonality in the Writings of Arnold SchoenbergUniversidade de Sao PauloJune 1997
Duncan, Stuart P
The Concept of New Complexity: Notation, Interpretation and AnalysisCornell UniversityMay 2010
Edith, Zack
Carmen and Turandot: femme fatale to femme creatrice in operaBar-Ilan University, IsraelJune 2000
Endrinal, Christopher James Scott
Form and Style in the Music of U2Florida State UniversityApril 2008
Eng, Clare Sher Ling
Motif and Closure in Twentieth-Century Music: Bartók, Britten and FauréYale UniversityMarch 2012
Essl, Karlheinz
Das Synthese-Denken bei Anton Webern. Studien zur Musikauffassung des spaeten Webern unter besonderen Beruecksichtigung seiner eigenen Analysen zu op. 28 und op. 30. ("Anton Webern's idea of synthesis". Studies on the musical thinking of the late Webern cUniversity of ViennaMay 1989
Fancher, Joseph E.
Pitch Organization in the Turangalîla-Symphonie of Olivier MessiaenUniversity of OregonMarch 2003
Fiore, Carlo
I mottetti di Josquin Desprez: interpretazione attraverso l'analisiUniversity of Bologna, Dipartimento di Musica e SpettacoloApril 1998
Flinn, John W.
Reconstructive Postmodernism, Quotation, and Musical Analysis: A Methodology with Reference to the Third Movement of Luciano BerioUniversity of CincinnatiMay 2011
Foley, Gretchen
Pitch and Interval Structures in George Perle's Theory of Twelve-Tone TonalityUniversity of Western OntarioJanuary 1999
Folio, Cynthia J.
An Analysis and Comparison of Four Compositions by Joseph Schwantner: And the Mountains Rising Nowhere; Wild Angels of the Open Hills; Aftertones of Infinity; and SparrowsEastman School of MusicMay 1985
Follet, Diane W.
Echo - A Chamber Opera in One Act: The Woman's Voice in the Twentieth CenturyUniversity of Northern ColoradoAugust 2000
Forrest, David L.
Prolongation in the Choral Music of Benjamin BrittenTexas Tech UniversityMay 2009
Foulkes-Levy, Laurdella
A Synthesis of Recent Theories of Tonal Melody, Contour, and the Diatonic Scale: Implications for Aural Perception and CognitionSUNY BuffaloSeptember 1996
Francis, Timothy P
Modal Prolongational Structure in Selected Sacred Choral Compositions by Gustav Holst and Ralph Vaughan WilliamsUniversity of OregonJune 2012
Fung, Eric W.M.
The Performance of Chopin's First Movement of Piano Sonata in B Minor, op. 58: A Schenkerian ApproachThe Chinese University of Hong KongJune 1995
Fyr, Kyle R.
Proportion, Temporality, and Performance Issues in Piano Works of John AdamsIndiana UniversityJuly 2011
Gadd, Robin N.
Theorizing Musical StyleUniversity of SouthamptonJuly 1997
Garrison, Rodney
Schenker's Ausfaltung Unfolded: Notation, Terminology, and PracticeUniversity at BuffaloDecember 2011
Gerlach, Oliver
Im Labyrinth des Oktōīchos —
Über die Rekonstruktion einer mittelalterlichen Improvisationspraxis in der Musik der Ost- & Westkirche
Humboldt UniversityJuly 2006
Gersh, Jason A
Text-Setting in William Byrd's Liber primus sacrarum cantionum quinque vocum (1589): Toward an Analytic MethodologyUniversity of North Carolina at Chapel HillDecember 2006
Giovinazzo, Joseph
Timbral Design of Primary Melody in the First Movement of Bartok's Concerto for OrchestraLa Trobe UniversityJune 1992
Gleason, Scott M.
Princeton Theory\'s ProblematicsColumbia UniversityOctober 2013
Gloag, Kenneth
Structure, Syntax and Style in the Music of StravinskyUniversity of ExeterFebruary 1995
Goldenberg, Yosef
Prolongation of Seventh Chords in Tonal MusicHebrew University, JerusalemDecember 2001
Gollin, Edward H.
Representations of Space and Conceptions of Distance in Transformational Music TheoriesHarvard UniversityJune 2000
Gonzales, Cynthia I.
Text-Music Relationships in the Early Songs of Arnold SchoenbergHarvard UniversityOctober 2005
Gonzales-Lizausaba, Oswaldo
A Formalized Analysis of Luciano Berio's Erdenklavier for Piano Solo: An Undulatory ApproachEcole des Hautes Etudes en Sciences Sociales, IRCAM, CNRS (Paris)June 1997
Gonzalez-Lizausaba Oswaldo
L'analyse ondulatoire : une approche morphologique de l'analyse musicaleDoctor in Arts & Sciences of art - Université de Paris 1March 2010
Gosman, Alan R.
Compositional Approaches to Canons from Ockeghem to BrahmsHarvard UniversityAugust 2000
Grall, Jeremy N.
An Analytical Edition of Giovanni Kapsberger's "Partite sulla folia" for Chitarrone: Ornamentation, Performance Practices, and Compositional Structures in Kapsberger's Folia VariationsUniversity of MemphisApril 2009
Greitzer, Mary L
Tormented VoicesHarvard UniversityAugust 2007
Grossman, E. Lary
Fugal Procedures in the Symphonies of Joseph HaydnNorthwestern UniversityDecember 1993
Grove, Paul R.
