| Author |
Type |
Title |
Volume |
Formats |
Aarden, Bret and Paul T. von Hippel | Article | Rules for Chord Doubling (and Spacing): Which Ones Do We Need? | 10.2, 2004 | HTML/Frames | Aarden, Bret and Paul T. von Hippel | Commentary | Rules for Chord Doubling (and Spacing): A Reply To Wibberley | 10.3, 2004 | HTML | Adamowicz, Emily J. | Essay | Subjectivity and Structure in Milton Babbitt’s Philomel | 17.2, 2011 | HTML
PDF | Adams, Kyle | Article | Aspects of the Music/Text Relationship in Rap | 14.2, 2008 | HTML | Adams, Kyle | Commentary | “People’s Instinctive Assumptions and the Paths of Narrative”: A Response to Justin Williams | 15.2, 2009 | HTML | Adams, Kyle | Article | On the Metrical Techniques of Flow in Rap Music | 15.5, 2009 | HTML | Agawu, Kofi | Article | Analyzing Music Under the New Musicological Regime | 2.4, 1996 | HTML
ASCII | Agawu, Kofi | Article | Response to 1999 SMT International Plenary Session | 6.1, 2000 | HTML
ASCII | Agawu, Kofi | Commentary | Commentary | 16.4, 2010 | HTML | Agmon, Eytan | Commentary | Conventional Harmonic Wisdom and the Scope of Schenkerian Theory: A Reply to John Rothgeb (MTO 2.1) | 2.3, 1996 | HTML
ASCII | Agmon, Eytan | Article | Beethoven's Op. 81a and the Psychology of Loss | 2.4, 1996 | HTML
ASCII | Agmon, Eytan | Article | The Bridges that Never Were: Schenker on the Contrapuntal Origin of the Triad and Seventh Chord | 3.1, 1997 | HTML
ASCII | Alpern, Wayne | Review | "Will the Real Anton Webern Please Stand Up?": Anne C. Shreffler, Webern and the Lyric Impulse (Oxford, Oxford University Press: 1994) | 4.2, 1998 | HTML/Frames
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ASCII | Alphonce, Bo H. | Article | Dissonance and Schumann's Reckless Counterpoint | 0.7, 1994 | ASCII | Amiot, Emmanuel | Article | Discrete Fourier Transform and Bach’s Good Temperament | 15.2, 2009 | HTML | Anku, Willie | Article | Circles and Time: A Theory of Structural Organization of Rhythm in African Music | 6.1, 2000 | HTML/Frames
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ASCII | Argentino, Joe R. | Article | Tripartite Structures in Schoenberg’s A Survivor from Warsaw | 19.1, 2013 | HTML
PDF | Atkinson, Sean | Article | Canons, Augmentations, and Their Meaning in Two Works by Steve Reich | 17.1, 2011 | HTML
PDF | Attas, Robin | Article | Metaphors in Motion: Agents and Representation in Transformational Analysis | 15.1, 2009 | HTML | Attas, Robin | Article | Sarah Setting the Terms: Defining Phrase in Popular Music | 17.3, 2011 | HTML
PDF | Attinello, Paul | Essay | Time, Work, and Chronic Illness | 15.3, 2009 | HTML | Auerbach, Brent | Article | Pedagogical Applications of the Video Game Dance Dance Revolution to Aural Skills Instruction | 16.1, 2010 | HTML | Aversa, Eleanor | Review | Review of David Huron, Sweet Anticipation: Implications for Composers | 15.3, 2009 | HTML | BaileyShea, Matt L. | Article | Filleted Mignon: A New Recipe for Analysis and Recomposition | 13.4, 2007 | HTML | BaileyShea, Matthew L. | Article | Musical Forces and Interpretation: Some Thoughts on a Measure in Mahler | 18.3, 2012 | HTML
PDF | Baragwanath, Nicholas | Article | Analytical Approaches to Melody in Selected Arias by Puccini | 14.2, 2008 | HTML | Barnes, Larry | Review | Review of J. Kent Williams, Theories and Analyses of Twentieth-Century Music | 3.4, 1997 | HTML
ASCII | Barolsky, Daniel and Peter Martens | Article | Rendering the Prosaic Persuasive: Gould and the Performance of Bach’s C-minor Prelude (WTC I) | 18.1, 2012 | HTML
PDF | Barolsky, Daniel G | Commentary | The Performer as Analyst | 13.1, 2007 | HTML | Bass, Richard | Review | Review of David Kopp, Chromatic Transformations in Nineteenth-Century Music. Cambridge: Cambridge University Press, 2002 | 10.1, 2004 | HTML | Bassler, Samantha | Essay | “But You Don’t Look Sick”: A Survey of Scholars with Chronic, Invisible Illnesses and their Advice on How to Live and Work in Academia | 15.3, 2009 | HTML | Benadon, Fernando | Commentary | Commentary on Matthew W. Butterfield's "The Power of Anacrusis" | 13.1, 2007 | HTML | Benadon, Fernando | Article | A Circular Plot for Rhythm Visualization and Analysis | 13.3, 2007 | HTML | Benitez, Vincent P. | Article | Simultaneous Contrast and Additive Designs in Olivier Messiaen’s Opera, Saint François d’Assise | 8.2, 2002 | HTML/Frames
HTML | Bent, Margaret | Commentary | Diatonic ficta Revisited: Josquin's Ave Maria in Context (MTO 2.5) | 2.6, 1996 | HTML
ASCII | Berman, Nancy M. | Review | Review of Glenn Watkins, Pyramids at the Louvre, Harvard University Press, 1994 | 2.4, 1996 | HTML
ASCII | Bernstein, Zachary | Essay | Duplicated Subdivisions in Babbitt’s It Takes Twelve to Tango | 17.2, 2011 | HTML
PDF | Berry, David Carson | Review | Review of Philip Furia, Irving Berlin: A Life In Song. New York: Schirmer Books, 1998. | 6.5, 2000 | HTML/Frames
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ASCII | Berry, Michael | Article | The Importance of Bodily Gesture in Sofia Gubaidulina’s Music for Low Strings | 15.5, 2009 | HTML | Biamonte, Nicole | Article | Augmented-Sixth Chords vs. Tritone Substitutes | 14.2, 2008 | HTML | Biamonte, Nicole | Article | Introduction | 17.3, 2011 | HTML
PDF | Blake, David K. | Article | Timbre as Differentiation in Indie Music | 18.2, 2012 | HTML
