Author Index    [Volume Index]


A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z |



Author Type Title  Volume  Formats
Aarden, Bret and Paul T. von HippelArticleRules for Chord Doubling (and Spacing): Which Ones Do We Need?10.2, 2004HTML/Frames
Aarden, Bret and Paul T. von HippelCommentaryRules for Chord Doubling (and Spacing): A Reply To Wibberley10.3, 2004HTML
Adamowicz, Emily J.EssaySubjectivity and Structure in Milton Babbitt’s Philomel17.2, 2011HTML
PDF
Adams, KyleArticleAspects of the Music/Text Relationship in Rap14.2, 2008HTML
Adams, KyleCommentary“People’s Instinctive Assumptions and the Paths of Narrative”: A Response to Justin Williams15.2, 2009HTML
Adams, KyleArticleOn the Metrical Techniques of Flow in Rap Music15.5, 2009HTML
Agawu, KofiArticleAnalyzing Music Under the New Musicological Regime2.4, 1996HTML
ASCII
Agawu, KofiArticleResponse to 1999 SMT International Plenary Session6.1, 2000HTML
ASCII
Agawu, KofiCommentaryCommentary16.4, 2010HTML
Agmon, EytanCommentaryConventional Harmonic Wisdom and the Scope of Schenkerian Theory: A Reply to John Rothgeb (MTO 2.1)2.3, 1996HTML
ASCII
Agmon, EytanArticleBeethoven's Op. 81a and the Psychology of Loss2.4, 1996HTML
ASCII
Agmon, EytanArticleThe Bridges that Never Were: Schenker on the Contrapuntal Origin of the Triad and Seventh Chord3.1, 1997HTML
ASCII
Alpern, WayneReview"Will the Real Anton Webern Please Stand Up?": Anne C. Shreffler, Webern and the Lyric Impulse (Oxford, Oxford University Press: 1994)4.2, 1998HTML/Frames
HTML
ASCII
Alphonce, Bo H.ArticleDissonance and Schumann's Reckless Counterpoint0.7, 1994ASCII
Amiot, EmmanuelArticleDiscrete Fourier Transform and Bach’s Good Temperament15.2, 2009HTML
Anku, WillieArticleCircles and Time: A Theory of Structural Organization of Rhythm in African Music6.1, 2000HTML/Frames
HTML
ASCII
Argentino, Joe R. ArticleTripartite Structures in Schoenberg’s A Survivor from Warsaw19.1, 2013HTML
PDF
Atkinson, SeanArticleCanons, Augmentations, and Their Meaning in Two Works by Steve Reich17.1, 2011HTML
PDF
Attas, RobinArticleMetaphors in Motion: Agents and Representation in Transformational Analysis15.1, 2009HTML
Attas, RobinArticleSarah Setting the Terms: Defining Phrase in Popular Music17.3, 2011HTML
PDF
Attinello, PaulEssayTime, Work, and Chronic Illness15.3, 2009HTML
Auerbach, BrentArticlePedagogical Applications of the Video Game Dance Dance Revolution to Aural Skills Instruction16.1, 2010HTML
Aversa, EleanorReviewReview of David Huron, Sweet Anticipation: Implications for Composers15.3, 2009HTML
Aziz, AndrewReviewReview of William Caplin, Analyzing Classical Form: An Approach for the Classroom (Oxford University Press, 2013)20.1, 2014HTML
PDF
BaileyShea, MattReviewReview of Michael L. Klein and Nicholas Reyland, eds., Music and Narrative since 1900 (Indiana University Press, 2013) and Peter Kivy, Antithetical Arts: On the Ancient Quarrel between Literature and Music (Clarendon Press, 2009)19.3, 2013HTML
PDF
BaileyShea, Matt L.ArticleFilleted Mignon: A New Recipe for Analysis and Recomposition13.4, 2007HTML
BaileyShea, Matthew L.ArticleMusical Forces and Interpretation: Some Thoughts on a Measure in Mahler18.3, 2012HTML
PDF
Baragwanath, NicholasArticleAnalytical Approaches to Melody in Selected Arias by Puccini14.2, 2008HTML
Barnes, LarryReviewReview of J. Kent Williams, Theories and Analyses of Twentieth-Century Music3.4, 1997HTML
ASCII
Barolsky, Daniel and Peter MartensArticleRendering the Prosaic Persuasive: Gould and the Performance of Bach’s C-minor Prelude (WTC I)18.1, 2012HTML
PDF
Barolsky, DanielReportConference Report: “Performance Studies Network Second International Conference”19.2, 2013HTML
PDF
Barolsky, Daniel GCommentaryThe Performer as Analyst13.1, 2007HTML
Bass, RichardReviewReview of David Kopp, Chromatic Transformations in Nineteenth-Century Music. Cambridge: Cambridge University Press, 200210.1, 2004HTML
Bassler, SamanthaEssay“But You Don’t Look Sick”: A Survey of Scholars with Chronic, Invisible Illnesses and their Advice on How to Live and Work in Academia15.3, 2009HTML
Benadon, FernandoCommentaryCommentary on Matthew W. Butterfield's "The Power of Anacrusis"13.1, 2007HTML
Benadon, FernandoArticleA Circular Plot for Rhythm Visualization and Analysis13.3, 2007HTML
Benitez, Vincent P.ArticleSimultaneous Contrast and Additive Designs in Olivier Messiaen’s Opera, Saint François d’Assise8.2, 2002HTML/Frames
HTML
Bent, MargaretCommentaryDiatonic ficta Revisited: Josquin's Ave Maria in Context (MTO 2.5)2.6, 1996HTML
ASCII
Berman, Nancy M.ReviewReview of Glenn Watkins, Pyramids at the Louvre, Harvard University Press, 19942.4, 1996HTML
ASCII
Bernstein, ZacharyEssayDuplicated Subdivisions in Babbitt’s It Takes Twelve to Tango17.2, 2011HTML
PDF
Bernstein, ZacharyReviewReview of Dora Hanninen, A Theory of Music Analysis: On Segmentation and Associative Organization. Eastman Studies in Music (University of Rochester Press, 2012)19.4, 2013HTML
PDF
Berry, David CarsonReviewReview of Philip Furia, Irving Berlin: A Life In Song. New York: Schirmer Books, 1998.6.5, 2000HTML/Frames
HTML
ASCII
Berry, MichaelArticleThe Importance of Bodily Gesture in Sofia Gubaidulina’s Music for Low Strings15.5, 2009HTML
Biamonte, NicoleArticleAugmented-Sixth Chords vs. Tritone Substitutes14.2, 2008HTML
Biamonte, NicoleArticleIntroduction17.3, 2011HTML
PDF
Blake, David K. ArticleTimbre as Differentiation in Indie Music18.2, 2012HTML
PDF
Boone, ChristineArticleMashing: Toward a Typology of Recycled Music19.3, 2013HTML
PDF
Bor, MustafaArticleSonata-Formal Functions and Transformational Processes in the First Movement of Rochberg’s String Quartet No. 615.1, 2009HTML
Boss, JackReviewReview of Michael Cherlin, Schoenberg’s Musical Imagination (Cambridge: Cambridge University Press, 2007)15.1, 2009HTML
Boss, Jack F.Article"Schenkerian-Schoenbergian Analysis" and Hidden Repetition in the Opening Movement of Beethoven's Piano Sonata Op. 10, No. 15.1, 1999HTML/Frames
HTML
ASCII
Bottge, Karen M.EssayReading Adorno’s Reading of the Rachmaninov Prelude in C-sharp Minor: Metaphors of Destruction, Gestures of Power17.4, 2011HTML
PDF
Brasky, Jill T. ArticleExtraordinary Function and the Half-Diminished Seventh in the Song of the Wood Dove16.1, 2010HTML
Brinkman, Alexander and Elizabeth West MarvinArticleUsing the Tools to Teach the Tools: Teaching Multimedia Programming in Music Curricula3.5, 1997HTML/Frames
HTML
ASCII
Brody, ChristopherReviewReview of Matthew Dirst, Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn (Cambridge University Press, 2012)19.3, 2013HTML
PDF
Broman, Per F.International ReportReport from the Three Seminars on Contemporary Music with Connection to the ISCM World Music Days in Copenhagen, 19962.6, 1996HTML
ASCII
Broman, Per F.International ReportReport from the Third Triennial ESCOM Conference in Uppsala, Sweden, 7-12 June, 19973.4, 1997HTML
ASCII
Broman, Per F.International ReportReport from the "Skagerack Network" Analysis Workshop at Lyseby Conference Center in Oslo, Norway, November 20-23, 19974.1, 1998HTML/Frames
HTML
Brown, MatthewArticleAdrift on Neurath's Boat: The Case for a Naturalized Music Theory2.2, 1996HTML
ASCII
Brown, Stephen C.ArticleAxis Tonality and Submediant in the Music of Shostakovich15.2, 2009HTML
Brown, Stephen C. ReviewReview of Paolo Susanni and Elliott Antokoletz, Music and Twentieth-Century Tonality: Harmonic Progression Based on Modality and the Interval Cycles. Studies in Music Theory (Routledge, 2012)20.1, 2014HTML
PDF
Browne, RichmondArticleThe Deep Background of our Society9.1, 2003HTML
Buchler, MichaelArticleReconsidering Klumpenhouwer Networks13.2, 2007HTML
Buchler, MichaelCommentaryReconsidering Klumpenhouwer Networks One More Time: A Response to Eight Responses14.1, 2008HTML
Bugallo, HelenaArticleHarmonic and Non-Harmonic Temporal Structures in Nancarrow’s Study No. 47 for Player Piano20.1, 2014HTML
PDF
Buhler, JamesReviewReview of Roger Scruton, The Aesthetics of Music5.3, 1999HTML
ASCII
Burnham, ScottArticleTheorists and "The Music Itself"2.2, 1996HTML
ASCII