Doctrine of the Canon: An Annotated Translation of the Second Counterpoint Book of Sergei Ivanovich TaneevUniversity of ArizonaJanuary 1996
Guigue, Didier
Une Étude "pour les Sonorités Opposées": Pour une analyse "orientée objets" de l'oeuvre pour piano de Debussy et de la musique du 20č sičcleEcole des Hautes Etudes en Sciences Sociales, ParisApril 1996
Hafner, Everett
Time DividedUniversity of Massachusetts at AmherstAugust 1995
Hansen, Thomas Holme
From Mode to Key. An Investigation of European Modal/Tonal Theories in the Seventeenth Century [in Danish]University of Aarhus (Denmark)June 1996
Hare, Belva Jean
The Uses and Aesthetics of Musical Borrowing in Erik Satie’s Humoristic Piano Suites, 1913-1917University of Texas at AustinDecember 2005
Harley, Maria, A.
Space and spatialization in contemporary music: History and analysis, ideas and implementationsMcGill UniversityJune 1994
Harper, Steven A.
Minimal Interval Content DescriptionsUniversity of Texas at AustinMay 1994
Harris, Joseph H.
Harmony in Olivier Messiaen's Eclairs sur l'Au-DelaUniversity of IowaSeptember 2000
Hastings, Charise Y.
The Performer's Role: Storytelling in Ballades of Chopin and BrahmsUniversity of Michigan--Ann ArborApril 2006
Heap, Matthew
Keep Going: Narrative Continuity in Luciano Berio\'s Sinfonia AND Dillinger: An American OratorioUniversity of PittsburghApril 2012
Heinzelmann, Sigrun B
Sonata Form in Ravel's Pre-War Chamber MusicCUNY Graduate CenterFebruary 2008
Herlin, Thomas R.
Carl Ruggles and the Viennese Tradition: A Comparative AnalysisUniversity of Illinois at Urbana-ChampaignApril 2000
Hibberd, Kristian P. G.
Shostakovich and Bakhtin: A Critical Investigation of the Late Works (1974-1975)Goldsmiths College, University of LondonJune 2005
Hill, David S.
The Persistence of Memory: Mode, Trope, and Difference in the Passion ChoraleSUNY at Stony BrookApril 1994
Hoag, Melissa E.
Multiply-Directed Moments in the Music of BrahmsIndiana UniversityMay 2008
Hodson, Robert D.
Interaction and Improvisation: Group Interplay in Jazz PerformanceUniversity of Wisconsin--MadisonAugust 2000
Hoffman, Stanley M.
Extended Tonality and Voice Leading in Twelve Songs, Op. 27 by Alexander ZemlinskyBrandeis UniversityFebruary 1993
Hoffmann, Peter
Music Out of Nothing? The Dynamic Stochastic Synthesis: a Rigorous Approach to Algorithmic Composition by Iannis XenakisTechnische Universitaet BerlinJanuary 1998
Hoffmann, Peter
Music Out of Nothing? A Rigorous Approach to Algorithmic Composition by Iannis XenakisTechnische UniversitDecember 2009
Hook, Julian L.
Uniform Triadic TransformationsIndiana UniversityMay 2002
Hughes, Bryn
Harmonic Expectation in Twelve-Bar Blues ProgressionsFlorida State UniversityAugust 2011
Hunt, Graham G.
\"Ever New Formal Structures\": The Evolution of the Dialogue-Scene in Wagner\'s LohengrinDuke UniversityMay 2001
Hussey, William Gregory
Compositional Modeling and Quotation in the Works of Johannes Brahms: An Application of Harold Bloom's Theory of Influence to MusicUniversity of Texas at AustinDecember 1996
Igoudin, Lane
Impact of MIDI on Electroacoustic Art MusicStanford UniversityJune 1997
Ilomäki, Tuukka
On the Similarity of Twelve-Tone RowsSibelius AcademyApril 2008
Isaacson (Gozali) Atara
Cantabile in the Romantic Piano Concerti with Emphasis on Schumann, Liszt and BrahmsBar Ilan UniversityNovember 2006
Iverson, Jennifer
Historical Memory and György Ligeti's Sound-Mass Music, 1958-1968University of Texas at AustinMay 2009
Jacobus, Enoch S. A.
A New Geometric Model and Methodology for Understanding Parsimonious Seventh-Sonority Pitch-Class SpaceUniversity of KentuckyOctober 2012
Jacobus-Freund, Suzanne A.
The Art of Development: Development and the Development section Seen Through the Eyes of Theorists, ca. 1775-1830Yale UniversityMay 1998
Jardim, Antonio
Music: another density of real - to a philosophy of a substantive languageConservatorio Brasileiro de MusicaMarch 1988
Johnson, Barrett A
An Original Composition, Galleria Armonica, Theme and Variations for Piano, Harpsichord, Harp and Orchestra and A Comparative Study Between the Pedagogical Methodologies of Arnold Schoenberg and Nadia Boulanger Regarding Training the ComposerLouisiana State UniversityNovember 2007
Johnson, Russell W.
Essais sur les Principes de l'Harmonie by Jean-Adam Serre: An Annotated TranslationFlorida State UniversityNovember 1994
Johnson, Shersten R.
Hearing the Unvoiceable: Writer's Block in Benjamin Britten's Death in VeniceUniversity of Wisconsin--MadisonAugust 2002
Joichi, Janet M.