PDF | Bor, Mustafa | Article | Sonata-Formal Functions and Transformational Processes in the First Movement of Rochberg’s String Quartet No. 6 | 15.1, 2009 | HTML | Boss, Jack | Review | Review of Michael Cherlin, Schoenberg’s Musical Imagination (Cambridge: Cambridge University Press, 2007) | 15.1, 2009 | HTML | Boss, Jack F. | Article | "Schenkerian-Schoenbergian Analysis" and Hidden Repetition in the Opening Movement of Beethoven's Piano Sonata Op. 10, No. 1 | 5.1, 1999 | HTML/Frames
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ASCII | Bottge, Karen M. | Essay | Reading Adorno’s Reading of the Rachmaninov Prelude in C-sharp Minor: Metaphors of Destruction, Gestures of Power | 17.4, 2011 | HTML
PDF | Brasky, Jill T. | Article | Extraordinary Function and the Half-Diminished Seventh in the Song of the Wood Dove | 16.1, 2010 | HTML | Brinkman, Alexander and Elizabeth West Marvin | Article | Using the Tools to Teach the Tools: Teaching Multimedia Programming in Music Curricula | 3.5, 1997 | HTML/Frames
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ASCII | Broman, Per F. | International Report | Report from the Three Seminars on Contemporary Music with Connection to the ISCM World Music Days in Copenhagen, 1996 | 2.6, 1996 | HTML
ASCII | Broman, Per F. | International Report | Report from the Third Triennial ESCOM Conference in Uppsala, Sweden, 7-12 June, 1997 | 3.4, 1997 | HTML
ASCII | Broman, Per F. | International Report | Report from the "Skagerack Network" Analysis Workshop at Lyseby Conference Center in Oslo, Norway, November 20-23, 1997 | 4.1, 1998 | HTML/Frames
HTML | Brown, Matthew | Article | Adrift on Neurath's Boat: The Case for a Naturalized Music Theory | 2.2, 1996 | HTML
ASCII | Brown, Stephen C. | Article | Axis Tonality and Submediant in the Music of Shostakovich | 15.2, 2009 | HTML | Browne, Richmond | Article | The Deep Background of our Society | 9.1, 2003 | HTML | Buchler, Michael | Article | Reconsidering Klumpenhouwer Networks | 13.2, 2007 | HTML | Buchler, Michael | Commentary | Reconsidering Klumpenhouwer Networks One More Time: A Response to Eight Responses | 14.1, 2008 | HTML | Buhler, James | Review | Review of Roger Scruton, The Aesthetics of Music | 5.3, 1999 | HTML
ASCII | Burnham, Scott | Article | Theorists and "The Music Itself" | 2.2, 1996 | HTML
ASCII | Burns, Chelsea | Review | Review of Michael Tenzer and John Roeder, eds., Analytical and Cross-Cultural Studies in World Music (Oxford University Press, 2011) | 18.4, 2012 | HTML
PDF | Burns, James | Article | Rhythmic Archetypes in Instrumental Music from Africa and the Diaspora | 16.4, 2010 | HTML | Burns, Lori and Alyssa Woods | Article | Authenticity, Appropriation, Signification: Tori Amos on Gender, Race, and Violence in Covers of Billie Holiday and Eminem | 10.2, 2004 | HTML/Frames
HTML | Burns, Lori | Article | Feeling the Style: Vocal Gesture and Musical Expression in Billie Holiday, Bessie Smith, and Louis Armstrong | 11.3, 2005 | HTML/Frames
HTML | Burns, Lori, Marc Lafrance and Laura Hawley | Article | Embodied Subjectivities in the Lyrical and Musical Expression of PJ Harvey and Björk | 14.4, 2008 | HTML | Butler, Mark J. | Article | Turning the Beat Around: Reinterpretation, Metrical Dissonance, and Asymmetry in Electronic Dance Music | 7.6, 2001 | HTML/Frames
HTML | Butterfield, Matthew W. | Article | The Power of Anacrusis: Engendered Feeling in Groove-Based Musics | 12.4, 2006 | HTML | Butterfield, Matthew W. | Commentary | Response to Fernando Benadon | 13.3, 2007 | HTML | Butterfield, Matthew W. | Article | Variant Timekeeping Patterns and Their Effects in Jazz Drumming | 16.4, 2010 | HTML | Byron, Avior | Article | The Test Pressings of Schoenberg Conducting Pierrot lunaire: Sprechstimme Reconsidered | 12.1, 2006 | HTML/Frames
HTML | Byron, Avior and Matthias Pasdzierny | Commentary | Sprechstimme Reconsidered Once Again: '... though Mrs. Stiedry is never in pitch' | 13.2, 2007 | HTML | Byros, Vasili | Review | Review of Giorgio Sanguinetti, The Art of Partimento: History, Theory, and Practice (Oxford University Press, 2012) | 18.3, 2012 | HTML
PDF | Callender, Clinton | Article | Continuous Transformations | 10.3, 2004 | PDF | Cantrick, Robert | Commentary | Commentary on Nicholas Cook, "Theorizing Musical Meaning," Music Theory Spectrum 23/2 (2001) | 8.2, 2002 | HTML | Caplin, William E. | Article | Beethoven’s “Tempest” Exposition: A Response to Janet Schmalfeldt | 16.2, 2010 | HTML | Capuzzo, Guy | Review | Review of Robert D. Morris, Class Notes for Advanced Atonal Music Theory (Lebanon, N.H.: Frog Peak Music, 2001) | 8.3, 2002 | HTML | Capuzzo, Guy | Article | Pat Martino's The Nature of the Guitar: An Intersection of Jazz Theory and Neo-Riemannian Theory | 12.1, 2006 | PDF | Capuzzo, Guy | Article | Maximally Alpha-Like Operations | 14.3, 2008 | HTML | Carlson, Mark | Review | Review of Alexandra Pierce, Deepening Musical Performance through Movement (Indiana University Press, 2007) | 17.1, 2011 | HTML
PDF | Carr, Maureen A. | Commentary | "Who's on First?": Response to David H. Smyth's review of Stravinsky's Histoire du soldat: A Facsimile of the Sketches, edited by Maureen A. Carr (Middleton, Wisconsin: A-R Editions, 2005) | 12.3, 2006 | HTML | Casacuberta, David | Review | Review of David Temperley, Music and Probability (Cambridge: MIT Press, 2007) | 16.2, 2010 | HTML | Castine, Peter | International Report | Review of John Cage Symposium (Berlin, Germany) | 2.3, 1996 | HTML
ASCII | Castine, Peter | International Report | Review of "The Beginnings of Serial Music," Berlin, Germany, June 20-25, 1996 | 2.5, 1996 | HTML