Burns, ChelseaReviewReview of Michael Tenzer and John Roeder, eds., Analytical and Cross-Cultural Studies in World Music (Oxford University Press, 2011)18.4, 2012HTML
PDF
Burns, JamesArticleRhythmic Archetypes in Instrumental Music from Africa and the Diaspora16.4, 2010HTML
Burns, Lori and Alyssa WoodsArticleAuthenticity, Appropriation, Signification: Tori Amos on Gender, Race, and Violence in Covers of Billie Holiday and Eminem10.2, 2004HTML/Frames
HTML
Burns, LoriArticleFeeling the Style: Vocal Gesture and Musical Expression in Billie Holiday, Bessie Smith, and Louis Armstrong11.3, 2005HTML/Frames
HTML
Burns, Lori, Marc Lafrance and Laura HawleyArticleEmbodied Subjectivities in the Lyrical and Musical Expression of PJ Harvey and Björk14.4, 2008HTML
Butler, Mark J.ArticleTurning the Beat Around: Reinterpretation, Metrical Dissonance, and Asymmetry in Electronic Dance Music7.6, 2001HTML/Frames
HTML
Butterfield, Matthew W.ArticleThe Power of Anacrusis: Engendered Feeling in Groove-Based Musics12.4, 2006HTML
Butterfield, Matthew W.CommentaryResponse to Fernando Benadon13.3, 2007HTML
Butterfield, Matthew W.ArticleVariant Timekeeping Patterns and Their Effects in Jazz Drumming16.4, 2010HTML
Byron, AviorArticleThe Test Pressings of Schoenberg Conducting Pierrot lunaire: Sprechstimme Reconsidered12.1, 2006HTML/Frames
HTML
Byron, Avior and Matthias PasdziernyCommentarySprechstimme Reconsidered Once Again: '... though Mrs. Stiedry is never in pitch'13.2, 2007HTML
Byros, VasiliReviewReview of Giorgio Sanguinetti, The Art of Partimento: History, Theory, and Practice (Oxford University Press, 2012)18.3, 2012HTML
PDF
Callahan, Michael R. ArticleSentential Lyric-Types in the Great American Songbook19.3, 2013HTML
PDF
Callender, CliftonArticlePerforming the Irrational: Paul Usher’s Arrangement of Nancarrow’s Study No. 33, Canon 2: \(\sqrt{2}\)20.1, 2014HTML
PDF
Callender, ClintonArticleContinuous Transformations10.3, 2004PDF
Cantrick, RobertCommentaryCommentary on Nicholas Cook, "Theorizing Musical Meaning," Music Theory Spectrum 23/2 (2001)8.2, 2002HTML
Caplin, William E.ArticleBeethoven’s “Tempest” Exposition: A Response to Janet Schmalfeldt16.2, 2010HTML
Capuzzo, GuyReviewReview of Robert D. Morris, Class Notes for Advanced Atonal Music Theory (Lebanon, N.H.: Frog Peak Music, 2001)8.3, 2002HTML
Capuzzo, GuyArticlePat Martino's The Nature of the Guitar: An Intersection of Jazz Theory and Neo-Riemannian Theory12.1, 2006PDF
Capuzzo, GuyArticleMaximally Alpha-Like Operations14.3, 2008HTML
Carlson, MarkReviewReview of Alexandra Pierce, Deepening Musical Performance through Movement (Indiana University Press, 2007) 17.1, 2011HTML
PDF
Carr, Maureen A.Commentary"Who's on First?": Response to David H. Smyth's review of Stravinsky's Histoire du soldat: A Facsimile of the Sketches, edited by Maureen A. Carr (Middleton, Wisconsin: A-R Editions, 2005)12.3, 2006HTML
Casacuberta, DavidReviewReview of David Temperley, Music and Probability (Cambridge: MIT Press, 2007) 16.2, 2010HTML
Castine, PeterInternational ReportReview of John Cage Symposium (Berlin, Germany)2.3, 1996HTML
ASCII
Castine, PeterInternational ReportReview of "The Beginnings of Serial Music," Berlin, Germany, June 20-25, 19962.5, 1996HTML
ASCII
Chenette, Timothy K.ArticleHearing Counterpoint Within Chromaticism: Analyzing Harmonic Relationships in Lassus’s Prophetiae Sibyllarum18.4, 2012HTML
PDF
Cheong, Wai-LingInternational ReportTheory Reception in China: Report on Journals of Central Conservatory and Shanghai Conservatory of Music3.4, 1997HTML
ASCII
Cherlin, MichaelReviewReview of Sabine Feisst, Schoenberg’s New World: The American Years (Oxford University Press, 2011)17.4, 2011HTML
PDF
Childs, Adrian P.ArticleStructural and Transformational Properties of All-Interval Tetrachords12.4, 2006HTML
Christensen, ThomasReviewReview of Lee Rothfarb, August Halm: A Critical and Creative Life in Music (University of Rochester Press, 2009)17.4, 2011HTML
PDF
Clampitt, DavidInternational ReportReport: An International Symposium of Music and Mathematics (Bucharest, Romania)1.1, 1995ASCII
Clampitt, David and Thomas NollArticleModes, the Height-Width Duality, and Handschin’s Tone Character17.1, 2011HTML
PDF
Clark, SuzannahReviewReview of Susan Wollenberg, Schubert’s Fingerprints: Studies in the Instrumental Works (Ashgate, 2011)19.3, 2013HTML
PDF
Clendinning, JaneReviewReview/Article of Miguel A. Roig-Francoli's Article "Harmonic and Formal Processes in Ligeti's Net-Structure Compositions," Music Theory Spectrum 17/2 (Fall, 1995), 242-267.2.5, 1996HTML
ASCII
Cochrane, Richard J.CommentaryThe Idea of Four Minutes and Thirty-Three Seconds: Response to John Covach (MTO 0.11)1.1, 1995ASCII
Cochrane, Richard J.ArticleThe Phases of Fire1.1, 1995ASCII
Code, David LobergArticleListening for Schubert's 'Doppelgaengers'1.4, 1995HTML
ASCII
Cohn, RichardArticleMusic Theory's New Pedagogability4.2, 1998HTML/Frames
HTML
ASCII
Cohn, RichardArticleA Tetrahedral Graph of Tetrachordal Voice-Leading Space9.4, 2003PDF
PDF/Frames
Collins, NickArticleAn Algorithm for the Direct Generation of Set Class Representatives in Any Pitch Class Space10.3, 2004PDF
Cook, NicholasArticleBetween Process and Product: Music and/as Performance7.2, 2001HTML/Frames
HTML
Cook, NicholasCommentaryReply to Cantrick8.2, 2002HTML
Cook, NicholasArticlePrompting Performance: Text, Script, and Meaning in Bryn Harrison's être-temps11.1, 2005HTML/Frames
HTML
Cook, NicholasArticleIntroduction: Refocusing Theory18.1, 2012HTML
PDF
Cook, Scott AlexanderArticleMoving Through Triadic Space: An Examination of Bryars’s Seemingly Haphazard Chord Progressions15.1, 2009HTML
Covach, JohnArticleDestructuring Cartesian Dualism in Musical Analysis0.11, 1994ASCII
Covach, JohnCommentaryMusical Worlds and the Metaphysics of Analysis1.1, 1995ASCII
Covach, JohnArticleSchoenberg's Turn to an "Other" World1.5, 1995ASCII
Covach, JohnEssayTo MOOC or Not To MOOC?19.3, 2013HTML
PDF
Cox, ArnieArticleEmbodying Music: Principles of the Mimetic Hypothesis17.2, 2011HTML
PDF
Cox, ArnieReviewReview of Steve Larson, Musical Forces: Motion, Metaphor, and Meaning in Music (Bloomington: Indiana University Press, 2012)19.1, 2013HTML
PDF
Cramer, AlfredArticleThe Harmonic Function of the Altered Octave in Early Atonal Music of Schoenberg and Webern: Demonstration Using Auditory Streaming9.2, 2003HTML/Frames
HTML
Cuciurean, JohnReviewReview of Mark Lindley's and Ronald Turner-Smith's Mathematical Models of Musical Scales: A New Approach.1.4, 1995ASCII
Cumming, Julie E.EssayRenaissance Improvisation and Musicology19.2, 2013HTML
PDF
Cutler, TimothyEssayCryptic Audiodiversity and the Dissonant Perfect Unison16.1, 2010HTML
Damschroder, DavidReviewReview of Beethoven’s Tempest Sonata: Perspectives of Analysis and Performance, ed. Pieter Bergè (Leuven, Belgium: Peeters, 2009)16.2, 2010HTML
Damschroder, David A.ReviewReview of Joseph N. Straus, ed, Unfoldings: Essays in Schenkerian Theory and Analysis (Oxford: Oxford University Press, 1999)5.4, 1999HTML
ASCII
Davis, StaceyArticleStream Segregation and Perceived Syncopation: Analyzing the Rhythmic Effects of Implied Polyphony in Bach’s Unaccompanied String Works17.1, 2011HTML
PDF
Deaville, JamesEssayMore Than the Blues: Clinical Depression, Invisible Disabilities and Academe15.3, 2009HTML
Decker, Gregory J. ReviewReview of Andrew Davis, “Il Trittico,” “Turandot,” and Puccini’s Late Style (Indiana University Press, 2010)18.1, 2012HTML
PDF
Decker, Gregory J.ArticlePastorals, Passepieds, and Pendants: Interpreting Characterization Through Aria Pairs in Handel’s Rodelinda19.4, 2013HTML
PDF
Dempster, DouglasReviewReview of Peter Kivy's The Fine Art of Repetition2.3, 1996HTML
ASCII
Demske, Thomas R.ArticleOn Considering a Computational Model of Similarity Analysis1.2, 1995ASCII
Demske, Thomas R.CommentaryResponse to Parncutt (MTO 1.3)1.3, 1995ASCII
Demske, Thomas R.CommentaryResponse to Richard Hermann (MTO 1.3)1.4, 1995ASCII
Dibben, NicolaReviewReview of Lawrence M. Zbikowski, Conceptualizing Music: Cognitive Structure, Theory, and Analysis (New York: Oxford University Press, 2002)10.4, 2001HTML