Closure, Context, and Hierarchical Grouping in Music: A Theoretical and Empirical InvestigationNorthwestern UniversityJune 2006
Jones, Jr. Melvin E
Key Classes and Textural Dissonance: An Instrument-Specific Study of the Idioms, Textures, and Structures of Selected Early Romantic Music for the Guitar (1799-1850)Indiana UniversityAugust 2004
Judd, Cristle Collins
Aspects of Tonal Coherence in the Motets of JosquinKing's College, University of LondonJanuary 1993
Julien, Patricia A.
The Structural Function of Harmonic Relations in Wayne Shorter's Early Compositions: 1959-1963University of MarylandMay 2003
Kaastra, Linda T.
Systematic Approaches to the Study of Cognition in Western Art Music PerformanceUniversity of British ColumbiaMay 2008
Kahr, Michael
Aspects of Context and Harmony in the Music of Clare FischerUniversity of SydneyMarch 2009
Kallis, Vasilis, C
Modes of Cross-collectional Interaction: A Study of Four Collections in Music by Debussy, Ravel and ScriabinUniversity of NottinghamOctober 2003
Karamahmutoglu, Gulay
Nr:1637 Hamparsum Notation Manuscripts at Istanbul Ataturk LibraryITU Institute of Social ScienceDecember 1999
Kelley, Robert T.
Modulo-Seven Transformations in Post-Functional MusicFlorida State UniversityApril 2005
Khannanov, Ildar
Russian Methodology of Music Theory and AnalysisUniversity of California, Santa BarbaraDecember 2003
Kievman, Carson
Ockeghem and Ligeti: The Music of TranscendencePrinceton UniversityJune 2003
Kim, Jung-Jin
A Barthesian Analysis of Britten's The Holy Sonnets of John Donne, Op. 35University of Wisconsin-MadisonDecember 1996
Kinton, Leslie
A Documentary Study and Schenkerian Analysis of Dvořák’s Symphony in D minor, op. 70University of TorontoNovember 2008
Kizas, Andrew J.
From Octatonicism to Dodecaphony: A Study of Pitch Organization in Selected Works by Donald MartinoUniversity of Western OntarioDecember 2004
Klein, Michael
A Theoretical Study of the Late Music of Witold Lutoslawski: New Interactions of Pitch, Rhythm, and FormSUNY BuffaloMay 1995
Kleppinger, Stanley V
Tonal Coherence in Copland's Music of the 1940sIndiana UniversityMay 2006
Klorman, Edward
Multiple Agency in Mozart\'s Chamber MusicCUNY Graduate CenterJanuary 2013
Klug, Gregory Kyle
A Study of Two Biblical Choral Symphonies with an Original CompositionUniversity of Northern ColoradoApril 2012
Kochavi, Jonathan, H.
Contextually Defined Musical TransformationsSUNY BuffaloApril 2002
Konov Yavor S.
The first treatise of harpsichord "Les Principes du Clavecin" by Saint Lambert (Paris, M. DCCII)State Academy of MusicSeptember 1997
Konstantinou, Elena
Nikos Skalkottas: The Piano MusicUniversity of Reading, Reading, U.K.October 2001
Korstvedt, Benjamin Marcus
The First Edition of Anton Bruckner's Fourth Symphony: Authorship, Production and ReceptionUniversity of PennsylvaniaMay 1995
Kosovsky, Robert
Bernard Herrmann's Radio Music for the Columbia WorkshopGraduate Center, the City University of New YorkSeptember 2000
Krumbholz, Jay
Friedrich Wilhelm Marpurg's Abhandlung von der FugeUniversity of RochesterAugust 1994
Kurth, Richard B.
Mosaic Isomorphism and Mosaic Polyphony: Balance and Imbalance in Schoenberg's Twelve-tone RhetoricHarvard UniversityApril 1993
Kuusi, Tuire
Set-Class and Chord: Examining Connection between Theoretical Resemblance and Perceived ClosenessSibelius AcademyNovember 2001
Kwan, Kenneth
Compositional Design in Recent Works of Chou Wen ChungSUNY BuffaloSeptember 1995
Lai, Eric C.
A Theory of Pitch Organization in the Early Music of Chou Wen-chungIndiana UniversityMay 1994
Laine, Pauli A.
A Method for Musical Motion PatternsUniversity of HelsinkiApril 2000
Lapidaki, Eleni
Consistency of Tempo Judgments as a Measure of Time Experience in Music ListeningNorthwestern University, School of MusicJune 1996
Laurson, Mikael
"PATCHWORK: A Visual Programming Language and some Musical Applications"Sibelius AcademyApril 1996
Lavacek, Justin
Contrapuntal Confrontation and Expressive Signification in the Motets of MachautIndiana UniversityDecember 2011
Lehman, Frank M
Reading Tonality Through Film: Transformational Hermeneutics and the Music of Hollywood
Harvard UniversityMay 2012
Leinberger, Charles F.
An Austrian in Hollywood: Leitmotifs, Thematic Transformation & Key Relationships in Max Steiner\'s 1942 Film Score, Now, VoyagerThe University of ArizonaDecember 1996
Leinberger, Charles, F.
"An Austrian in Hollywood: Leitmotifs and Thematic Transformation in Max Steiner's Film Score 'Now, Voyager'"University of ArizonaMay 1996
Lemieux, Glenn C.