ASCII | Chenette, Timothy K. | Article | Hearing Counterpoint Within Chromaticism: Analyzing Harmonic Relationships in Lassus’s Prophetiae Sibyllarum | 18.4, 2012 | HTML
PDF | Cheong, Wai-Ling | International Report | Theory Reception in China: Report on Journals of Central Conservatory and Shanghai Conservatory of Music | 3.4, 1997 | HTML
ASCII | Cherlin, Michael | Review | Review of Sabine Feisst, Schoenberg’s New World: The American Years (Oxford University Press, 2011) | 17.4, 2011 | HTML
PDF | Childs, Adrian P. | Article | Structural and Transformational Properties of All-Interval Tetrachords | 12.4, 2006 | HTML | Christensen, Thomas | Review | Review of Lee Rothfarb, August Halm: A Critical and Creative Life in Music (University of Rochester Press, 2009) | 17.4, 2011 | HTML
PDF | Clampitt, David | International Report | Report: An International Symposium of Music and Mathematics (Bucharest, Romania) | 1.1, 1995 | ASCII | Clampitt, David and Thomas Noll | Article | Modes, the Height-Width Duality, and Handschin’s Tone Character | 17.1, 2011 | HTML
PDF | Clendinning, Jane | Review | Review/Article of Miguel A. Roig-Francoli's Article "Harmonic and Formal Processes in Ligeti's Net-Structure Compositions," Music Theory Spectrum 17/2 (Fall, 1995), 242-267. | 2.5, 1996 | HTML
ASCII | Cochrane, Richard J. | Commentary | The Idea of Four Minutes and Thirty-Three Seconds: Response to John Covach (MTO 0.11) | 1.1, 1995 | ASCII | Cochrane, Richard J. | Article | The Phases of Fire | 1.1, 1995 | ASCII | Code, David Loberg | Article | Listening for Schubert's 'Doppelgaengers' | 1.4, 1995 | HTML
ASCII | Cohn, Richard | Article | Music Theory's New Pedagogability | 4.2, 1998 | HTML/Frames
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ASCII | Cohn, Richard | Article | A Tetrahedral Graph of Tetrachordal Voice-Leading Space | 9.4, 2003 | PDF
PDF/Frames | Collins, Nick | Article | An Algorithm for the Direct Generation of Set Class Representatives in Any Pitch Class Space | 10.3, 2004 | PDF | Cook, Nicholas | Article | Between Process and Product: Music and/as Performance | 7.2, 2001 | HTML/Frames
HTML | Cook, Nicholas | Commentary | Reply to Cantrick | 8.2, 2002 | HTML | Cook, Nicholas | Article | Prompting Performance: Text, Script, and Meaning in Bryn Harrison's être-temps | 11.1, 2005 | HTML/Frames
HTML | Cook, Nicholas | Article | Introduction: Refocusing Theory | 18.1, 2012 | HTML
PDF | Cook, Scott Alexander | Article | Moving Through Triadic Space: An Examination of Bryars’s Seemingly Haphazard Chord Progressions | 15.1, 2009 | HTML | Covach, John | Article | Destructuring Cartesian Dualism in Musical Analysis | 0.11, 1994 | ASCII | Covach, John | Commentary | Musical Worlds and the Metaphysics of Analysis | 1.1, 1995 | ASCII | Covach, John | Article | Schoenberg's Turn to an "Other" World | 1.5, 1995 | ASCII | Cox, Arnie | Article | Embodying Music: Principles of the Mimetic Hypothesis | 17.2, 2011 | HTML
PDF | Cox, Arnie | Review | Review of Steve Larson, Musical Forces: Motion, Metaphor, and Meaning in Music (Bloomington: Indiana University Press, 2012) | 19.1, 2013 | HTML
PDF | Cramer, Alfred | Article | The Harmonic Function of the Altered Octave in Early Atonal Music of Schoenberg and Webern: Demonstration Using Auditory Streaming | 9.2, 2003 | HTML/Frames
HTML | Cuciurean, John | Review | Review of Mark Lindley's and Ronald Turner-Smith's Mathematical Models of Musical Scales: A New Approach. | 1.4, 1995 | ASCII | Cutler, Timothy | Essay | Cryptic Audiodiversity and the Dissonant Perfect Unison | 16.1, 2010 | HTML | Damschroder, David | Review | Review of Beethoven’s Tempest Sonata: Perspectives of Analysis and Performance, ed. Pieter Bergè (Leuven, Belgium: Peeters, 2009) | 16.2, 2010 | HTML | Damschroder, David A. | Review | Review of Joseph N. Straus, ed, Unfoldings: Essays in Schenkerian Theory and Analysis (Oxford: Oxford University Press, 1999) | 5.4, 1999 | HTML
ASCII | Davis, Stacey | Article | Stream Segregation and Perceived Syncopation: Analyzing the Rhythmic Effects of Implied Polyphony in Bach’s Unaccompanied String Works | 17.1, 2011 | HTML
PDF | Deaville, James | Essay | More Than the Blues: Clinical Depression, Invisible Disabilities and Academe | 15.3, 2009 | HTML | Decker, Gregory J. | Review | Review of Andrew Davis, “Il Trittico,” “Turandot,” and Puccini’s Late Style (Indiana University Press, 2010) | 18.1, 2012 | HTML
PDF | Dempster, Douglas | Review | Review of Peter Kivy's The Fine Art of Repetition | 2.3, 1996 | HTML
ASCII | Demske, Thomas R. | Article | On Considering a Computational Model of Similarity Analysis | 1.2, 1995 | ASCII | Demske, Thomas R. | Commentary | Response to Parncutt (MTO 1.3) | 1.3, 1995 | ASCII | Demske, Thomas R. | Commentary | Response to Richard Hermann (MTO 1.3) | 1.4, 1995 | ASCII | Dibben, Nicola | Review | Review of Lawrence M. Zbikowski, Conceptualizing Music: Cognitive Structure, Theory, and Analysis (New York: Oxford University Press, 2002) | 10.4, 2001 | HTML | Diergarten, Felix F. | Article | “At times even Homer nods off”: Heinrich Christoph Koch’s Polemic against Joseph Haydn | 14.1, 2008 | HTML | Dineen, Murray | Article | Figured Bass and Modulation: The Wiener-Tonschule of Joseph Preindl | 8.3, 2002 | HTML/Frames
HTML | Dodson, Alan | Article | Performance and Hypermetric Transformation: An Extension of the Lerdahl-Jackendoff Theory | 8.1, 2002 | HTML/Frames