Diergarten, Felix F.Article“At times even Homer nods off”: Heinrich Christoph Koch’s Polemic against Joseph Haydn14.1, 2008HTML
Dineen, MurrayArticleFigured Bass and Modulation: The Wiener-Tonschule of Joseph Preindl8.3, 2002HTML/Frames
HTML
Dineen, MurrayArticleSpecies Counterpoint with a Moveable Tenor (SCAMET): Comparing Species Counterpoint and Polyphonic Music Without a Cantus Firmus19.3, 2013HTML
PDF
Dodson, AlanArticlePerformance and Hypermetric Transformation: An Extension of the Lerdahl-Jackendoff Theory8.1, 2002HTML/Frames
HTML
Dodson, AlanArticleSolutions to the “Great Nineteenth-Century Rhythm Problem” in Horowitz’s Recording of the Theme from Schumann’s Kreisleriana, Op. 16, No. 218.1, 2012HTML
PDF
Doll, ChristopherArticleRockin’ Out: Expressive Modulation in Verse-Chorus Form17.3, 2011HTML
PDF
Donin, Nicolas and Jonathan GoldmanArticleCharting the Score in a Multimedia Context: the Case of Paradigmatic Analysis14.4, 2008HTML
Douw, Andre M. and Michiel C. SchuijerInternational ReportMusic Theory at the Amsterdam School of Music3.1, 1997HTML
ASCII
Dubiel, JosephArticleOn Getting Deconstructed2.2, 1996HTML
ASCII
Dubiel, JosephArticleAnalysis, Description, and What Really Happens6.3, 2000HTML
ASCII
Duffin, Ross W.ArticleJust Intonation in Renaissance Theory and Practice12.3, 2006HTML/Frames
HTML
Easley, David B.ReviewReview of Christopher Alan Reynolds, Motives for Allusion: Context and Content in Nineteenth-Century Music (Cambridge and London: Harvard University Press, 2003)14.1, 2008HTML
Eckert, StefanArticle"So, you want to write a Minuet?" -- Historical Perspectives in Teaching Theory11.2, 2005HTML/Frames
HTML
Endrinal, ChristopherArticleBurning Bridges: Defining the Interverse in the Music of U217.3, 2011HTML
PDF
Endrinal, ChristopherReviewReview of Allan Moore, Song Means: Analyzing and Interpreting Recorded Popular Song (Ashgate, 2012)19.4, 2013HTML
PDF
Eng, Clare Sher LingReviewReview of Peter Kaminsky, ed., Unmasking Ravel: New Perspectives on the Music (University of Rochester Press, 2011)18.1, 2012HTML
PDF
Eriksson, ToreInternational ReportFour Swedish Dissertations in Music Theory5.3, 1999HTML
ASCII
Espinosa, DamianReviewReview of Annette Richards, The Free Fantasia and the Musical Picturesque. New Perspectives in Music History and Criticism10.3, 2004HTML
Everett, Walter T.ReviewReview of Richard Middleton, ed., Reading Pop: Approaches to Textual Analysis in Popular Music7.6, 2001HTML/Frames
HTML
Everett, Walter T.ArticleMaking Sense of Rock's Tonal Systems10.4, 2004HTML/Frames
HTML
Everett, Yayoi UnoArticleParody with an Ironic Edge: Dramatic Works by Kurt Weill, Peter Maxwell Davies, and Louis Andriessen 10.4, 2004HTML/Frames
HTML
Ewell, Philip A.ArticleRethinking Octatonicism: Views from Stravinsky’s Homeland18.4, 2012HTML
PDF
Ewell, Philip A.Article“On the System of Stravinsky’s Harmony” by Yuri Kholopov: Translation and Commentary19.2, 2013HTML
PDF
Ewell, Philip A.ReportConference Report: Inaugural Meeting of the Russian Society for Music Theory (OTM)19.4, 2013HTML
PDF
Fankhauser, Gabe and Jennifer Sterling SnodgrassReviewReview of Ralph Turek, Theory for Today's Musician (New York: McGraw-Hill, 2007)13.2, 2007HTML
Fillerup, JessieArticleEternity in Each Moment: Temporal Strategies in Ravel’s “Le Gibet”19.1, 2013HTML
PDF
Fiore, Thomas M. and Ramon SatyendraArticleGeneralized Contextual Groups11.3, 2005PDF
Fitzpatrick, MichaelCommentaryModels and Music Theory: Reconsidering David Lewin’s Graph of the 3-2 Cohn Cycle17.1, 2011HTML
PDF
Foley, GretchenCommentaryThe Efficacy of K-Nets in Perlean Theory13.3, 2007HTML
Forte, AllenCommentaryTristan Redux: Comments on John Rothgeb's Article on the Tristan Chord in MTO 1.1 (MTO 1.1)1.2, 1995ASCII
Forte, AllenArticleResponses to Plenary Session Papers, NECMT 20006.3, 2000HTML/Frames
HTML
ASCII
Forte, AllenArticleThe Founding of the Society for Music Theory9.1, 2003HTML
Fox, Donna BrinkReviewReview of Abeles, Harold; Hoffer, Charles; and Klotman, Robert. Foundations of Music Education, 2nd ed. New York: Schirmer Books2.7, 1996HTML
ASCII
Francis, Kimberly A.ReviewReview of Maureen Carr, Multiple Masks: Neoclassicism in Stravinsky’s Works on Greek Subjects (Lincoln: University of Nebraska Press, 2002)13.1, 2007HTML
Friedmann, MichaelReviewReview of Nicolas Marstons' Beethoven's Piano Sonata in E, op. 1093.1, 1997HTML
ASCII
Fuller, SarahReviewReview of Musica Enchiriadis and Scolica Enchiriadis, trans., with an Introduction and Notes, by Raymond Erickson, ed. Claude V. Palisca3.1, 1997HTML
ASCII
Fyr, KyleReviewReview of Timothy Johnson, John Adams’s “Nixon in China”: Musical Analysis, Historical and Political Perspectives (Ashgate, 2011)18.2, 2012HTML
PDF
Gann, KyleArticleOutside the Feedback Loop: A Nancarrow Keynote Address20.1, 2014HTML
PDF
Garcia, Luis-ManuelArticleOn and On: Repetition as Process and Pleasure in Electronic Dance Music11.4, 2005HTML/Frames
HTML
Gauldin, RobertArticleTragic Love and Musical Memory10.4, 2004HTML/Frames
HTML
Gawboy, Anna M. and Justin TownsendArticleScriabin and the Possible18.2, 2012HTML
PDF
Gillespie, JeffEssayOur Common Uniqueness15.3, 2009HTML
Gimbel, AllenEssayScholarship and Quadriplegia15.3, 2009HTML
Gloag, KennethReviewReview of David Clarke, The Music and Thought of Michael Tippett: Modern Times and Metaphysics (Cambridge: Cambridge University Press, 2001) 10.2, 2004HTML
Goldenberg, YosefArticleA Musical Gesture of Growing Obstinacy12.2, 2006HTML/Frames
HTML
Goldenberg, YosefArticleThe Interruption-Fill and Corollary Procedures18.4, 2012HTML
PDF
Goldsmith, Melissa Ursula DawnReviewReview of Tim J. Anderson, Making Easy Listening: Material Culture and Postwar American Recording, Commerce and Mass Culture Series (Minneapolis and London: University of Minnesota Press, 2006)12.3, 2006HTML
Gotham, MarkReviewReview of Godfried Toussaint, The Geometry of Musical Rhythm: What Makes a “Good” Rhythm Good? (CRC Press, 2013)19.2, 2013HTML
PDF
Grall, JeremyReviewReview of Charles M. Atkinson, The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music (Oxford University Press, 2009)17.2, 2011HTML
PDF
Grant, Roger MathewCommentaryHysteria at the Musical Surface14.1, 2008HTML
Grauer, VictorArticleToward a Unified Theory of the Arts2.6, 1996HTML
ASCII
Grave, FloydReviewReview of William E. Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven (New York and Oxford: Oxford University Press, 1998)4.6, 1998HTML
ASCII
Green, BurdetteReviewReview of Rebecca Herissone, Music Theory in Seventeenth-Century England (Oxford: Oxford University Press, 2000)11.2, 2005HTML
Gruber, Gerold W.International ReportReview of the 3rd Congress for Music Theory, Vienna, Austria, May 10-12, 19962.7, 1996HTML
ASCII
Guck, MarionArticleMusic Loving, Or the Relationship with the Musical Work2.2, 1996HTML
ASCII
Guerrero, Jeannie Ma.ArticleSerial Intervention in Nono's Il canto sospeso12.1, 2006HTML/Frames
HTML
Guerrero, Jeannie Ma.ArticleFrancesco's Dream: Musical Logic in Landini's Three-Voice Ballate13.4, 2007HTML
Gur, GolanArticleBody, Forces, and Paths: Metaphor and Embodiment in Jean-Philippe Rameau’s Conceptualization of Tonal Space14.1, 2008HTML
Haimo, Ethan T.CommentaryLinear Analysis--A Cure for Pitch-Class Set Analysis?: A Reply (MTO 3.2)3.3, 1997HTML
ASCII
Hakanson, Michelle E.ReviewReview of Carol J. Oja, Making Music Modern: New York in the 1920s. New York: Oxford University Press, 200010.1, 2004HTML
Harley, JamesCommentaryCommentary on Stephen Smoliar (MTO 0.6)0.7, 1994ASCII
Harrison, DanielArticleTolling Time6.4, 2000HTML/Frames
HTML
ASCII
Harrison, DanielReviewReview of Alexander Rehding, Hugo Riemann and the Birth of Modern Musical Thought (Cambridge: Cambridge University Press, 2003) 11.2, 2005HTML/Frames
HTML
Haskins, RobReviewReview of The Cambridge Companion to John Cage, ed. David Nicholls (Cambridge: Cambridge University Press, 2002)10.2, 2004HTML
Hatten, Robert S.ArticleIntroduction (to the Special Issue on Performance and Analysis)11.1, 2005HTML