"Music in Twelve Parts" by Philip Glass: Reconstruction, Construction and DeconstructionUniversity of IowaJune 1999
Leong, Daphne
A Theory of Time-Spaces for the Analysis of Twentieth-Century Music: Applications to the Music of Bela BartokEastman School of MusicApril 1999
Lerch, Alexander
Software-Based Extraction of Objective Parameters from Music PerformancesTechnical University BerlinNovember 2008
Letts, Marianne Tatom
"How to Disappear Completely": Radiohead and the Resistant Concept AlbumUniversity of Texas at AustinDecember 2005
Leydon, Rebecca V.
Narrative Strategies and Debussy's Late StyleMcGill UniversityDecember 1996
Lilja, Esa
Theory and Analysis of Classic Heavy Metal HarmonyUniversity of HelsinkiOctober 2009
Lima, Paulo C.
Surface and Structure in the Music of Ernst Widmer: Octatonic Compositional StrategiesUniversidade de Săo Paulo (USP - Brasil)October 2000
Lin, Wei-Chieh
In Search of Time: Musical Time and Form in Dérive 2 by Pierre BoulezThe Juilliard SchoolMay 2012
Lind, Stephanie K
Replicative Network Structures: Theoretical Definitions and Analytical ApplicationsUniversity of British ColumbiaJanuary 2009
Link, John, F.
Long-Range Polyrhythms in Elliott Carter's Recent MusicCity University of New YorkJanuary 1994
Linklater, Mary L.
From Procedure to Technique: Canonic Works of the Fifteenth CenturyUniversity of RochesterMay 2001
Lippus, Urve
Linear Musical ThinkingUniversity of HelsinkiApril 1995
Lipscomb, Scott D.
Cognition of musical and visual accent structure alignment in film and animationUniversity of California, Los AngelesMarch 1995
Longo, Lauren, M.
Pietro Gianotti's Le Guide du compositeur: A Reworking of Rameau's "L'Art de la basse fondamentale"--An Annotated Translation and Critical Edition of Part ICity University of New YorkJuly 1997
Lopes, Eduardo
Just In Time: towards a theory of rhythm and metreUniversity of SouthamptonMarch 2003
Lorenz, Ralph
Pedagogical Implications of musica practica in Sixteenth-Century WittenbergIndiana UniversityMarch 1994
Love, Stefan E
On Phrase Rhythm in JazzUniversity of RochesterApril 2011
Lowe, Bethany L.
Performance, Analysis, and Interpretation in Sibelius's Fifth SymphonyUniversity of SouthamptonNovember 2000
Luchese, Diane
Olivier Messiaen's Slow Music: Glimpses of Eternity in TimeNorthwestern UniversityMay 1998
Ludwig, Alexander R
Three-Part Expositions in the String Quartets of Joseph HaydnBrandeis UniversityAugust 2010
MacKay, James S.
Motivic Structure and Tonal Organization in Selected Motets of William ByrdMcGill UniversityAugust 1999
Mailman, Joshua B.
Temporal Dynamic Form in Music: Atonal, Tonal, and OtherEastman School of Music, University of Rochester April 2010
Mak, Su Yin
Structure, Design, and Rhetoric: Variation Procedures in Selected Instrumental and Vocal Works by Franz SchubertEastman School of MusicJanuary 2009
Mak, Su Yin.
Structure, Design, and Rhetoric: Variation Procedures in Selected Instrumental and Vocal Works by Franz SchubertEastman School of MusicDecember 1997
Malawey, Victoria L.
Temporal Process, Repetition, and Voice in Björk's MedúllaIndiana University BloomingtonDecember 2007
Marlowe, Sarah R.
Fugue in Context: A Schenkerian Approach to Select Works by J.S. Bach and Dmitri ShostakovichEastman School of Music of the University of RochesterOctober 2013
Martens, Peter A.
Beat-Finding, Listener Strategies, and Musical MeterUniversity of ChicagoJune 2005
Martins, José Oliveira
Dasian, Guidonian, and other Affinity Spaces in Twentieth-Century MusicUniversity of ChicagoMarch 2006
McCallum, Peter, H.J.
The Analytical Significance of Beethoven's Sketches for the String Quartet in F major, opus 135University of SydneyMarch 1995
McCandless, Gregory R.
Rhythm and Meter in the Music of Dream TheaterFlorida State UniversityJanuary 2010
McClatchie, Stephen
Alfred Lorenz as Theorist and AnalystThe University of Western OntarioApril 1994
McDonnell, Donald R.
Roger Sessions' Symphony No. 3, First Movement: Form, Hexachordal Polarity, and Harmonic Language (and) Nexus/Dreamscape for Chamber Ensemble. (Original Composition)Brandeis UniversityFebruary 1994
McGinness, John, R.
"Playing with Debussy's Jeux: Music and Modernism"University of California, Santa BarbaraSeptember 1996
McGowan, James J
Dynamic Consonance in Selected Piano Performances of Tonal JazzUniversity of RochesterFebruary 2005
McKee, Eric, J.
The Interaction of Tonal Structure and Phrase Structure as an Aspect of Form in Tonal MusicUniversity of MichiganApril 1994
Mengozzi, Stefano
Between Humanistic Ideals and Scientific Thought in Glareanus's Dodecachordon
University of ChicagoMarch 1997
Michaelsen, Garrett
Analyzing Musical Interaction in Jazz Improvisations of the 1960sIndiana UniversityJuly 2013
Mooney, Kevin
The Table of Relations and Music Psychology in Hugo Riemann's Harmonic TheoryColumbia UniversityDecember 1995
Moreno, Enrique I.
Embedding Equal Pitch Spaces and The Question Of ExpandedStanford UniversityDecember 1995
Morse, Michael William
The Tune in Jazz as a Social Process--Prolegomena to a Sociology of MusicYork UniversityApril 1996
Moseley, Brian C.