HTML | Dodson, Alan | Article | Solutions to the “Great Nineteenth-Century Rhythm Problem” in Horowitz’s Recording of the Theme from Schumann’s Kreisleriana, Op. 16, No. 2 | 18.1, 2012 | HTML
PDF | Doll, Christopher | Article | Rockin’ Out: Expressive Modulation in Verse-Chorus Form | 17.3, 2011 | HTML
PDF | Donin, Nicolas and Jonathan Goldman | Article | Charting the Score in a Multimedia Context: the Case of Paradigmatic Analysis | 14.4, 2008 | HTML | Douw, Andre M. and Michiel C. Schuijer | International Report | Music Theory at the Amsterdam School of Music | 3.1, 1997 | HTML
ASCII | Dubiel, Joseph | Article | On Getting Deconstructed | 2.2, 1996 | HTML
ASCII | Dubiel, Joseph | Article | Analysis, Description, and What Really Happens | 6.3, 2000 | HTML
ASCII | Duffin, Ross W. | Article | Just Intonation in Renaissance Theory and Practice | 12.3, 2006 | HTML/Frames
HTML | Easley, David B. | Review | Review of Christopher Alan Reynolds, Motives for Allusion: Context and Content in Nineteenth-Century Music (Cambridge and London: Harvard University Press, 2003) | 14.1, 2008 | HTML | Eckert, Stefan | Article | "So, you want to write a Minuet?" -- Historical Perspectives in Teaching Theory | 11.2, 2005 | HTML/Frames
HTML | Endrinal, Christopher | Article | Burning Bridges: Defining the Interverse in the Music of U2 | 17.3, 2011 | HTML
PDF | Eng, Clare Sher Ling | Review | Review of Peter Kaminsky, ed., Unmasking Ravel: New Perspectives on the Music (University of Rochester Press, 2011) | 18.1, 2012 | HTML
PDF | Eriksson, Tore | International Report | Four Swedish Dissertations in Music Theory | 5.3, 1999 | HTML
ASCII | Espinosa, Damian | Review | Review of Annette Richards, The Free Fantasia and the Musical Picturesque. New Perspectives in Music History and Criticism | 10.3, 2004 | HTML | Everett, Walter T. | Review | Review of Richard Middleton, ed., Reading Pop: Approaches to Textual Analysis in Popular Music | 7.6, 2001 | HTML/Frames
HTML | Everett, Walter T. | Article | Making Sense of Rock's Tonal Systems | 10.4, 2004 | HTML/Frames
HTML | Everett, Yayoi Uno | Article | Parody with an Ironic Edge: Dramatic Works by Kurt Weill, Peter Maxwell Davies, and Louis Andriessen | 10.4, 2004 | HTML/Frames
HTML | Ewell, Philip A. | Article | Rethinking Octatonicism: Views from Stravinsky’s Homeland | 18.4, 2012 | HTML
PDF | Fankhauser, Gabe and Jennifer Sterling Snodgrass | Review | Review of Ralph Turek, Theory for Today's Musician (New York: McGraw-Hill, 2007) | 13.2, 2007 | HTML | Fillerup, Jessie | Article | Eternity in Each Moment: Temporal Strategies in Ravel’s “Le Gibet” | 19.1, 2013 | HTML
PDF | Fiore, Thomas M. and Ramon Satyendra | Article | Generalized Contextual Groups | 11.3, 2005 | PDF | Fitzpatrick, Michael | Commentary | Models and Music Theory: Reconsidering David Lewin’s Graph of the 3-2 Cohn Cycle | 17.1, 2011 | HTML
PDF | Foley, Gretchen | Commentary | The Efficacy of K-Nets in Perlean Theory | 13.3, 2007 | HTML | Forte, Allen | Commentary | Tristan Redux: Comments on John Rothgeb's Article on the Tristan Chord in MTO 1.1 (MTO 1.1) | 1.2, 1995 | ASCII | Forte, Allen | Article | Responses to Plenary Session Papers, NECMT 2000 | 6.3, 2000 | HTML/Frames
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ASCII | Forte, Allen | Article | The Founding of the Society for Music Theory | 9.1, 2003 | HTML | Fox, Donna Brink | Review | Review of Abeles, Harold; Hoffer, Charles; and Klotman, Robert. Foundations of Music Education, 2nd ed. New York: Schirmer Books | 2.7, 1996 | HTML
ASCII | Francis, Kimberly A. | Review | Review of Maureen Carr, Multiple Masks: Neoclassicism in Stravinsky’s Works on Greek Subjects (Lincoln: University of Nebraska Press, 2002) | 13.1, 2007 | HTML | Friedmann, Michael | Review | Review of Nicolas Marstons' Beethoven's Piano Sonata in E, op. 109 | 3.1, 1997 | HTML
ASCII | Fuller, Sarah | Review | Review of Musica Enchiriadis and Scolica Enchiriadis, trans., with an Introduction and Notes, by Raymond Erickson, ed. Claude V. Palisca | 3.1, 1997 | HTML
ASCII | Fyr, Kyle | Review | Review of Timothy Johnson, John Adams’s “Nixon in China”: Musical Analysis, Historical and Political Perspectives (Ashgate, 2011) | 18.2, 2012 | HTML
PDF | Garcia, Luis-Manuel | Article | On and On: Repetition as Process and Pleasure in Electronic Dance Music | 11.4, 2005 | HTML/Frames
HTML | Gauldin, Robert | Article | Tragic Love and Musical Memory | 10.4, 2004 | HTML/Frames
HTML | Gawboy, Anna M. and Justin Townsend | Article | Scriabin and the Possible | 18.2, 2012 | HTML
PDF | Gillespie, Jeff | Essay | Our Common Uniqueness | 15.3, 2009 | HTML | Gimbel, Allen | Essay | Scholarship and Quadriplegia | 15.3, 2009 | HTML | Gloag, Kenneth | Review | Review of David Clarke, The Music and Thought of Michael Tippett: Modern Times and Metaphysics (Cambridge: Cambridge University Press, 2001) | 10.2, 2004 | HTML | Goldenberg, Yosef | Article | A Musical Gesture of Growing Obstinacy | 12.2, 2006 | HTML/Frames
HTML | Goldenberg, Yosef | Article | The Interruption-Fill and Corollary Procedures | 18.4, 2012 | HTML
PDF | Goldsmith, Melissa Ursula Dawn | Review | Review of Tim J. Anderson, Making Easy Listening: Material Culture and Postwar American Recording, Commerce and Mass Culture Series (Minneapolis and London: University of Minnesota Press, 2006) | 12.3, 2006 | HTML | Grall, Jeremy | Review | Review of Charles M. Atkinson, The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music (Oxford University Press, 2009) | 17.2, 2011 | HTML
