Author Index    [Volume Index]


A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z |



Author Type Title  Volume  Formats
Aarden, Bret and Paul T. von HippelArticleRules for Chord Doubling (and Spacing): Which Ones Do We Need?10.2, 2004HTML/Frames
HTML
Aaslid, VildeArticleSociable Musicopoetics in Vijay Iyer and Mike Ladd’s In What Language28.3, 2022HTML
PDF
Adamowicz, Emily J.EssaySubjectivity and Structure in Milton Babbitt’s Philomel17.2, 2011HTML
PDF
Adams, KyleArticleAspects of the Music/Text Relationship in Rap14.2, 2008HTML
PDF
Adams, KyleCommentary“People’s Instinctive Assumptions and the Paths of Narrative”: A Response to Justin Williams15.2, 2009HTML
PDF
Adams, KyleArticleOn the Metrical Techniques of Flow in Rap Music15.5, 2009HTML
PDF
Adams, KyleArticlePlaying with Beats and Playing with Cats: Meow the Jewels, Remixes, and Reinterpretations22.3, 2016HTML
PDF
Adams, KyleArticleHarmonic, Syntactic, and Motivic Parameters of Phrase in Hip-Hop26.2, 2020HTML
PDF
Agawu, KofiArticleAnalyzing Music Under the New Musicological Regime2.4, 1996HTML
PDF
ASCII
Agawu, KofiArticleResponse to 1999 SMT International Plenary Session6.1, 2000HTML
PDF
ASCII
Agawu, KofiCommentaryCommentary   16.4, 2010HTML
PDF
Agmon, EytanCommentaryConventional Harmonic Wisdom and the Scope of Schenkerian Theory: A Reply to John Rothgeb (MTO 2.1)2.3, 1996HTML
PDF
ASCII
Agmon, EytanArticleBeethoven’s Op. 81a and the Psychology of Loss2.4, 1996HTML
PDF
ASCII
Agmon, EytanArticleThe Bridges that Never Were: Schenker on the Contrapuntal Origin of the Triad and Seventh Chord3.1, 1997HTML
PDF
ASCII
Agmon, EytanArticle“Aus Mozart gestohlen”: Beethoven and Die Entführung aus dem Serail29.2, 2023HTML
PDF
Agrawal, Susan MinaReviewReview of John Irving, Mozart: The “Haydn” Quartets6.3, 2000HTML
PDF
Albrecht, JoshuaReviewReview of Elizabeth Margulis, On Repeat: How Music Plays the Mind (Oxford, 2013)20.4, 2014HTML
PDF
Albrecht, Joshua D.ArticleExpressive Meaning and the Empirical Analysis of Musical Gesture: The Progressive Exposure Method and the Second Movement of Beethoven’s Pathétique Sonata24.3, 2018HTML
PDF
Alcalde, BrunoArticleMixture Strategies: An Analytical Framework for Musical Hybridity28.1, 2022HTML
PDF
Alpern, WayneReviewReview Article, “Will the Real Anton Webern Please Stand Up?”: Anne C. Shreffler, Webern and the Lyric Impulse (Oxford University Press, 1994)4.2, 1998HTML/Frames
HTML
PDF
ASCII
Alphonce, Bo H.ArticleDissonance and Schumann’s Reckless Counterpoint0.7, 1994HTML
PDF
ASCII
Amiot, EmmanuelArticleDiscrete Fourier Transform and Bach’s Good Temperament15.2, 2009HTML
PDF
Amiot, Emmanuel and Gilles BaroinArticleOld and New Isometries between Pc sets in the Planet-4D Model21.3, 2015HTML
PDF
Andersen, DrakeArticle“What can they have to do with one another?”: Approaches to Analysis and Performance in John Cage’s Four223.4, 2017HTML
PDF
Andersen, DrakeArticle(Per)forming Open Form: A Case Study with Earle Brown’s Novara26.3, 2020HTML
PDF
Anku, WillieArticleCircles and Time: A Theory of Structural Organization of Rhythm in African Music6.1, 2000HTML/Frames
HTML
PDF
ASCII
Argentino, JoeReviewReview of Jack Boss, Schoenberg’s Twelve-Tone Music: Symmetry and the Musical Idea (Cambridge University Press, 2014)21.4, 2015HTML
PDF
Argentino, Joe R. ArticleTripartite Structures in Schoenberg’s A Survivor from Warsaw19.1, 2013HTML
PDF
Arkle, Genevieve RobynArticleThe Turn in the Finale of Mahler’s Ninth Symphony as Allusion to Wagner’s Parsifal30.1, 2024HTML
PDF
Arlin, Mary I.ReviewReview of L. Poundie Burstein and Joseph N. Straus, Concise Introduction to Tonal Harmony (W. W. Norton, 2016)22.3, 2016HTML
PDF
Atkinson, SeanArticleCanons, Augmentations, and Their Meaning in Two Works by Steve Reich17.1, 2011HTML
PDF
Atkinson, SeanArticleSoaring Through the Sky: Topics and Tropes in Video Game Music25.2, 2019HTML
PDF
Attas, RobinArticleMetaphors in Motion: Agents and Representation in Transformational Analysis15.1, 2009HTML
PDF
Attas, RobinArticleSarah Setting the Terms: Defining Phrase in Popular Music17.3, 2011HTML
PDF
Attas, RobinReviewReview of Ron Moy, Authorship Roles in Popular Music: Issues and Debates (Routledge, 2015)22.1, 2016HTML
PDF
Attas, RobinEssayMusic Theory as Social Justice: Pedagogical Applications of Kendrick Lamar’s To Pimp A Butterfly25.1, 2019HTML
PDF
Attas, RobinReviewReview of Dylan Robinson, Hungry Listening: Resonant Theory for Indigenous Sound Studies (University of Minnesota Press, 2020)26.4, 2020HTML
PDF
Attas, RobinEssayThe Many Paths of Decolonization: Exploring Colonizing and Decolonizing Analyses of a Tribe Called Red’s “How I Feel”28.2, 2022HTML
PDF
Attinello, PaulEssayTime, Work, and Chronic Illness15.3, 2009HTML
PDF
Auerbach, BrentArticlePedagogical Applications of the Video Game Dance Dance Revolution to Aural Skills Instruction16.1, 2010HTML
PDF
Aversa, EleanorReviewReview of David Huron, Sweet Anticipation (MIT Press Books, 2006): Implications for Composers 15.3, 2009HTML
PDF
Aziz, AndrewReviewReview of William Caplin, Analyzing Classical Form: An Approach for the Classroom (Oxford University Press, 2013)20.1, 2014HTML
PDF
Aziz, AndrewArticleBilly Joel’s Enharmonic Duplicity28.2, 2022HTML
PDF
Aziz, Andrew I.ArticleThe Evolution of Chopin’s Sonata Forms: Excavating the Second Theme Group21.4, 2015HTML
PDF

     Show all authors

SMT