Twelve-Tone Cartography: Space, Chains and Intimations of \'Tonal Form\' in Webern\'s Twelve-Tone MusicCUNY Graduate CenterAugust 2013
Mullin, Carolyn D.
Global Coherence in Selected Atonal Works of Anton WebernUniversity of OregonJune 2005
Murphy, Paul T.
The Thoroughbass Theory of Jose de Torres y Martinez Bravo with an Annotated Translation of Reglas Generales (1736)The University of Texas at AustinMay 1995
Nelson, Mark, D
Quieting the Mind, Manifesting Mind: The Zen Buddhist Roots of John Cage's Early Chance-Determined and Indeterminate CompositionsPrinceton UniversityFebruary 1995
Nelson, Richard B.
Theories of Harmonic Modulation in Selected German Treatises of the Eighteenth CenturyEastman School of MusicDecember 1983
Nelson, Thomas K.
The Fantasy of Absolute MusicUniversity of MinnesotaJune 1998
Ng, Samuel
A Grundgestalt Interpretation of Metric Dissonance in the Music of Johannes BrahmsEastman School of Music, University of RochesterJuly 2005
Nicholson, G. Gordon
The Experience of Successful Contemporary Classical Musical Composition for Non-Computer-Assisted Performance: A Qualitative StudySaybrook Institute, San Francisco, CANovember 1997
Nivans, David B.
Brahms and the Binary Sonata: A Structuralist InterpretationUniversity of California, Los AngelesJanuary 1992
Nobile, Drew F.
A Structural Approach to the Analysis of Rock MusicCUNY Graduate CenterDecember 2013
Noll, Thomas
Morphologische Grundlagen der abendlaendischen Harmonik (Morphological Foundations of Occidental Harmony)Technical University of BerlinJuly 1995
Novak, John, K.
The Programmatic Orchestral Works of Leos Janacek: Their Style And Their Musical and Extramusical ContentThe University of Texas at AustinMay 1994
NWAMARA, Alvan-Ikoku Okwudiri
CONTEMPORARY ART MUSIC FOR CHRISTIAN WORSHIP IN IGBO LITURGY:
ORIGINAL COMPOSITIONS IN AFRICAN IDIOM WITH BIBLICAL TEXTS
Nnamdi Azikiwe University, Awka. NigeriaAugust 2008
O Maidin, Donncha Sean
A Programmer's Environment for Music AnalysisNational University of Ireland at University College CorkOctober 1995
O'Donnell, Shaugn J.
Transformational Voice Leading in Atonal MusicCity University of New YorkMarch 1997
Ofcarcik, Judith
A Structural-Aesthetic Study of the Variation Movements of Beethoven\'s Late Period\"Florida State UniversityMay 2013
Ohriner, Mitchell S.
DURATIONAL CONTOURS AND ENACTED MEANING IN RECORDED PERFORMANCES OF CHOPIN’S PIANO MUSICIndiana UniversityJuly 2011
Oravitz, Michael
Metric Patterning and its Effects on Phrasing and Form in Selected Debussy PreludesIndiana UniversityJuly 2005
Osborn, Brad T.
Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock MusicUniversity of WashingtonJune 2010
Pacun, David E.
Large-scale Form in Selected Variation Sets of Johannes BrahmsUniversity of ChicagoDecember 1998
Paget, Laurie
The Madrigals of Marc'Antonio IngegneriUniversity of LondonJune 1995
Paley, Elizabeth S.
Narratives of 'Incidental' Music in German Romantic TheaterUniversity of Wisconsin-MadisonJuly 1998
Palombini, C. V.
Pierre Schaeffer's Typo-Morphology of Sonic ObjectsUniversity of DurhamSeptember 1992
Pausina, Melissa A
"Bartleby": An Intertextual Music Drama.Temple UniversityJanuary 2010
Pellegrin, Richard S.
On Jazz Analysis: Schenker, Salzer, and SalienceUniversity of WashingtonJune 2013
Pellegrin, Richard S.
On Jazz Analysis: Schenker, Salzer, and SalienceUniversity of WashingtonJune 2013
Pellegrin, Richard S.
On Jazz Analysis: Schenker, Salzer, and SalienceUniversity of WashingtonJune 2013
Perlman, Marc A.
Unplayed Melodies: Music Theory in Postcolonial JavaWesleyan UniversityAugust 1993
Petrocelli, Paolo
William Walton and the Violin Concerto in England between the 1900 and 1940University of RomeDecember 2007
Polyvios, Androutsos
Development and Experimental Implementation of a Model of Teaching the History of Music in Secondary EducationAristotle University of ThessalonikiDecember 2002
Porterfield, Richard
Melodic Function and Modal Process in Gregorian ChantCUNY Graduate CenterDecember 2013
Post, William D.
Part One: Emanations for Orchestra (original composition); Part Two: Anton Webern and the Golden Ratio: Temporal Proportions as a Formative Principle in Three Late Works, Opp. 27-29.Kent State UniversityMay 2007
Poudrier, Ève
Toward a general theory of polymeter: Polymetric potential and realization in Elliott Carter's solo and chamber instrumental works after 1980City University of New YorkSeptember 2008
Power, Richard S.
An Analysis of Transformation Procedures in Gyorgy Ligeti's String Quartet No. 2University of Illinois at Urbana-ChampaignJuly 1995
Powles, Jonathan C.