Hatten, Robert S.ReviewReview of Berthold Hoeckner, Programming the Absolute: Nineteenth-Century German Music and the Hermeneutics of the Moment (Princeton University Press, 2002)11.1, 2005HTML/Frames
HTML
Hatten, Robert S.CompositionWordless Carol18.3, 2012HTML
Hatten, Robert S.ArticleMusical Forces and Agential Energies: An Expansion of Steve Larson’s Model18.3, 2012HTML
PDF
Headlam, DaveArticleMultimedia for Music Study on the Web: Director from Macromedia3.5, 1997HTML/Frames
HTML
ASCII
Headlam, DaveReviewReview of Patricia Hall, Berg’s “Wozzeck” (Oxford University Press, 2011)18.2, 2012HTML
PDF
Heetderks, David J. ArticleA Tonal Revolution in Fifths and Semitones: Aaron Copland’s Quiet City17.2, 2011HTML
PDF
Heinonen, YrjoReviewReview of Walter Everett, The Beatles as Musicians: Revolver Through the Anthology. New York: Oxford University Press, 19996.2, 2000HTML
ASCII
Hepokoski, JamesArticleFormal Process, Sonata Theory, and the First Movement of Beethoven’s “Tempest” Sonata16.2, 2010HTML
Hermann, RichardCommentaryResponse to Demske (MTO 1.2)1.3, 1995ASCII
Hermann, RichardInternational ReportReflexive Postmodern Anthropology Meets Musical "Modernism": Georgina Born's Rationalizing Culture. A Review of IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde.3.5, 1997HTML/Frames
HTML
ASCII
Hesselink, Nathan D.ArticleRadiohead’s “Pyramid Song”: Ambiguity, Rhythm, and Participation19.1, 2013HTML
PDF
Heyer, David J.ArticleApplying Schenkerian Theory to Mainstream Jazz: A Justification for an Orthodox Approach18.3, 2012HTML
PDF
Hisama, Ellie M.ArticleLife Outside the Canon? A Walk on the Wild Side6.3, 2000HTML/Frames
HTML
ASCII
Hoag, Melissa E. ArticleBrahms’s “Great Tragic Opera”: Melodic Drama in “Ach, wende diesen Blick”
(op. 57, no. 4)
17.1, 2011HTML
PDF
Hoeckner, BertholdArticlePoet's Love and Composer's Love7.5, 2000HTML/Frames
HTML
Hofmann-Engl, LudgerReviewReview of W.B. Hewlett & E. Selfridge-Field, eds., Melodic Similarity: Concepts, Procedures, and Applications (Cambridge, Massachusetts: MIT Press, 1999).5.4, 1999HTML
ASCII
Holm-Hudson, KevinArticleYour Guitar, It Sounds So Sweet and Clear: Semiosis in Two Versions of "Superstar" 8.4, 2002HTML/Frames
HTML
Honing, HenkjanCommentarySome Comments on the Relation Between Music and Motion9.1, 2003HTML/Frames
HTML
Honisch, Stefan SunandanEssay“Re-narrating” Disability through Musical Performance15.3, 2009HTML
Hood, AlisonArticleAmbiguity of Tonal Meaning in Chopin’s Prelude op. 28, no. 2218.3, 2012HTML
PDF
Hook, JulianArticleWhy Are There Twenty-Nine Tetrachords? A Tutorial on Combinatorics and Enumeration in Music Theory13.4, 2007HTML
Hook, JulianReviewReview of Dmitri Tymoczko, A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice (Oxford University Press, 2011)17.3, 2011HTML
PDF
Hook, JulianArticleHow to Perform Impossible Rhythms17.4, 2011HTML
PDF
Horlacher, Gretchen G.ArticleBartók's "Change of Time": Coming Unfixed7.1, 2001HTML/Frames
HTML
Huron, DavidArticleWhat is a Musical Feature? Forte's Analysis of Brahms's Opus 51, No. 1, Revisited7.4, 2001HTML/Frames
HTML
Hussey, WilliamArticleTriadic Post-Tonality and Linear Chromaticism in the Music of Dmitri Shostakovich9.1, 2003HTML/Frames
HTML
Isaacson, Eric J.ArticleIssues in the Study of Similarity in Atonal Music2.7, 1996HTML
ASCII
Isaacson, Eric J.ArticleMTO at the Leading Edge20.1, 2014HTML
PDF
Iverson, JenniferArticleCreating Space: Perception and Structure in Charles Ives’s Collages17.2, 2011HTML
PDF
Jackson, Timothy L. EssayEscaping from a Black Hole: Facing Depression in Academia15.3, 2009HTML
James, TessInternational ReportCelibidache and Bruckner4.5, 1998HTML
ASCII
James, TessInternational ReportHans Rott (1858-1884) -- the missing link between Bruckner and Mahler5.1, 1999HTML/Frames
HTML
James, TessInternational ReportReview of Zbigniew Preisner, Requiem for My Friend5.4, 1999HTML
ASCII
Jan, StevenArticleMusic, Memory and Memes in the Light of Calvinian Neuroscience17.2, 2011HTML
PDF
Jemian, RebeccaReviewReview of Josephine Lang: Her Life and Songs, by Harald Krebs and Sharon Krebs (Oxford University Press, 2007)16.4, 2010HTML
Jenkins, J. DanielReviewReview of David Schiff, The Music of Elliott Carter. 2nd ed. Ithaca: Cornell University Press, 1998.6.1, 2000HTML
ASCII
Jenkins, J. DanielArticleAfter the Harvest: Carter’s Fifth String Quartet and the Late Late Style16.3, 2010HTML
Jenkins, J. DanielReviewReview of Guy Capuzzo, Elliott Carter’s What Next?: Communication, Cooperation, and Separation (University of Rochester Press, 2012)19.2, 2013HTML
PDF
Jensen-Moulton, StephanieEssayMusic Fundamentals: Three Classes with Daniel Trush15.3, 2009HTML
Johnson, SherstenEssayNotational Systems and Conceptualizing Music: A Case Study of Print and Braille Notation15.3, 2009HTML
Johnson, TimothyArticleThe Computer Presentation of Musical Research: A Case Study1.3, 1995ASCII
Johnston, BlairArticleBetween Romanticism and Modernism and Postmodernism: George Crumb’s Black Angels18.2, 2012HTML
PDF
Judd, Cristle CollinsArticle“To Discourse Learnedly” and “Compose Beautifully”: Thoughts on Gioseffo Zarlino, Theory, and Practice19.3, 2013HTML
PDF
Judd, RobertCommentaryCommentary on Neumeyer (MTO 0.1)0.2, 1993ASCII
Judd, RobertCommentaryCommentary on Justin London (MTO 0.2)0.3, 1993ASCII
Judd, RobertArticleComposers, Performers and Notation: Solo Music Notations in Europe, 1500-17000.8, 1994ASCII
Kallis, VasileiosArticlePrinciples of Pitch Organization in Scriabin’s Early Post-tonal Period: The Piano Miniatures14.3, 2008HTML
Kaminsky, PeterReviewReview of Beatlestudies 3: Proceedings of the BEATLES 2000 Conference (Jyväskylä, Finland: University of Jyväskylä Press, 2001)11.1, 2005HTML
Kaminsky, Peter M.ArticleRevenge of the Boomers: Notes on the Analysis of Rock Music6.3, 2000HTML/Frames
HTML
ASCII
Karpinski, Gary S.ArticleLessons from the Past: Music Theory Pedagogy and the Future6.3, 2000HTML/Frames
HTML
ASCII
Karpinski, Gary S.ArticleAmbiguity: Another Listen18.3, 2012HTML
PDF
Killam, RosemaryArticleFeminist Theories--Process and Continua0.8, 1994ASCII
Killam, RosemaryArticleCognitive Dissonance: Should Twentieth-century Women Composers Be Grouped with Focault's Mad Criminals?3.2, 1997HTML
ASCII
Killam, RosemaryCommentaryResponse to Professor Morse's Open Letter (MTO 3.3)3.4, 1997HTML
ASCII
Kimberlin, Cynthia TseCommentaryCommentary16.4, 2010HTML
Kleppinger, Stanley V.ArticleCopland’s Fifths and Their Structural Role in the Sonata for Violin and Piano17.2, 2011HTML
PDF
Klumpenhouwer, HenryArticleSome Remarks on the Use of Riemann Transformations0.9, 1994ASCII
Klumpenhouwer, HenryCommentaryReconsidering Klumpenhouwer Networks: a Response13.3, 2007HTML
Kochavi, JonEssayHow Do You Hear That? Autism, Blindness, and Teaching Music Theory15.3, 2009HTML
Kochavi, JonathanReviewReview of Edward Gollin and Alexander Rehding, eds., The Oxford Handbook of Neo-Riemannian Theories (Oxford University Press, 2011)18.4, 2012HTML
PDF
Koozin, TimothyArticleOn Metaphor, Technology, and Schenkerian Analysis5.3, 1999HTML/Frames
HTML
ASCII
Shockwave
Koozin, TimothyArticleGuitar Voicing in Pop-Rock Music: A Performance-Based Analytical Approach17.3, 2011HTML
PDF
Koozin, TimothyArticleEvolving Content and Design20.1, 2014HTML
PDF
Kopiez, ReinhardInternational ReportReport on the Jahrestagung der Deutschen Gesellschaft fuer Musikpsycologie (DGM), Muenster, 10-12 September, 1993, trans. Richard Parncutt0.7, 1994ASCII
Kopp, DavidArticleOn the Function of Function1.3, 1995ASCII
Koslovsky, JohnReportConference Report: “Fifth International Schenker Symposium”19.2, 2013HTML
PDF
Kosovsky, RobertCommentaryCommentary on Neumeyer (MTO 0.1)0.2, 1993ASCII
Kozak, MariuszReviewReview of Evan Jones, ed., Intimate Voices: The Twentieth Century String Quartet (Rochester University Press, 2009)18.2, 2012HTML
PDF
Kraus, Joseph C. ArticleCoaching Mozart’s String Quintet in E-Flat Major: Finding the Rhythmic Shape15.2, 2009HTML
Krebs, HaraldReviewReview of David Ferris, Schumann's Eichendorff Liederkreis and the Genre of the Romantic Cycle. New York: Oxford University Press, 2000.