PDF | Grant, Roger Mathew | Commentary | Hysteria at the Musical Surface | 14.1, 2008 | HTML | Grauer, Victor | Article | Toward a Unified Theory of the Arts | 2.6, 1996 | HTML
ASCII | Grave, Floyd | Review | Review of William E. Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven (New York and Oxford: Oxford University Press, 1998) | 4.6, 1998 | HTML
ASCII | Green, Burdette | Review | Review of Rebecca Herissone, Music Theory in Seventeenth-Century England (Oxford: Oxford University Press, 2000) | 11.2, 2005 | HTML | Gruber, Gerold W. | International Report | Review of the 3rd Congress for Music Theory, Vienna, Austria, May 10-12, 1996 | 2.7, 1996 | HTML
ASCII | Guck, Marion | Article | Music Loving, Or the Relationship with the Musical Work | 2.2, 1996 | HTML
ASCII | Guerrero, Jeannie Ma. | Article | Serial Intervention in Nono's Il canto sospeso | 12.1, 2006 | HTML/Frames
HTML | Guerrero, Jeannie Ma. | Article | Francesco's Dream: Musical Logic in Landini's Three-Voice Ballate | 13.4, 2007 | HTML | Gur, Golan | Article | Body, Forces, and Paths: Metaphor and Embodiment in Jean-Philippe Rameau’s Conceptualization of Tonal Space | 14.1, 2008 | HTML | Haimo, Ethan T. | Commentary | Linear Analysis--A Cure for Pitch-Class Set Analysis?: A Reply (MTO 3.2) | 3.3, 1997 | HTML
ASCII | Hakanson, Michelle E. | Review | Review of Carol J. Oja, Making Music Modern: New York in the 1920s. New York: Oxford University Press, 2000 | 10.1, 2004 | HTML | Harley, James | Commentary | Commentary on Stephen Smoliar (MTO 0.6) | 0.7, 1994 | ASCII | Harrison, Daniel | Article | Tolling Time | 6.4, 2000 | HTML/Frames
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ASCII | Harrison, Daniel | Review | Review of Alexander Rehding, Hugo Riemann and the Birth of Modern Musical Thought (Cambridge: Cambridge University Press, 2003) | 11.2, 2005 | HTML/Frames
HTML | Haskins, Rob | Review | Review of The Cambridge Companion to John Cage, ed. David Nicholls (Cambridge: Cambridge University Press, 2002) | 10.2, 2004 | HTML | Hatten, Robert S. | Article | Introduction (to the Special Issue on Performance and Analysis) | 11.1, 2005 | HTML | Hatten, Robert S. | Review | Review of Berthold Hoeckner, Programming the Absolute: Nineteenth-Century German Music and the Hermeneutics of the Moment (Princeton University Press, 2002) | 11.1, 2005 | HTML/Frames
HTML | Hatten, Robert S. | Composition | Wordless Carol | 18.3, 2012 | HTML | Hatten, Robert S. | Article | Musical Forces and Agential Energies: An Expansion of Steve Larson’s Model | 18.3, 2012 | HTML
PDF | Headlam, Dave | Article | Multimedia for Music Study on the Web: Director from Macromedia | 3.5, 1997 | HTML/Frames
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ASCII | Headlam, Dave | Review | Review of Patricia Hall, Berg’s “Wozzeck” (Oxford University Press, 2011) | 18.2, 2012 | HTML
PDF | Heetderks, David J. | Article | A Tonal Revolution in Fifths and Semitones: Aaron Copland’s Quiet City | 17.2, 2011 | HTML
PDF | Heinonen, Yrjo | Review | Review of Walter Everett, The Beatles as Musicians: Revolver Through the Anthology. New York: Oxford University Press, 1999 | 6.2, 2000 | HTML
ASCII | Hepokoski, James | Article | Formal Process, Sonata Theory, and the First Movement of Beethoven’s “Tempest” Sonata | 16.2, 2010 | HTML | Hermann, Richard | Commentary | Response to Demske (MTO 1.2) | 1.3, 1995 | ASCII | Hermann, Richard | International Report | Reflexive Postmodern Anthropology Meets Musical "Modernism": Georgina Born's Rationalizing Culture. A Review of IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde. | 3.5, 1997 | HTML/Frames
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ASCII | Hesselink, Nathan D. | Article | Radiohead’s “Pyramid Song”: Ambiguity, Rhythm, and Participation | 19.1, 2013 | HTML
PDF | Heyer, David J. | Article | Applying Schenkerian Theory to Mainstream Jazz: A Justification for an Orthodox Approach | 18.3, 2012 | HTML
PDF | Hisama, Ellie M. | Article | Life Outside the Canon? A Walk on the Wild Side | 6.3, 2000 | HTML/Frames
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ASCII | Hoag, Melissa E. | Article | Brahms’s “Great Tragic Opera”: Melodic Drama in “Ach, wende diesen Blick”
(op. 57, no. 4) | 17.1, 2011 | HTML
PDF | Hoeckner, Berthold | Article | Poet's Love and Composer's Love | 7.5, 2000 | HTML/Frames
HTML | Hofmann-Engl, Ludger | Review | Review of W.B. Hewlett & E. Selfridge-Field, eds., Melodic Similarity: Concepts, Procedures, and Applications (Cambridge, Massachusetts: MIT Press, 1999). | 5.4, 1999 | HTML
ASCII | Holm-Hudson, Kevin | Article | Your Guitar, It Sounds So Sweet and Clear: Semiosis in Two Versions of "Superstar" | 8.4, 2002 | HTML/Frames
HTML | Honing, Henkjan | Commentary | Some Comments on the Relation Between Music and Motion | 9.1, 2003 | HTML/Frames
HTML | Honisch, Stefan Sunandan | Essay | “Re-narrating” Disability through Musical Performance | 15.3, 2009 | HTML | Hood, Alison | Article | Ambiguity of Tonal Meaning in Chopin’s Prelude op. 28, no. 22 | 18.3, 2012 | HTML
PDF | Hook, Julian | Article | Why Are There Twenty-Nine Tetrachords? A Tutorial on Combinatorics and Enumeration in Music Theory | 13.4, 2007 | HTML | Hook, Julian | Review | Review of Dmitri Tymoczko, A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice (Oxford University Press, 2011) | 17.3, 2011 | HTML