Continuity and Discontinuity in the Music of Stravinsky: Analysis, Theory and Meta-TheoryUniversity of OxfordMarch 1995
Pye, Richard, C.
The Music of William SchumanUniversity of NewcastleJanuary 1999
Quaglia, Bruce, W.
Compositional Practice and Analytic Technique; Schoenberg’s Atonal Works: Reconciling Approaches to Sets, Lines and Developing VariationUniversity of UtahOctober 1998
Raickovich, Milos
Einstein on the Beach" by Philip Glass: A Musical AnalysisCity University of New YorkMay 1994
Randall, Richard R.
A General Theory of Comparative Music AnalysisUniversity of Rochester, Eastman School of MusicMay 2006
Reddick, Carissa A
Formal Fusion and Rotational Overlap in Sonata Forms from the Chamber Music of Brahms, Dvořák, Franck, and Grieg
University of ConnecticutNovember 2009
REGO, Eusiel
Fernando Sor e as transcriçőes Opus 19 para violăo de Seis árias escolhidas de A flauta mágica de Mozart: uma abordagem estético-analíticaUniversity of Săo PauloOctober 2012
Reid, Leah C
Composing Timbre Spaces, Composing Timbre in Space: An Exploration of the Possibilities of Multidimensional Timbre Representations and their Compositional ApplicationsStanford UniversityJune 2013
Ricci, Adam
A Theory of the Harmonic SequenceEastman School of Music, University of RochesterMay 2004
Richards, Mark C.
Analyzing Tension and Drama in Beethoven’s First-Movement Sonata FormsUniversity of TorontoApril 2011
Richards, William H.
Transformation and Generic Interaction in the Early Serial Music of Igor StravinskyUniversity of Western OntarioJune 2003
Richardson, Mark D.
Igor Stravinsky\'s Agon (1953-57): Pitch-Related Processes in the Serial Movements and Rhythm in the Named Dance Movements Described in De Lauze\'s Apologie de la Danse (1623)Florida State UniversityMay 1996
Riddick, Frank C.
An Analytical Study of Zemlinsky's Second String QuartetUniversity of Colorado, BoulderMay 1994
Rifkin, Deborah
Tonal Coherence in Prokofiev's Music: A Study of the Interrelationships of Structure, Motives, and DesignEastman School of MusicApril 2000
Riley, Matthew J
Attentive Listening: The Concept of Aufmerksamkeit and its Significance in German Musical Thought, 1770-1790University of LondonJune 2000
Rivest, Johanne
Le Concert for Piano and Orchestra de John Cage ou les limites de l'indetermination ("John Cage's Concert for Piano and Orchestra: the limits of indeterminacy")Universite de MontrealSeptember 1996
Robison, Brian Carl
Carmen arcadiae mechanicae perpetuum: Toward a methodology for analyzing Harrison Birtwistle\'s music since 1977Cornell UniversityAugust 1999
Rockwell, Joti
Drive, Lonesomeness, and the Genre of Bluegrass MusicUniversity of ChicagoJune 2007
Rogers, Nancy M.
The Role of Verbal Encoding in Memory for Musical Timbre and Pitch PatternsUniversity of RochesterJuly 2000
Roller, Jonathan B
An Analysis of Selected Movements from the Symphonies of Charles Ives Using Linear and Set Theoretical Analytical ModelsUniversity of KentuckyOctober 1995
Romig, James
Twelve-Tone Rhythmic Structure and its Application to Form: Time-Point Nesting and Rotation in 'Spin'Rutgers UniversityApril 2000
Rosenberg, Nancy E.
FROM ROCK MUSIC TO THEORY PEDAGOGY:

From Rock Music to Theory Pedagogy: Rethinking U.S. College Music Theory Education from a Popular Music Perspective


Boston UniversityJanuary 2010
Rosenhaus, Steven L.
Harmonic Motion in George Perle's Wind Quintet No.4New York UniversityMay 1995
Rothstein, Evan J.
The Tradition of Developing Variation and the Problem of ‘Folkloristic’ Music in Ives’s First Violin SonataIndiana UniversityMay 2001
Roy, Subroto, M C
Examining Avartan in KhayalUniversity of Pune, IndiaMay 2008
Rubin, Anna, I.
Foręt Profonde: The Narrative, Sonic and Reception Design of Francis Dhomont's Foręt ProfondePrinceton UniversityJanuary 1999
Rupprecht, Philip, E.
Tonal Stratification and Conflict in the Music of Benjamin BrittenYale UniversityNovember 1993
Russell, Todd B.
Rhythm in Music: A Comparative Analysis of the Two Versions of Opus 18, No. 1 String Quartet (I, IV) by BeethovenUniversity of KentuckyJuly 1993
Rust, Douglas, M.
A Theory of Form for Lutoslawski's Late Symphonic WorksYale UniversitySeptember 1994
Sachania, Millan
The Arrangements of Leopold Godowsky: An Aesthetic, Historical, and Analytical StudyUniversity of Cambridge, EnglandJuly 1997
Samplaski, Arthur G.
A Comparison of Perceived Chord Similarity and Predictions of Selected Twentieth-Century Chord-Classification Schemes, Using Multidmensional Scaling and Cluster AnalysisIndiana UniversityApril 2000
Samuels, Robert
Semiotics and Mahler: Analyses of Musical Signification in the Sixth SymphonyCambridge UniversitySeptember 1993
Sandell, Gregory, J.