8.2, 2002HTML
Krebs, HaraldReviewReview of Danuta Mirka, Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 (New York: Oxford University Press, 2009)17.3, 2011HTML
PDF
Krims, AdamArticleBloom, Post-Structuralism(s), and Music Theory0.11, 1994ASCII
Krims, AdamCommentaryOn the Fear of Losing Our Tools (A Response to Joseph N. Straus) (MTO 1.1)1.1, 1995ASCII
Kutnowski, MartinEssayHow Register Tells the Story in Scriabin’s Op. 22, No. 217.2, 2011HTML
PDF
Kuusi, TuireArticleThe Role of Set-Class Identity in the Estimation of Chords9.3, 2003HTML/Frames
HTML
Kuusi, TuireArticleDiscrimination and Evaluation of Trichords15.5, 2009HTML
Larson, SteveArticleExpressive Meaning and Musical Structure, Chapter 1 of Schenkerian Analysis: Pattern, Form, and Expressive Meaning18.3, 2012HTML
PDF
Latham, Edward D.ReviewReview of Ethan Haimo's article, "Atonality Analysis, and the Intentional Fallacy," Music Theory Spectrum 18/2 (Fall, 1996)3.2, 1997HTML
ASCII
Latham, Edward D.ReviewBinary Oppositions in Arnold Whittall's Exploring Twentieth-Century Music: Tradition and Innovation (Cambridge University Press, 2003) and Their Implications for Analysis10.3, 2004HTML/Frames
HTML
Lee, Mike Cheng-YuArticleA Response to Schmalfeldt’s “Form as Process of Becoming”: Once More on the Performance and Analysis of Schubert’s Sonata in A minor, Op. 4216.2, 2010HTML
Leech-Wilkinson, DanielArticleCompositions, Scores, Performances, Meanings18.1, 2012HTML
PDF
Lehman, FrankArticleHollywood Cadences: Music and the Structure of Cinematic Expectation19.4, 2013HTML
PDF
Leong, Daphne and Elizabeth McNuttArticleResponse to Janet Schmalfeldt's Response11.1, 2005HTML/Frames
HTML
Leong, Daphne and Elizabeth McNuttArticleVirtuosity in Babbitt’s Lonely Flute11.1, 2005HTML/Frames
HTML
Leong, Daphne and David KorevaarArticleThe Performer's Voice: Performance and Analysis in Ravel's Concerto pour la main gauche11.3, 2005HTML/Frames
HTML
Leong, DaphneEssayWebs and Snares: Multiple References in Babbitt’s Homily and Beaten Paths17.2, 2011HTML
PDF
Lester, JoelCommentaryCommentary on Justin London (MTO 0.2)0.3, 1993ASCII
Lester, JoelArticleHow Theorists Relate To Musicians4.2, 1998HTML/Frames
HTML
ASCII
Lewin, David B.CommentaryCommentary on Roeder (MTO 0.5)0.6, 1994ASCII
Lewin, David B.ArticleThe D major Fugue Subject from WTC II: Spatial Saturation?4.4, 1998HTML/Frames
HTML
ASCII
Lewis, George E.EssayCritical Responses to “Theorizing Improvisation (Musically)”19.2, 2013HTML
PDF
Leydon, RebeccaArticleTowards a Typology of Minimalist Tropes8.4, 2002HTML/Frames
HTML
Leydon, RebeccaArticleClean as a Whistle: Timbral Trajectories and the Modern Musical Sublime18.2, 2012HTML
PDF
Leydon, RebeccaReviewReview of Matthew Brown, Debussy Redux: The Impact of his Music on Popular Culture (Indiana University Press, 2012)19.2, 2013HTML
PDF
Lind, StephanieArticleAn Interactive Trichord Space Based on Measures 18–23 of Clermont Pépin’s Toccate no. 315.1, 2009HTML
Lind, Stephanie and John RoederArticleTransformational Distance and Form in Berg’s “Schlafend trägt man mich”15.1, 2009HTML
Lindley, Mark and Ronald Turner-SmithArticleAn Algebraic Approach to Mathematical Models of Scales0.3, 1993ASCII
Littlefield, RichardCommentaryCommentary on John Roeder (MTO 0.5)0.7, 1994ASCII
Littlefield, RichardArticleThe Silence of the Frames2.1, 1996HTML
ASCII
Lochhead, Judith I.ArticleRetooling the Technique4.2, 1998HTML/Frames
HTML
ASCII
Lochhead, JudyReviewReview of Embodied Voices: Representing female vocality in western culture edited by Leslie C. Dunn and Nancy A. Jones. Cambridge University Press, 19942.1, 1996HTML
ASCII
Lochhead, JudyReviewReview of Ellie M. Hisama, Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon9.2, 2003HTML/Frames
HTML
Locke, DavidArticleYewevu in the Metric Matrix16.4, 2010HTML
London, JustinArticleLoud Rests and Other Strange Metric Phenomena (or, Meter as Heard)0.2, 1993ASCII
London, JustinCommentaryCommentary on Justin London (MTO 0.2)0.3, 1993ASCII
London, JustinCommentaryMisreading Meyer: A Reply to Cochrane (MTO 1.1)1.3, 1995ASCII
London, JustinCommentaryA Different Response to Killam (MTO 3.2, 3.3)3.4, 1997HTML
ASCII
London, JustinCommentaryCommentary16.4, 2010HTML
London, JustinReviewReview of Yonatan Malin, Songs in Motion: Rhythm and Meter in the German Lied (Oxford University Press, 2010)17.2, 2011HTML
PDF
Losada, CatherineCommentaryK-nets and Hierarchical Structural Recursion: Further Considerations13.3, 2007HTML
Love, Stefan C.Article“Possible Paths”: Schemata of Phrasing and Melody in Charlie Parker’s Blues18.3, 2012HTML
PDF
Luchese, DianeReviewReview of Anthony Pople, Messiaen: Quatuor pour la fin du Temps5.2, 1999HTML
ASCII
Mailman, JoshCommentaryThe Aims of Music Theory and Neurath's Boat: A Reply to Jonathan Walker and Matthew Brown (MTO 2.2)2.4, 1996HTML
ASCII
Malawey, VictoriaArticleHarmonic Stasis and Oscillation in Björk’s Medúlla 16.1, 2010HTML
Maler, AnabelArticleSongs for Hands: Analyzing Interactions of Sign Language and Music19.1, 2013HTML
PDF
Marion, Gregory J.ArticleDebussy and Recollection: trois aperçu13.1, 2007HTML
Martens, PeterArticleTactus in Performance: Constraints and Possibilities18.1, 2012HTML
PDF
Martens, Peter A.ArticleGlenn Gould's "Constant Rhythmic Reference Point":
Communicating Pulse in Bach's Goldberg Variations, 1955 and 1981
13.4, 2007HTML
Martin, EdArticleHarmonic Progression in Magnus Lindberg’s Twine16.1, 2010HTML
Martin, Henry, Cynthia Folio, Steve Larson, Lori Burns, John Covach and Walter EverettCommentaryReport on the 2008 Mannes Institute for Advanced Studies in Music Theory: Jazz Meets Pop14.3, 2008HTML
Martin, HenryCompositionPensieri18.3, 2012HTML
Martin, HenryArticleCharlie Parker and “Honeysuckle Rose”: Voice Leading, Formula, and Motive18.3, 2012HTML
PDF
Martinez, José LuisArticleSemiotics and the Art Music of India6.1, 2000HTML/Frames
HTML
ASCII
Marvin, William M.ReviewReview of Daniel Kazez, Rhythm Reading: Elementary Through Advanced Training3.4, 1997HTML
ASCII
Mawer, DeborahArticleExploring Complementation in Bartók's Third Quartet13.4, 2007HTML
McCandless, Gregory R.ArticleMetal as a Gradual Process: Additive Rhythmic Structures in the Music of Dream Theater19.2, 2013HTML
PDF
McClary, SusanArticleIn Praise of Contingency: The Powers and Limits of Theory16.1, 2010HTML
McCreless, PatrickReviewReview of Jean-Jacques Nattiez, Wagner Androgyne: A Study in Interpretation (Princeton: Princeton University Press, 1993)2.1, 1996HTML
ASCII
McCreless, PatrickArticleContemporary Music Theory and the New Musicology: An Introduction2.2, 1996HTML
ASCII
McCreless, PatrickArticleMusic Theory as Community: A Perspective from the Late '90's4.2, 1998HTML/Frames
HTML
ASCII
McCreless, PatrickArticleMusic Theory and Historical Awareness6.3, 2000HTML/Frames
HTML
ASCII
McCreless, PatrickArticleOwnership, In Music and Music Theory17.1, 2011HTML
PDF
McFarland, MarkReviewReview of Jeremy Day-O'Connell, Pentatonicism from the Eighteenth Century to Debussy (Rochester: University of Rochester Press, 2007)15.2, 2009HTML
McFarland, MarkArticleSchenker and the Tonal Jazz Repertory: A Response to Martin18.3, 2012HTML
PDF
McNamee, Ann K.ArticleGrazyna Bacewicz's Second Piano Sonata (1953): Octave Expansion and Sonata Form0.4, 1993ASCII
McNamee, Ann K.ArticlePublishing and Pedagogy Using Multimedia on the World-Wide Web3.5, 1997HTML/Frames
HTML
ASCII
McNutt, ElizabethArticleA Postscript on Process11.1, 2005HTML
Meeus, NicolasInternational ReportMusic Theory and Analysis in France and Belgium3.4, 1997HTML
ASCII
Meeus, NicolasArticleToward a Post-Schoenbergian Grammar of Tonal and Pre-tonal Harmonic Progressions6.1, 2000HTML/Frames
HTML
ASCII
Mengozzi, StefanoReviewReview of Lionel Pike, Hexachords in Late-Renaissance Music (Aldershot: Ashgate, 1998)4.3, 1998HTML/Frames
HTML
Mirka, DanutaArticleThe Structural Role of Timbre and Texture in the Music of Penderecki6.1, 2000HTML/Frames
HTML
ASCII
Monahan, SethReviewReview of Janet Schmalfeldt: In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music (Oxford: Oxford University Press, 2011)17.3, 2011HTML
PDF
Monelle, RaymondCommentaryMartinez's Concept of "Intrinsic Semiosis" (Commentary on Martinez, MTO 6.1)6.2, 2000HTML
ASCII
Montague, EugeneArticleInstrumental Gesture in Chopin’s Étude in A-Flat Major, Op. 25, No. 118.4, 2012HTML
PDF
Moore, Allan F.ArticleThe Persona-Environment Relation in Recorded Song11.4, 2005HTML/Frames
HTML
Morris, RebeccaEssayUniversal Design and Adaptive Equipment: Ideas and Solutions for Music Schools15.3, 2009HTML
Morris, Robert D.ArticleIntroduction to Panorama of Music Theory, 1987-974.2, 1998HTML/Frames