PDF | Hook, Julian | Article | How to Perform Impossible Rhythms | 17.4, 2011 | HTML
PDF | Horlacher, Gretchen G. | Article | Bartók's "Change of Time": Coming Unfixed | 7.1, 2001 | HTML/Frames
HTML | Huron, David | Article | What is a Musical Feature? Forte's Analysis of Brahms's Opus 51, No. 1, Revisited | 7.4, 2001 | HTML/Frames
HTML | Hussey, William | Article | Triadic Post-Tonality and Linear Chromaticism in the Music of Dmitri Shostakovich | 9.1, 2003 | HTML/Frames
HTML | Isaacson, Eric J. | Article | Issues in the Study of Similarity in Atonal Music | 2.7, 1996 | HTML
ASCII | Iverson, Jennifer | Article | Creating Space: Perception and Structure in Charles Ives’s Collages | 17.2, 2011 | HTML
PDF | Jackson, Timothy L. | Essay | Escaping from a Black Hole: Facing Depression in Academia | 15.3, 2009 | HTML | James, Tess | International Report | Celibidache and Bruckner | 4.5, 1998 | HTML
ASCII | James, Tess | International Report | Hans Rott (1858-1884) -- the missing link between Bruckner and Mahler | 5.1, 1999 | HTML/Frames
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ASCII | Jan, Steven | Article | Music, Memory and Memes in the Light of Calvinian Neuroscience | 17.2, 2011 | HTML
PDF | Jemian, Rebecca | Review | Review of Josephine Lang: Her Life and Songs, by Harald Krebs and Sharon Krebs (Oxford University Press, 2007) | 16.4, 2010 | HTML | Jenkins, J. Daniel | Review | Review of David Schiff, The Music of Elliott Carter. 2nd ed. Ithaca: Cornell University Press, 1998. | 6.1, 2000 | HTML
ASCII | Jenkins, J. Daniel | Article | After the Harvest: Carter’s Fifth String Quartet and the Late Late Style | 16.3, 2010 | HTML | Jensen-Moulton, Stephanie | Essay | Music Fundamentals: Three Classes with Daniel Trush | 15.3, 2009 | HTML | Johnson, Shersten | Essay | Notational Systems and Conceptualizing Music: A Case Study of Print and Braille Notation | 15.3, 2009 | HTML | Johnson, Timothy | Article | The Computer Presentation of Musical Research: A Case Study | 1.3, 1995 | ASCII | Johnston, Blair | Article | Between Romanticism and Modernism and Postmodernism: George Crumb’s Black Angels | 18.2, 2012 | HTML
PDF | Judd, Robert | Commentary | Commentary on Neumeyer (MTO 0.1) | 0.2, 1993 | ASCII | Judd, Robert | Commentary | Commentary on Justin London (MTO 0.2) | 0.3, 1993 | ASCII | Judd, Robert | Article | Composers, Performers and Notation: Solo Music Notations in Europe, 1500-1700 | 0.8, 1994 | ASCII | Kallis, Vasileios | Article | Principles of Pitch Organization in Scriabin’s Early Post-tonal Period: The Piano Miniatures | 14.3, 2008 | HTML | Kaminsky, Peter | Review | Review of Beatlestudies 3: Proceedings of the BEATLES 2000 Conference (Jyväskylä, Finland: University of Jyväskylä Press, 2001) | 11.1, 2005 | HTML | Kaminsky, Peter M. | Article | Revenge of the Boomers: Notes on the Analysis of Rock Music | 6.3, 2000 | HTML/Frames
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ASCII | Karpinski, Gary S. | Article | Lessons from the Past: Music Theory Pedagogy and the Future | 6.3, 2000 | HTML/Frames
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ASCII | Karpinski, Gary S. | Article | Ambiguity: Another Listen | 18.3, 2012 | HTML
PDF | Killam, Rosemary | Article | Feminist Theories--Process and Continua | 0.8, 1994 | ASCII | Killam, Rosemary | Article | Cognitive Dissonance: Should Twentieth-century Women Composers Be Grouped with Focault's Mad Criminals? | 3.2, 1997 | HTML
ASCII | Killam, Rosemary | Commentary | Response to Professor Morse's Open Letter (MTO 3.3) | 3.4, 1997 | HTML
ASCII | Kimberlin, Cynthia Tse | Commentary | Commentary | 16.4, 2010 | HTML | Kleppinger, Stanley V. | Article | Copland’s Fifths and Their Structural Role in the Sonata for Violin and Piano | 17.2, 2011 | HTML
PDF | Klumpenhouwer, Henry | Article | Some Remarks on the Use of Riemann Transformations | 0.9, 1994 | ASCII | Klumpenhouwer, Henry | Commentary | Reconsidering Klumpenhouwer Networks: a Response | 13.3, 2007 | HTML | Kochavi, Jon | Essay | How Do You Hear That? Autism, Blindness, and Teaching Music Theory | 15.3, 2009 | HTML | Kochavi, Jonathan | Review | Review of Edward Gollin and Alexander Rehding, eds., The Oxford Handbook of Neo-Riemannian Theories (Oxford University Press, 2011) | 18.4, 2012 | HTML
PDF | Koozin, Timothy | Article | On Metaphor, Technology, and Schenkerian Analysis | 5.3, 1999 | HTML/Frames
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Shockwave | Koozin, Timothy | Article | Guitar Voicing in Pop-Rock Music: A Performance-Based Analytical Approach | 17.3, 2011 | HTML
PDF | Kopiez, Reinhard | International Report | Report on the Jahrestagung der Deutschen Gesellschaft fuer Musikpsycologie (DGM), Muenster, 10-12 September, 1993, trans. Richard Parncutt | 0.7, 1994 | ASCII | Kopp, David | Article | On the Function of Function | 1.3, 1995 | ASCII | Kosovsky, Robert | Commentary | Commentary on Neumeyer (MTO 0.1) | 0.2, 1993 | ASCII | Kozak, Mariusz | Review | Review of Evan Jones, ed., Intimate Voices: The Twentieth Century String Quartet (Rochester University Press, 2009) | 18.2, 2012 | HTML
PDF | Kraus, Joseph C. | Article | Coaching Mozart’s String Quintet in E-Flat Major: Finding the Rhythmic Shape | 15.2, 2009 | HTML | Krebs, Harald | Review | Review of David Ferris, Schumann's Eichendorff Liederkreis and the Genre of the Romantic Cycle. New York: Oxford University Press, 2000.