Concurrent Timbres in Orchestration: A Perceptual Study of Factors Determining 'Blend'Northwestern UniversityDecember 1991
Santa, Matthew S.
Studies in Post-Tonal Diatonicism: A Mod7 PerspectiveCity University of New YorkMay 1999
Saunders, Michael, D.
A Computer-based Notation for the Process of Musical CompositionUniversity of Wales, CardiffSeptember 1998
Schuijer, Michiel
Pitch-Class Set Theory and the Construction of Musical CompetenceUniversity of UtrechtSeptember 2005
Schultz, Rob
A Diachronic-Transformational Theory of Musical Contour RelationsUniversity of WashingtonJune 2009
Scotto, Ciro, G.
Can Non-Tonal Systems Support Music as Richly as Tonal Systems?University of WashingtonDecember 1995
Scrivener, Julie A.
Representations of Time and Space in the Player Piano Studies of Conlon NancarrowMichigan State UniversityMay 2002
Searby, Michael D
An investigation of the transformation of compositional process in György Ligeti's music 1974-85, with particular reference to pitch Goldsmiths College. LondonJuly 2006
Seltzer, Linda, A.
The Unblinking Eye, Literary Theory in the Analysis of Debussy's Pelleas et MelisandePrinceton University 0000
Selvafiorita, Fabio
Genesi della forma nella Composizione Assistita al Computer: modelli teorici e prospettive poietiche nel'ambiente di programmazione OpenMusic (Genesis of form in Computer Aided Composition: theoretical models and poietical perspective)Bologna UniversityJanuary 2007
Serebrennikov, Maxim
The Keyboard Thorough-bass Fugue of the Baroque EraThe State Institute of Art Studies, MoscowOctober 2013
Sheehan, Paul J.
Twelve-Tone Enitities, Inquisitorial Mind, and the Network Model of the Multitude: Analyzing Luigi Dallapiccola's Il prigionieroColumbia UniversityNovember 2007
Sheinberg, Ester
The Semantics Of Irony In ShostakovichUniversity Of Edinburgh, ScotlandJune 1995
Shelley, Peter J
Rethinking Minimalism: At the Intersection of Art and MusicUniversity of WashingtonJune 2013
Silberman, Peter S.
Neighbor Spaces: A Theory of Harmonic Embellishment for Twentieth-Century Neotonal MusicEastman School of MusicMay 2006
Simpson, Jasba
Cochlear Modeling of Sensory Dissonance and Chord RootsUniversity Of WaterlooApril 1994
Slottow, Stephen P.
A Vast Simplicity: Pitch Organization in the works of Carl RugglesGraduate Center, City University of New YorkApril 2001
Smith, Kathleen Biddick
Musical Process in Selected Works by Michael TorkeFlorida State UniversityMay 2009
Solomon, Jason W.
Spatialization in Music: The Analysis and Interpretation of Spatial GesturesUniversity of GeorgiaMay 2007
Solomon, Larry Joseph
Symmetry as a Determinant of Musical CompositionWest Virginia UniversityFebruary 1973
Spicer, Mark
British Pop-Rock Music in the Post-Beatles Era: Three Analytical StudiesYale UniversityDecember 2001
Spicker, Volker
New Piano ImprovisationUniversity of Giessen, GermanyDecember 1997
Spiegelberg, Scott C.
The Psychoacoustics of Musical ArticulationEastman School of MusicJanuary 2002
Squibbs, Ronald, J.
Analytical Issues in Recent Instrumental Works of Iannis XenakisYale UniversityMarch 1996
Steege, Benjamin A.
Material Ears: Hermann von Helmholtz, Attention, and Modern AuralityHarvard UniversityApril 2007
Steenstra, Sytze G.
We Are The Noise Between Stations: A philosophical exploration of the work of David Byrne, at the crossroads of popular mediaMaastricht University, The NetherlandsJune 2003
Steffen, Ralph Martin
Metalogik: The Music Theory of Walter HarburgerUniversity of California, Santa BarbaraJune 1999
Steinbeck, Paul
Urban Magic: The Art Ensemble of Chicago's Great Black MusicColumbia UniversityMay 2008
Stocken, Frederick
Anton Bruckner and Simon Sechter's Fundamental Bass TheoryManchester University, UKDecember 2007
Stover, Chris
A Theory of Flexible Rhythmic Spaces for Diasporic African MusicUniversity of WashingtonDecember 2009
Sundin, Nils-Goran
Aesthetic Criteria for Musical Interpretation: A Study of the Contemporary Performance of Western Notated Instrumental Music after 1750University of Jyvaskyla, FinlandAugust 1994
Svistoonoff, Katherine A.
Cosmopolitanism in Two Twentieth-Century Piano SonatasUniversity of HoustonJanuary 2011
Tan, Daphne
Ernst Kurth at the Boundary of Music Theory and PsychologyEastman School of Music, University of RochesterApril 2013
Taylor, Stephen Andrew
The Lamento Motif: Metamorphosis in Ligeti's Late StyleCornell UniversityMay 1994
Telesco, Paula J.
Enharmonicism in Theory and Practice in 18th-Century MusicThe Ohio State UniversityAugust 1993
Thomas, Margaret E.
Conlon Nancarrow's 'Temporal dissonance': Rhythmic and Textural Stratification in the Studies for Player PianoYale UniversityMarch 1996
Thurmaier, David P
Time and Compositional Process in Charles Ives's Holidays SymphonyIndiana UniversityMay 2006
Tjoeme, Berit K.