HTML
ASCII
Morse, Michael WilliamCommentaryTo Rosemary Killam: An Open Letter and Reply (MTO 3.2)3.3, 1997HTML
ASCII
Moseley, RogerEssayEntextualization and the Improvised Past19.2, 2013HTML
PDF
Murcott, DominicArticleTomorrow’s Music On Yesterday’s Machines: In Search of an ‘Authentic’ Nancarrow Performance20.1, 2014HTML
PDF
Murphy, ScottArticleThe Major Tritone Progression in Recent Hollywood Science Fiction Films12.2, 2006HTML/Frames
HTML
Murphy, ScottArticleConsidering Network Recursion and Bartók’s “Fourths”13.3, 2007HTML
Muxfeldt, KristinaReviewReview of Suzannah Clark, Analyzing Schubert (Cambridge University Press, 2011)18.3, 2012HTML
PDF
Neidhöfer, ChristophArticleBruno Maderna's Serial Arrays13.1, 2007HTML
Nemire, Julie A. ArticleConvergence Points in Conlon Nancarrow’s Tempo Canons20.1, 2014HTML
PDF
Nettl, BrunoEssayContemplating the Concept of Improvisation and Its History in Scholarship19.2, 2013HTML
PDF
Neumeyer, DavidArticleSchoenberg at the Movies: Dodecaphony and Film0.1, 1993ASCII
Neumeyer, DavidCommentaryCommentary on Neumeyer (MTO 0.1)0.2, 1993ASCII
Neumeyer, DavidArticleThe Contredanse, Classical Finales, and Caplin’s Formal Functions12.4, 2006HTML
Ng, SamuelReviewReview of Peter H. Smith, Expressive Forms in Brahms's Instrumental Music: Structure and Meaning in His Werther Quartet (Bloomington: Indiana University Press, 2005)13.4, 2007HTML
Ng, SamuelReviewReview of Ryan McClelland, Brahms and the Scherzo: Studies in Musical Narrative (Surrey, England: Ashgate, 2010)17.3, 2011HTML
PDF
Nicholls, DavidReviewReview of Ray Allen and Ellie M. Hisama, eds., Ruth Crawford Seeger’s Worlds: Innovation and Tradition in Twentieth-Century American Music (Rochester: University of Rochester Press, 2007)14.1, 2008HTML
Nicholls, DavidReviewReview of Pwll ap Siôn, The Music of Michael Nyman: Texts, Contexts and Intertexts (Aldershot, UK: Ashgate, 2007)14.2, 2008HTML
Nobile, Drew F. ArticleForm and Voice Leading in Early Beatles Songs17.3, 2011HTML
PDF
Nobile, Drew F.ArticleInterval Permutations19.3, 2013HTML
PDF
Nolan, CatherineCommentaryThoughts on Klumpenhouwer Networks and Mathematical Models: The Synergy of Sets and Graphs 13.3, 2007HTML
Nooshin, LaudanEssayBeyond the Radif: New Forms of Improvisational Practice in Iranian Music19.2, 2013HTML
PDF
Novak, JohnReviewReview of Amanda Bayley, ed., The Cambridge Companion to Bartók7.5, 2001HTML
O'Donnell, ShaugnCommentaryCommentary on Neumeyer (MTO 0.1)0.2, 1993ASCII
O'Donnell, ShaugnCommentaryEmbracing Relational Abundance13.3, 2007HTML
Ohriner, Mitchell S. ArticleGrouping Hierarchy and Trajectories of Pacing in Performances of Chopin’s Mazurkas18.1, 2012HTML
PDF
Osborn, BradReviewReview of Andrew Dell’ Antonio, ed., Beyond Structural Listening?: Postmodern Modes of Hearing (Berkeley: University of California Press, 2004)14.3, 2008HTML
Osborn, BradArticleUnderstanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres17.3, 2011HTML
PDF
Pack, Tim S.ReviewReview of Syntagma musicum III, by Michael Praetorius, translated and edited by Jeffery T. Kite-Powell (New York and Oxford: Oxford University Press, 2004)12.3, 2006HTML
Pack, Tim S. CompositionPie Jesu18.3, 2012HTML
Pacun, DavidEssayReflections on and Some Recommendations for Visually Impaired Students15.3, 2009HTML
Parkhurst, Bryan J.ArticleFraught with Ought: An Outline of an Expressivist Meta‐Theory19.3, 2013HTML
PDF
Parncutt, RichardCommentaryCommentary on Justin London (MTO 0.2) 0.3, 1993ASCII
Parncutt, RichardInternational ReportReview of the 1993 Conference of the Society for Music Perception and Cognition0.6, 1994ASCII
Parncutt, RichardCommentaryResponse to Demske (MTO 1.2)1.3, 1995ASCII
Pastille, WilliamArticleSchenker's Value-Judgments1.6, 1995HTML
ASCII
Peck, RobertReviewReview of Steven Rings, Tonality and Transformation (Oxford University Press, 2011)18.3, 2012HTML
PDF
Peck, Robert W.ReviewA Review of the 2003 American Mathematical Society Spring Southeastern Section Conference, Special Session on Mathematical Techniques in Musical Analysis9.3, 2003HTML
Peck, Robert W.ArticleKlein-Bottle Tonnetze9.3, 2003PDF
Peck, Robert W. ArticleA GAP Tutorial for Transformational Music Theory17.1, 2011HTML
PDF
Perrott, DavidReviewReview of Laurent Fichet, Les theories scientifiques de la musique (Paris: Librairie philosophique J. Vrin, 1996).5.4, 1999HTML
ASCII
Perry, JeffCommentaryMusic Theory as Conversation13.1, 2007HTML
Perry, JeffReviewReview of Anthony K. Brandt, Sound Reasoning: A New Way to Listen13.3, 2007HTML
Perry, JeffreyReviewReview of Allen Forte, The Atonal Music of Anton Webern. New Haven: Yale University Press, 1999.6.1, 2000HTML/Frames
HTML
ASCII
Perry, JeffreyArticleThe Ladder of Evolution and Musical Progress6.5, 2000HTML/Frames
HTML
ASCII
Perry, JeffreyReviewReview of M. J. Grant, Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe9.1, 2003HTML
Pieslak, JonathanReviewReview of Kevin Korsyn, Decentering Music: A Critique of Contemporary Musical Research (New York: Oxford University Press, 2003)14.1, 2008HTML
Platt, HeatherReport“Brahms in the New Century”: A Conference Report18.2, 2012HTML
PDF
Polak, RainerArticleRhythmic Feel as Meter: Non-Isochronous Beat Subdivision in Jembe Music from Mali16.4, 2010HTML
Polak, Rainer and Justin LondonArticleTiming and Meter in Mande Drumming from Mali20.1, 2014HTML
PDF
Pople, AnthonyReviewReview of David Epstein, Shaping Time: Music, the Brain, and Performance3.3, 1997HTML
ASCII
Quaglia, BruceReviewReview of Bryan Simms, The Atonal Music of Arnold Schoenberg 1908-1923 (New York: Oxford, 2000)8.1, 2002HTML
Quaglia, BruceReviewReviews of Neil Lerner and Joseph Straus, editors, Sounding Off: Theorizing Disability in Music (New York: Routledge, 2006) and Joseph Straus, “Normalizing the Abnormal: Disability in Music and Music Theory” in Journal of the American Musicological Society 59, no. 1 (2006)13.2, 2007HTML
Quaglia, BruceReviewReview of Ethan Haimo, Schoenberg’s Transformation of Musical Language (New York: Cambridge University Press, 2006) 14.4, 2008HTML
Rahn, JayCommentaryReply to Smoliar's "Mathematical Logic" (MTO 0.9, 0.10)0.10, 1994ASCII
Rahn, JayArticleFrom Similarity to Distance; From Simplicity to Complexity; From Pitches to Intervals; From Description to Causal Explanation0.9, 1994ASCII
Rahn, JayArticlePractical Aspects of Marchetto's Tuning4.6, 1998HTML/Frames
HTML
ASCII
Rahn, JayReviewConference Report: Symposium on Neo-Riemannian Theory, State University of New York at Buffalo, July 20-21, 20017.5, 2001HTML
Ramirez, Miguel J. ReviewReview of Dermot Gault, The New Bruckner: Compositional Development and the Dynamics of Revision (Surrey, England: Ashgate, 2011)17.4, 2011HTML
PDF
Raschke, Peter J.ReviewReview of Music-Theory Web Sites for the Beginner5.2, 1999HTML
ASCII
Ravenscroft, BrendaArticleForm as Process: Celebrating the Work of Janet Schmalfeldt (Chair’s Introduction)16.2, 2010HTML
Rawlins, RobertReviewReview of Mark Levine, The Jazz Theory Book. Petaluma, Calif.: Sher Music, 1995.6.1, 2000HTML
ASCII
Reddick, CarissaArticleBecoming at a Deeper Level: Divisional Overlap in Sonata Forms from the Late Nineteenth Century16.2, 2010HTML
Reed, Jacob and Matthew BainArticleA Tetrahelix Animates Bach: Revisualization of David Lewin's Analysis of the Opening of the F# Minor Fugue from WTC I13.4, 2007HTML
Renwick, WilliamArticle"A Subject of Four Notes": William Crotch's Experiment in Motivic Saturation0.10, 1994ASCII
Ricci, AdamArticleThe Progress of a Motive in Brahms's Intermezzo op. 119, no. 313.3, 2007HTML
Rings, StevenArticleA Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–200919.4, 2013HTML
PDF
Robbie, Andrew D. ReviewReview of Brian Hulse and Nick Nesbitt, eds., Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music (Ashgate, 2010)18.1, 2012HTML
PDF
Robison, BrianArticleModifying Interval-Class Vectors of Large Collections to Reflect Registral Proximity Among Pitches0.10, 1994ASCII
Robison, BrianCommentaryCategory Structures and Fuzzy Sets (response to Lawrence Zbikowski) (MTO 1.4)1.5, 1995HTML
ASCII
Rockwell, JotiArticleBirdcage Flights: A Perspective on Inter-Cardinality Voice Leading15.5, 2009HTML
Rodgers, StephenReviewReview of Matthew Santa, Hearing Form: Musical Analysis With and Without the Score (New York: Routledge, 2010)16.3, 2010HTML
Rodgers, StephenArticleThinking (and Singing) in Threes: Triple Hypermeter and the Songs of Fanny Hensel17.1, 2011HTML
PDF
Rodgers, StephenCompositionNot So Far Away18.3, 2012HTML
Rodgers, Stephen, Henry Martin and Keith WatersArticleGuest Editors’ Introduction: “The More Questions, The Better”18.3, 2012HTML