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PDF | Krims, Adam | Article | Bloom, Post-Structuralism(s), and Music Theory | 0.11, 1994 | ASCII | Krims, Adam | Commentary | On the Fear of Losing Our Tools (A Response to Joseph N. Straus) (MTO 1.1) | 1.1, 1995 | ASCII | Kutnowski, Martin | Essay | How Register Tells the Story in Scriabin’s Op. 22, No. 2 | 17.2, 2011 | HTML
PDF | Kuusi, Tuire | Article | The Role of Set-Class Identity in the Estimation of Chords | 9.3, 2003 | HTML/Frames
HTML | Kuusi, Tuire | Article | Discrimination and Evaluation of Trichords | 15.5, 2009 | HTML | Larson, Steve | Article | Expressive Meaning and Musical Structure, Chapter 1 of Schenkerian Analysis: Pattern, Form, and Expressive Meaning | 18.3, 2012 | HTML
PDF | Latham, Edward D. | Review | Review of Ethan Haimo's article, "Atonality Analysis, and the Intentional Fallacy," Music Theory Spectrum 18/2 (Fall, 1996) | 3.2, 1997 | HTML
ASCII | Latham, Edward D. | Review | Binary Oppositions in Arnold Whittall's Exploring Twentieth-Century Music: Tradition and Innovation (Cambridge University Press, 2003) and Their Implications for Analysis | 10.3, 2004 | HTML/Frames
HTML | Lee, Mike Cheng-Yu | Article | A Response to Schmalfeldt’s “Form as Process of Becoming”: Once More on the Performance and Analysis of Schubert’s Sonata in A minor, Op. 42 | 16.2, 2010 | HTML | Leech-Wilkinson, Daniel | Article | Compositions, Scores, Performances, Meanings | 18.1, 2012 | HTML
PDF | Leong, Daphne and Elizabeth McNutt | Article | Response to Janet Schmalfeldt's Response | 11.1, 2005 | HTML/Frames
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HTML | Leong, Daphne and David Korevaar | Article | The Performer's Voice: Performance and Analysis in Ravel's Concerto pour la main gauche | 11.3, 2005 | HTML/Frames
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PDF | Lester, Joel | Commentary | Commentary on Justin London (MTO 0.2) | 0.3, 1993 | ASCII | Lester, Joel | Article | How Theorists Relate To Musicians | 4.2, 1998 | HTML/Frames
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ASCII | Lewin, David B. | Commentary | Commentary on Roeder (MTO 0.5) | 0.6, 1994 | ASCII | Lewin, David B. | Article | The D major Fugue Subject from WTC II: Spatial Saturation? | 4.4, 1998 | HTML/Frames
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ASCII | Leydon, Rebecca | Article | Towards a Typology of Minimalist Tropes | 8.4, 2002 | HTML/Frames
HTML | Leydon, Rebecca | Article | Clean as a Whistle: Timbral Trajectories and the Modern Musical Sublime | 18.2, 2012 | HTML
PDF | Lind, Stephanie | Article | An Interactive Trichord Space Based on Measures 18–23 of Clermont Pépin’s Toccate no. 3 | 15.1, 2009 | HTML | Lind, Stephanie and John Roeder | Article | Transformational Distance and Form in Berg’s “Schlafend trägt man mich” | 15.1, 2009 | HTML | Lindley, Mark and Ronald Turner-Smith | Article | An Algebraic Approach to Mathematical Models of Scales | 0.3, 1993 | ASCII | Littlefield, Richard | Commentary | Commentary on John Roeder (MTO 0.5) | 0.7, 1994 | ASCII | Littlefield, Richard | Article | The Silence of the Frames | 2.1, 1996 | HTML
ASCII | Lochhead, Judith I. | Article | Retooling the Technique | 4.2, 1998 | HTML/Frames
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ASCII | Lochhead, Judy | Review | Review of Embodied Voices: Representing female vocality in western culture edited by Leslie C. Dunn and Nancy A. Jones. Cambridge University Press, 1994 | 2.1, 1996 | HTML
ASCII | Lochhead, Judy | Review | Review of Ellie M. Hisama, Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon | 9.2, 2003 | HTML/Frames
HTML | Locke, David | Article | Yewevu in the Metric Matrix | 16.4, 2010 | HTML | London, Justin | Article | Loud Rests and Other Strange Metric Phenomena (or, Meter as Heard) | 0.2, 1993 | ASCII | London, Justin | Commentary | Commentary on Justin London (MTO 0.2) | 0.3, 1993 | ASCII | London, Justin | Commentary | Misreading Meyer: A Reply to Cochrane (MTO 1.1) | 1.3, 1995 | ASCII | London, Justin | Commentary | A Different Response to Killam (MTO 3.2, 3.3) | 3.4, 1997 | HTML
ASCII | London, Justin | Commentary | Commentary | 16.4, 2010 | HTML | London, Justin | Review | Review of Yonatan Malin, Songs in Motion: Rhythm and Meter in the German Lied (Oxford University Press, 2010) | 17.2, 2011 | HTML
PDF | Losada, Catherine | Commentary | K-nets and Hierarchical Structural Recursion: Further Considerations | 13.3, 2007 | HTML | Love, Stefan C. | Article | “Possible Paths”: Schemata of Phrasing and Melody in Charlie Parker’s Blues | 18.3, 2012 | HTML
PDF | Luchese, Diane | Review | Review of Anthony Pople, Messiaen: Quatuor pour la fin du Temps | 5.2, 1999 | HTML
ASCII | Mailman, Josh | Commentary | The Aims of Music Theory and Neurath's Boat: A Reply to Jonathan Walker and Matthew Brown (MTO 2.2) | 2.4, 1996 | HTML
ASCII | Malawey, Victoria | Article | Harmonic Stasis and Oscillation in Björk’s Medúlla | 16.1, 2010 | HTML | Maler, Anabel | Article | Songs for Hands: Analyzing Interactions of Sign Language and Music | 19.1, 2013 | HTML
PDF | Marion, Gregory J. | Article | Debussy and Recollection: trois aperçu | 13.1, 2007 | HTML | Martens, Peter | Article | Tactus in Performance: Constraints and Possibilities | 18.1, 2012 | HTML
PDF | Martens, Peter A. | Article | Glenn Gould's "Constant Rhythmic Reference Point":
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PDF | Martinez, José Luis | Article | Semiotics and the Art Music of India | 6.1, 2000 | HTML/Frames
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ASCII | Marvin, William M. | Review | Review of Daniel Kazez, Rhythm Reading: Elementary Through Advanced Training | 3.4, 1997 | HTML
ASCII | Mawer, Deborah | Article | Exploring Complementation in Bartók's Third Quartet | 13.4, 2007 | HTML | McClary, Susan | Article | In Praise of Contingency: The Powers and Limits of Theory | 16.1, 2010 | HTML | McCreless, Patrick | Review | Review of Jean-Jacques Nattiez, Wagner Androgyne: A Study in Interpretation (Princeton: Princeton University Press, 1993) | 2.1, 1996 | HTML