The Articulation of Sonata Form in Atonal Works by Fartein Valen. Analyses of his Violin Concerto, Op. 37 and Symphony No. 3, Op. 41.University of OsloAugust 1995
Tobiason, Anders
Non-Assimilation in Schubert SongUniversity of Wisconsin, MadisonApril 2013
Tong, Chee-yee, J.
Separate Discourses: A Study of Performance and AnalysisUniversity of SouthamptonOctober 1994
Tsougras, Costas, F
Generative Theory of Tonal Music and Modality - Research based on the analysis of "44 Greek miniatures" by Yannis ConstantinidisAristotle University of ThessalonikiMarch 2002
Tucker, Gary R.
Tonality and Atonality in Alban Berg's Four Songs, Op. 2University of Western OntarioAugust 1995
Turner, Mitchell M.
Toward a General Theory of Pitch Structure: Unity Between Horizontal and Vertical Pitch-Class SetsUniversity of GeorgiaDecember 1999
Uno, Yayoi
Avant-garde Music circa 1950-60: Analysis of Works by Boulez, Cage, Babbitt, and XenakisUniversity of RochesterSeptember 1993
Vachon, Pierre
Study of titles in the Piano Works of Robert Schumann, their function and meaningUniversite de MontrealMay 1998
Väisälä, Olli
Prolongation in Early Post-Tonal Music: Analytical Examples and Theoretical PrinciplesSibelius AcademyJune 2004
Van Colle, S. J.
Music therapy process with young people who have severe and multiple disabilitiesUniversity of ReadingJanuary 2003
Van Colle, Sue, J
Music therapy process with cerebral palsied children: connections with psychoanalytic models, particularly that of WinnicottUniversity of Reading, Department of MusicOctober 1999
Varney, John Charles
Colombian Bambuco: The Evolution of a National Music StyleGriffith UniversityJune 1999
Vives, Thomas E.
The Effect of Timbre on the Chord Identification Accuracy of Sophomore-Level College Music Theory StudentsUniversity of FloridaAugust 1998
Vlagopoulos Panos
Le noble rhetorique: Mental Models in the Song Production of Guillaume de MachautIonion State UniversityJune 1998
Vojcic, Aleksandra
Rhythms as Form: Rhythmic Hierarchy in Later Twentieth-Century Piano MusicGraduate Center CUNYJanuary 2009
Wacker, Lori J.
Rhythmic and motivic procedures in selected late works of S.C. Eckhardt-GramatteIndiana UniversityMay 1999
Walker, Jonathan
The Work-Concept in Music and Musicology: A Philosophical Study." (provisional title) Queen's University Belfast, School of Music, 1996Queen's University BelfastSeptember 1996
Wang, Yuhwen
The Value of Values: Value Judgment in Edward T. Cone's Music AnalysesColumbia UniversityDecember 1996
Waters, Keith, J.
Rhythmic and Contrapuntal Structures in the Music of Arthur HoneggerEastman School of MusicJanuary 1997
Waters, William J.
A Study of Temporal Change in the Recorded Performances of Igor Stravinsky's, `The Rite of Spring'Florida State UniversityDecember 1995
Weisser, Benedict J.
Notational Practice in Contemporary Music: A Critique of Three Compositional Models (Luciano Berio, John Cage, and Brian Ferneyhough)The City University of New YorkJuly 1998
Weytjens, Stephan
Text as a Crutch in Arnold Schoenberg’s “Pierrot Lunaire” op. 21? An Analysis of the Relationship between Textual Aspects and Musical Structure in Free AtonalityCatholic University of LeuvenDecember 2003
Wiens, Carl K.
Igor Stravinsky and AgonUniversity of MichiganJanuary 1997
Wiering, Frans
The Language of the Modes. Studies in the History of Polyphonic ModalityUniversity of AmsterdamAugust 1995
Wilde, Howard
Towards a New Theory of Voice-Leading Structure in Sixteenth-Century PolyphonyUniversity of LondonJuly 1995
Wile, Kip, D.
A Study of Collection in Neocentric MusicUniversity of ChicagoAugust 1994
Wilkinson, Carlton J.
Symphony in Five Movements: A Presentation and Analytical Discussion of a New Work in a Symphonic FormRutgers, The State University of New JerseyJanuary 1995
Williams, Justin A
Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case StudiesUniversity of NottinghamSeptember 2009
Windsor, Luke W.
A Perceptual Approach to the Description and Analysis of Acousmatic MusicCity University, LondonSeptember 1995
Wright, James K.
Schoenberg, Wittgenstein, and the Vienna Circle: Epistemological Meta-Themes in Harmonic Theory, Aesthetics, and Logical PositivismMcGill UniversityFebruary 2002
Yorgason, Brent
Expressive Asynchrony and Meter: A Study of Dispersal, Downbeat Space, and Metric DriftIndiana UniversityAugust 2009
Yoshikawa, Christine M
Rachmaninoff’s Integrative Technique and Structural Organization: A Schenkerian Analysis of Allegro Moderato, from Piano Sonata No. 1 in D Minor, Opus 28Arizona State UniversityMay 2004
Yust, Jason D
Formal Models of ProlongationUniversity of WashingtonNovember 2006
Zagalaz, Juan C.
Innovaciones melódico - armónicas en la improvisación Jazzística. Un recorrido a través de Body and Soul. (1935 -1945).Universidad de Jaén January 2010
Zamzow, Beth Ann
The Influence of the Liturgy on the Fifteenth-Century English CarolsThe University of IowaMay 2000


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