PDF
Roeder, JohnArticleToward a Semiotic Evaluation of Music Analyses0.5, 1993ASCII
Roeder, JohnCommentaryResponse to Commentaries (on his MTO 0.5 article)0.6, 1994ASCII
Roeder, JohnReviewReview of Christopher F. Hasty, Meter as Rhythm (New York/Oxford: Oxford University Press, 1997)4.4, 1998HTML
ASCII
Roeder, JohnArticlePulse Streams and Problems of Grouping and Metrical Dissonance in Bartók's "With Drums and Pipes"7.1, 2001HTML
Roeder, JohnArticleA Transformational Space Structuring the Counterpoint in Adès’s “Auf dem Wasser zu singen”15.1, 2009HTML
Roeder, JohnArticleConstructing Transformational Signification: Gesture and Agency in Bartók’s Scherzo, Op. 14, No. 2, measures 1–3215.1, 2009HTML
Roeder, JohnArticleIntroduction15.1, 2009HTML
Roemjantsew, Tamara W.International ReportReport on Two Conferences in the Netherlands6.1, 2000HTML
ASCII
Rogers, Nancy and Michael BuchlerArticleSquare Dance Moves and Twelve-Tone Operators: Isomorphisms and New Transformational Models9.4, 2003PDF
PDF/Frames
Rothfarb, LeeArticleEarly History20.1, 2014HTML
PDF
Rothgeb, JohnArticleThe Tristan Chord: Identity and Origin1.1, 1995ASCII
Rothgeb, JohnCommentaryEytan Agmon on Functional Theory2.1, 1996HTML
ASCII
Rothstein, WilliamCommentaryThe Tristan Chord in Historical Context: A Response to John Rothgeb (MTO 1.1)1.3, 1995HTML
ASCII
Rothstein, WilliamArticleLike Falling off a Log: Rubato in Chopin’s Prelude in A-flat Major, Op. 28 No. 1711.1, 2005HTML/Frames
HTML
ASCII
Rothstein, WilliamArticleCommon-tone Tonality in Italian Romantic Opera: An Introduction14.1, 2008HTML
Royal, Matthew S.ReviewReview of Eugene Narmour, The Analysis and Cognition of Basic Melodic Structures (Chicago: University of Chicago Press, 1990) and The Analysis and Cognition of Melodic Complexity (Chicago: University of Chicago Press, 1992).1.6, 1995ASCII
Royal, Matthew S. ReviewReview of Benjamin Wardhaugh, Music, Experiment and Mathematics in England, 1653–1705 (Aldershot and Burlington: Ashgate Press, 2008)16.4, 2010HTML
Rusch, RenéArticleBeyond Homage and Critique? Schubert’s Sonata in C minor, D. 958, and Beethoven’s Thirty-Two Variations in C minor, WoO 8019.1, 2013HTML
PDF
Rusch, RenéArticleCrossing Over with Brad Mehldau’s Cover of Radiohead’s “Paranoid Android”: The Role of Jazz Improvisation in the Transformation of an Intertext19.4, 2013HTML
PDF
Sallmen, MarkArticleListening to the Music Itself: Breaking Through the Shell of Elliott Carter’s “In Genesis”13.3, 2007HTML
Sallmen, MarkArticleExploring Tetrachordal Voice-Leading Spaces Within and Around the MORRIS Constellation17.4, 2011HTML
PDF
Samarotto, FrankReview"The Body that Beats": Review of Harald Krebs, Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann. New York: Oxford University Press, 1999.6.4, 2000HTML/Frames
HTML
ASCII
Samarotto, FrankArticleSublimating Sharp ^4: An Exercise in Schenkerian Energetics10.3, 2004HTML/Frames
HTML
Samarotto, FrankArticle“Plays of Opposing Motion”: Contra-Structural Melodic Impulses in Voice-leading Analysis15.2, 2009HTML
Samplaski, ArtArticleInterval-Classes and Psychological Space10.2, 2004HTML/Frames
HTML
Samplaski, ArtArticleMapping the Geometries of Pitch-Class Set Similarity Measures via Multidimensional Scaling11.2, 2005HTML/Frames
HTML
Saslaw, JannaEssay“Teaching Blind”: Methods for Teaching Music Theory to Visually Impaired Students15.3, 2009HTML
Sauer, Amanda StringerArticleCognitive Dissonance and the Performer’s Inner Conflict: A New Perspective on the First Movement of Beethoven’s Op. 10113.2, 2007HTML
Sayrs, ElizabethArticleNarrative, Metaphor, and Conceptual Blending in "The Hanging Tree"9.1, 2003HTML/Frames
HTML
Schaffer, John Wm.ReviewReview of Peter Castine's Set Theory Objects: Abstractions for Computer-Aided Analysis and Composition of Serial and Atonal Music2.6, 1996HTML
ASCII
Schaffer, John Wm.ReviewReview of Eleanor Selfridge-Field, Beyond MIDI: the Handbook of Musical Codes (Cambridge, Mass.: MIT Press, 1997).5.4, 1999HTML
ASCII
Scherzinger, MartinArticleTemporal Geometries of an African Music: A Preliminary Sketch16.4, 2010HTML
Schmalfeldt, JanetArticleOn Keeping the Score4.2, 1998HTML/Frames
HTML
ASCII
Schmalfeldt, JanetArticleComing Home10.1, 2004HTML/Frames
HTML
Schmalfeldt, JanetArticleResponse (to the Special Issue on Performance and Analysis)11.1, 2005HTML
Schmalfeldt, Janet ArticleOne More Time on Beethoven’s “Tempest,” From Analytic and Performance Perspectives: A Response to William E. Caplin and James Hepokoski16.2, 2010HTML
Schmalfeldt, Janet ArticleResponse to Carissa Reddick16.2, 2010HTML
Schmalfeldt, Janet ArticleResponse to Mike Cheng-Yu Lee16.2, 2010HTML
Scholtz, Kenneth P.ArticleAlgorithms for Mapping Diatonic Keyboard Tunings and Temperaments4.4, 1998HTML/Frames
HTML
ASCII
Schubert, PeterReviewReview of David Yearsley, Bach and the Meanings of Counterpoint (Cambridge: Cambridge University Press, 2002)12.1, 2006HTML
Schubert, Peter and Marcelle Lessoil-DaelmanArticleWhat Modular Analysis Can Tell Us About Musical Modeling in the Renaissance19.1, 2013HTML
PDF
Schubert, Peter N.ReviewReview of Musical Poetics by Joachim Burmeister. Translated, with Introduction and Notes, by Benito V. Rivera. Edited by Claude V. Palisca (New Haven and London: Yale University Press, 1993).1.5, 1995ASCII
Schulenberg, David L.CommentaryCommentary on Channan Willner: "More on Handel and the Hemiola" (MTO 2.3)2.5, 1996HTML
ASCII
Schultz, RobArticleTonal Pairing and the Relative-Key Paradox in the Music of Elliott Smith18.4, 2012HTML
PDF
Schutz, Michael and Fiona ManningArticleLooking Beyond the Score: The Musical Role of Percussionists’ Ancillary Gestures18.1, 2012HTML
PDF
Scotto, CiroEssayThe Symbiosis of Disability15.3, 2009HTML
Scotto, CiroEssayWhat Do I Hear Now, Groupwise?17.2, 2011HTML
PDF
Scotto, Ciro G.ArticleTransformational Networks, Transpositional Combination, and Aggregate Partitions in Processional by George Crumb8.3, 2002HTML/Frames
HTML
Shaffer, Kris P.ArticleA Proposal for Open Peer Review20.1, 2014HTML
PDF
Shaftel, MatthewArticleDemographics, Analytics, and Trends: The Shifting Sands of an Online Engagement with Music Theory20.1, 2014HTML
PDF
Shanahan, DanielReviewReview of Aniruddh D. Patel, Music, Language, and the Brain (New York and Oxford: Oxford University Press, 2008)15.5, 2009HTML
Sheehy, AugustReviewReview of Elliott Antokoletz and Marianne Wheeldon, eds., Rethinking Debussy (New York: Oxford University Press, 2011) 19.1, 2013HTML
PDF
Sheehy, AugustEssayImprovisation, Analysis, and Listening Otherwise19.2, 2013HTML
PDF
Sheehy, August and Paul SteinbeckEssayIntroduction: Theorizing Improvisation (Musically)19.2, 2013HTML
PDF
Silberman, PeterArticlePost-Tonal Improvisation in the Aural Skills Classroom9.2, 2003HTML/Frames
HTML
Sly, GordonReviewReview of David Damschroder, Harmony in Schubert (Cambridge University Press, 2010)18.2, 2012HTML
PDF
Smith, Elizabeth LenaReviewReview of Edward D. Latham, Tonality as Drama: Closure and Interruption in Four Twentieth-Century American Operas (Denton: University of North Texas Press, 2008) 14.4, 2008HTML
Smoliar, StephenCommentaryCommentary on Neumeyer (MTO 0.1)0.2, 1993ASCII
Smoliar, StephenCommentaryCommentary on Justin London (MTO 0.2)0.3, 1993ASCII
Smoliar, StephenCommentaryMathematical Logic: Response to Jay Rahn (MTO 0.9, 0.10)0.10, 1994ASCII
Smoliar, StephenCommentaryCommentary on Roeder (MTO 0.5)0.6, 1994ASCII
Smoliar, StephenArticleComputers Compose Music, But Do We Listen?0.6, 1994ASCII
Smoliar, StephenCommentaryMusical Objects: Response to John Covach (MTO 0.11)1.1, 1995ASCII
Smoliar, StephenReviewBook Review: Robert Cogan, New Images of Musical Sound1.3, 1995ASCII
Smyth, David H.ReviewReview of Stravinsky's Histoire du soldat: A Facsimile of the Sketches, edited by Maureen A. Carr (Middleton, Wisconsin: A-R Editions, 2005)12.2, 2006HTML
Snyder, John L.ReviewReview of Richard Will, The Characteristic Symphony in the Age of Haydn and Beethoven (Cambridge: Cambridge University Press, 2002)10.4, 2004HTML
Sobaskie, James WilliamArticleContextual Drama in Bach12.3, 2006HTML/Frames
HTML
Soderberg, StephenArticleWhite Note Fantasy4.3, 1998HTML/Frames
HTML
ASCII
Soderberg, StephenArticleWhite Note Fantasy, Part II: A Few Hypertonal Variations5.2, 1999HTML/Frames
HTML
ASCII
Spicer, MarkReviewReview of Walter Everett, The Beatles as Musicians: The Quarry Men Through Rubber Soul
(New York and Oxford: Oxford University Press, 2001)
11.4, 2005HTML/Frames
HTML
Spicer, MarkArticle(Per)Form in(g) Rock: A Response17.3, 2011HTML
PDF
Steinbeck, PaulEssayImprovisational Fictions19.2, 2013HTML
PDF
Stephenson, KenReviewReview of Kevin Holm-Hudson, Genesis and "The Lamb Lies Down On Broadway"
(Aldershot and Burlington: Ashgate, 2008)
16.1, 2010HTML
Stoecker, PhilipCommentaryWithout a Safety (k)-Net13.3, 2007HTML
Stoia, NicholasArticleMode, Harmony, and Dissonance Treatment in American Folk and Popular Music, c. 1920–194516.3, 2010HTML
Stover, ChrisReviewReview of Keith Waters, The Studio Recordings of the Miles Davis Quintet: 1965–68 (Oxford University Press, 2011)18.1, 2012HTML
PDF
Straus, Joseph EssayIntroduction15.3, 2009HTML
Straus, Joseph N.CommentaryPost-structuralism and Music Theory: A Response to Adam Krims (MTO 0.11)1.1, 1995ASCII
Straus, Joseph N.ArticleSMT 1997 Plenary Session: Introductory Remarks4.2, 1998HTML/Frames
HTML
ASCII
Straus, Joseph N.ArticleThree Stravinsky Analyses: Petrushka, Scene 1 (to Rehearsal No. 8); The Rake’s Progress, Act III, Scene 3 (“In a foolish dream”); Requiem Canticles, “Exaudi”18.4, 2012HTML
PDF
Summach, JayArticleThe Structure, Function, and Genesis of the Prechorus17.3, 2011HTML
PDF
Takehana, Elise O. ReviewReview of Nicola Dibben, Björk (Bloomington: Indiana University Press, 2009)16.3, 2010HTML
Taylor, Stephen A.ArticleChopin, Pygmies, and Tempo Fugue: Ligeti's "Automne a Varsovie"3.3, 1997HTML
ASCII
Temperley, DavidReviewReview of Joseph Swain, Musical Languages5.3, 1999HTML
ASCII
Temperley, DavidArticleThe Cadential IV in Rock17.1, 2011HTML
PDF
Temperley, DavidArticleScalar Shift in Popular Music17.4, 2011HTML
PDF
Tenzer, MichaelArticleTheory and Analysis of Melody in Balinese Gamelan6.2, 2000HTML/Frames
HTML
ASCII
Tenzer, MichaelCommentaryAfrica Stand Up!—and Be Counted Among Others16.4, 2010HTML
Theisen, AlanReviewReview of Brian Alegant, The Twelve-Tone Music of Luigi Dallapiccola, Eastman Studies in Music, vol. 76 (Rochester, NY: University of Rochester Press, 2010)19.1, 2013HTML
PDF
Thomas, Margaret E.ArticleConlon Nancarrow, “Hot” Jazz, and the Principle of Collective Improvisation20.1, 2014HTML
PDF
Thurmaier, DavidReviewReview of Vincent P. Benitez, The Words and Music of Paul McCartney: The Solo Years (Praeger, 2010); Ian Inglis, The Words and Music of George Harrison (Praeger, 2010); and Ben Urish and Ken Bielen, The Words and Music of John Lennon (Praeger, 2007)18.4, 2012HTML
PDF
Toorn, Pieter C. van denArticleA Response to Richard Taruskin's "A Myth of the Twentieth Century"1.5, 1995ASCII
Traut, DonReviewReview of Henry Martin, Counterpoint: A Species Approach Based on Schenker’s “Counterpoint” (Lanham, MD: The Scarecrow Press, Inc., 2005)15.1, 2009HTML
Traut, Donald G. EssayDyadic TC Lattices: Revisiting the TC/IS Relationship15.5, 2009HTML
Tuck, PatrickReviewReview of Jane Piper Clendinning and Elizabeth West Marvin, The Musician’s Guide to Theory and Analysis (New York: W.W. Norton, 2005)15.2, 2009HTML
Tuck, PatrickReviewReview of Kent D. Cleland and Mary Dobrea-Grindahl, Developing Musicianship Through Aural Skills: A Holistic Approach to Sight-Singing and Ear-Training (New York: W.W. Routledge, 2010)17.1, 2011HTML
PDF
Tymoczko, DmitriArticleVoice Leadings as Generalized Key Signatures11.4, 2005PDF
Tymoczko, DmitriCommentaryRecasting K-nets13.3, 2007HTML
Tymoczko, DmitriCommentaryGeometrical Methods in Recent Music Theory16.1, 2010HTML
Tymoczko, DmitriReviewReview of Michael Cuthbert, Music21: a Toolkit for Computer-aided Musicology19.3, 2013HTML
PDF
Urista, DianeArticleChopin’s Prelude in C Major Revisited: Integrating Sound and Symbol13.1, 2007HTML
Urista, Diane J.ArticleBeyond Words: The Moving Body as a Tool for Musical Understanding9.3, 2003HTML/Frames
HTML
Väisälä, OlliCommentaryRhetoric and Justification in Analysis: A Commentary on Eric Wen’s Commentary14.2, 2008HTML
Väisälä, OlliReviewReview of Timothy L. Jackson and Veijo Murtomäki, eds. Sibelius Studies (Cambridge: Cambridge University Press, 2001) 8.4, 2002HTML/Frames
HTML
Vercelli, Michael and Janet SturmanCommentaryCommentary on "Rhythm: Africa and Beyond"16.4, 2010HTML
Vetter, RogerReviewReview of Michelle Kisliuk, Seize the Dance: BaAka Musical Life and the Ethnography of Performance. New York: Oxford University Press, 1998.6.1, 2000HTML
ASCII
Vlagopoulos, PanosInternational ReportMusic Theory In Greece4.3, 1998HTML
ASCII
Vlagopoulos, PanosInternational ReportReport on the First Symposium On Computer and Music in Corfu, Greece (23-25 October 1998)5.1, 1999HTML
ASCII
Wadsworth, Benjamin K.ArticleDirectional Tonality in Schumann’s Early Works18.4, 2012HTML
PDF
Walden, Daniel K. S. ArticleNoting Images: Understanding the Illustrated Manuscripts of Mendelssohn’s Schilflied and Hindemith’s Ludus Tonalis16.3, 2010HTML
Walker, JonathanCommentaryThe Deconstruction of Musicology: Poison or Cure?2.4, 1996HTML
ASCII
Walker, JonathanCommentaryIntonational Injustice: A Defense of Just Intonation in the Performance of Renaissance Polyphony2.6, 1996HTML
ASCII
Walker, JonathanReviewReview of Adam Krims, Rap Music and the Poetics of Identity, Cambridge University Press, 20007.4, 2001HTML/Frames
HTML
Wannamaker, Robert A.ArticleStructure and Perception in Herma by Iannis Xenakis7.3, 2001HTML/Frames
HTML
Waters, KeithArticleOther Good Bridges: Continuity and Debussy’s “Reflets dans l’eau”18.3, 2012HTML
PDF
Waters, Keith J. and J. Kent WilliamsArticleModeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 1960 16.3, 2010HTML
Weisser, BenedictReviewReview of David Cope, Techniques of the Contemporary Composer4.1, 1998HTML/Frames
HTML
ASCII
Wen, EricCommentaryCommentary on Samuel Ng’s review of Peter H. Smith’s Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet14.1, 2008HTML
Wen, Eric L.CommentaryMore on Sharp ^4 to Natural ^4: Further thoughts on Frank Samarotto's article "Sublimating Sharp ^4: An Exercise in Schenkerian Energetics"10.4, 2004HTML
Wennerstrom, MaryArticleSMT at 25: A View from the Balance Sheet9.1, 2003HTML
Wennerstrom, MaryReviewReview of Matthew Bribitzer-Stull, Anthology for Analysis and Performance (Oxford University Press, 2014)19.4, 2013HTML
PDF
Westerhaus, AndrewReviewReview of Gretchen Horlacher, Building Blocks: Repetition and Continuity in the Music of Stravinsky (New York: Oxford University Press, 2011)17.4, 2011HTML
PDF
Wibberley, RogerArticleJosquin's Ave Maria: Musica Ficta versus Mode2.5, 1996HTML
ASCII
Wibberley, RogerCommentary"Mode versus Ficta" in Context (response to Bent, MTO 2.6)2.7, 1996HTML
ASCII
Wibberley, RogerArticleJ.S. Bach's Prelude and Fugue in E Flat (BWV 522,1/2): An Inspiration of the Heart?4.5, 1998HTML/Frames
HTML
ASCII
Wibberley, RogerArticleQuid non ebrietas dissignat? Willaert's didactic demonstration of Syntonic tuning10.1, 2004HTML/Frames
HTML
Wibberley, RogerArticleSyntonic Tuning: A Sixteenth-Century Composer's Soundscape10.1, 2004HTML/Frames
HTML
Wibberley, RogerArticleSyntonic Tuning: Creating a Model for Accurate Electronic Playback10.1, 2004HTML/Frames
HTML
Wibberley, RogerCommentaryModels for Chord Doubling (and Spacing): Which Ones Don't We Need?10.3, 2004HTML
Wild, JonathanReviewA Review of the Humdrum Toolkit: UNIX Tools for Musical Research, created by David Huron2.7, 1996HTML
ASCII
Willey, RobertArticleIntroduction to the MTO Nancarrow Symposium20.1, 2014HTML
PDF
Willey, RobertReviewReview of Jürgen Hocker, Encounters With Conlon Nancarrow, translated by Steven Lindberg (Lexington Books, 2012)20.1, 2014HTML
PDF
Willey, RobertArticleThe Editing and Arrangement of Conlon Nancarrow’s Studies for Disklavier and Synthesizers20.1, 2014HTML
PDF
Williams, Justin A. CommentaryBeats and Flows: A Response to Kyle Adams, “Aspects of the Music/Text Relationship in Rap”15.2, 2009HTML
Willner, ChannanArticleMore on Handel and the Hemiola: Overlapping Hemiolas2.3, 1996HTML
ASCII
Willner, ChannanCommentaryHandel, the Sarabande, and Levels of Genre: A Reply to David Schulenberg (MTO 2.5)2.7, 1996HTML
ASCII
Woodley, RonaldArticleSharp Practice in the Later Middle Ages: Exploring the Chromatic Semitone and its Implications12.2, 2006PDF
Woodruff, Eliot GhofurArticleMetrical Phase Shifts in Stravinsky's The Rite of Spring12.1, 2006HTML/Frames
HTML
Yust, JasonReviewReview of Richard Cohn, Audacious Euphony: Chromaticism and the Triad’s Second Nature (Oxford University Press, 2012)18.3, 2012HTML
PDF
Zbikowski, LawrenceArticleTheories of Categorization and Theories of Music1.4, 1995ASCII
Zbikowski, LawrenceCommentaryResponse to Robison, "Category Structures and Fuzzy Sets" (MTO 1.5)1.5, 1995ASCII
Zbikowski, LawrenceArticleMetaphor and Music Theory: Reflections from Cognitive Science4.1, 1998HTML/Frames
HTML
ASCII

SMT