ASCII | McCreless, Patrick | Article | Contemporary Music Theory and the New Musicology: An Introduction | 2.2, 1996 | HTML
ASCII | McCreless, Patrick | Article | Music Theory as Community: A Perspective from the Late '90's | 4.2, 1998 | HTML/Frames
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ASCII | McCreless, Patrick | Article | Music Theory and Historical Awareness | 6.3, 2000 | HTML/Frames
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ASCII | McCreless, Patrick | Article | Ownership, In Music and Music Theory | 17.1, 2011 | HTML
PDF | McFarland, Mark | Review | Review of Jeremy Day-O'Connell, Pentatonicism from the Eighteenth Century to Debussy (Rochester: University of Rochester Press, 2007) | 15.2, 2009 | HTML | McFarland, Mark | Article | Schenker and the Tonal Jazz Repertory: A Response to Martin | 18.3, 2012 | HTML
PDF | McNamee, Ann K. | Article | Grazyna Bacewicz's Second Piano Sonata (1953): Octave Expansion and Sonata Form | 0.4, 1993 | ASCII | McNamee, Ann K. | Article | Publishing and Pedagogy Using Multimedia on the World-Wide Web | 3.5, 1997 | HTML/Frames
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ASCII | McNutt, Elizabeth | Article | A Postscript on Process | 11.1, 2005 | HTML | Meeus, Nicolas | International Report | Music Theory and Analysis in France and Belgium | 3.4, 1997 | HTML
ASCII | Meeus, Nicolas | Article | Toward a Post-Schoenbergian Grammar of Tonal and Pre-tonal Harmonic Progressions | 6.1, 2000 | HTML/Frames
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ASCII | Mengozzi, Stefano | Review | Review of Lionel Pike, Hexachords in Late-Renaissance Music (Aldershot: Ashgate, 1998) | 4.3, 1998 | HTML/Frames
HTML | Mirka, Danuta | Article | The Structural Role of Timbre and Texture in the Music of Penderecki | 6.1, 2000 | HTML/Frames
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ASCII | Monahan, Seth | Review | Review of Janet Schmalfeldt: In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music (Oxford: Oxford University Press, 2011) | 17.3, 2011 | HTML
PDF | Monelle, Raymond | Commentary | Martinez's Concept of "Intrinsic Semiosis" (Commentary on Martinez, MTO 6.1) | 6.2, 2000 | HTML
ASCII | Montague, Eugene | Article | Instrumental Gesture in Chopin’s Étude in A-Flat Major, Op. 25, No. 1 | 18.4, 2012 | HTML
PDF | Moore, Allan F. | Article | The Persona-Environment Relation in Recorded Song | 11.4, 2005 | HTML/Frames
HTML | Morris, Rebecca | Essay | Universal Design and Adaptive Equipment: Ideas and Solutions for Music Schools | 15.3, 2009 | HTML | Morris, Robert D. | Article | Introduction to Panorama of Music Theory, 1987-97 | 4.2, 1998 | HTML/Frames
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ASCII | Morse, Michael William | Commentary | To Rosemary Killam: An Open Letter and Reply (MTO 3.2) | 3.3, 1997 | HTML
ASCII | Murphy, Scott | Article | The Major Tritone Progression in Recent Hollywood Science Fiction Films | 12.2, 2006 | HTML/Frames
HTML | Murphy, Scott | Article | Considering Network Recursion and Bartók’s “Fourths” | 13.3, 2007 | HTML | Muxfeldt, Kristina | Review | Review of Suzannah Clark, Analyzing Schubert (Cambridge University Press, 2011) | 18.3, 2012 | HTML
PDF | Neidhöfer, Christoph | Article | Bruno Maderna's Serial Arrays | 13.1, 2007 | HTML | Neumeyer, David | Article | Schoenberg at the Movies: Dodecaphony and Film | 0.1, 1993 | ASCII | Neumeyer, David | Commentary | Commentary on Neumeyer (MTO 0.1) | 0.2, 1993 | ASCII | Neumeyer, David | Article | The Contredanse, Classical Finales, and Caplin’s Formal Functions | 12.4, 2006 | HTML | Ng, Samuel | Review | Review of Peter H. Smith, Expressive Forms in Brahms's Instrumental Music: Structure and Meaning in His Werther Quartet (Bloomington: Indiana University Press, 2005) | 13.4, 2007 | HTML | Ng, Samuel | Review | Review of Ryan McClelland, Brahms and the Scherzo: Studies in Musical Narrative (Surrey, England: Ashgate, 2010) | 17.3, 2011 | HTML
PDF | Nicholls, David | Review | Review of Ray Allen and Ellie M. Hisama, eds., Ruth Crawford Seeger’s Worlds: Innovation and Tradition in Twentieth-Century American Music (Rochester: University of Rochester Press, 2007) | 14.1, 2008 | HTML | Nicholls, David | Review | Review of Pwll ap Siôn, The Music of Michael Nyman: Texts, Contexts and Intertexts (Aldershot, UK: Ashgate, 2007) | 14.2, 2008 | HTML | Nobile, Drew F. | Article | Form and Voice Leading in Early Beatles Songs | 17.3, 2011 | HTML
PDF | Nolan, Catherine | Commentary | Thoughts on Klumpenhouwer Networks and Mathematical Models: The Synergy of Sets and Graphs | 13.3, 2007 | HTML | Novak, John | Review | Review of Amanda Bayley, ed., The Cambridge Companion to Bartók | 7.5, 2001 | HTML | O'Donnell, Shaugn | Commentary | Commentary on Neumeyer (MTO 0.1) | 0.2, 1993 | ASCII | O'Donnell, Shaugn | Commentary | Embracing Relational Abundance | 13.3, 2007 | HTML | Ohriner, Mitchell S. | Article | Grouping Hierarchy and Trajectories of Pacing in Performances of Chopin’s Mazurkas | 18.1, 2012 | HTML
PDF | Osborn, Brad | Review | Review of Andrew Dell’ Antonio, ed., Beyond Structural Listening?: Postmodern Modes of Hearing (Berkeley: University of California Press, 2004) | 14.3, 2008 | HTML | Osborn, Brad | Article | Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres | 17.3, 2011 | HTML
PDF | Pack, Tim S. | Review | Review of Syntagma musicum III, by Michael Praetorius, translated and edited by Jeffery T. Kite-Powell (New York and Oxford: Oxford University Press, 2004) | 12.3, 2006 | HTML | Pack, Tim S. | Composition | Pie Jesu | 18.3, 2012 | HTML | Pacun, David | Essay | Reflections on and Some Recommendations for Visually Impaired Students | 15.3, 2009 | HTML | Parncutt, Richard | Commentary | Commentary on Justin London (MTO 0.2) | 0.3, 1993 | ASCII | Parncutt, Richard | International Report | Review of the 1993 Conference of the Society for Music Perception and Cognition | 0.6, 1994 | ASCII | Parncutt, Richard | Commentary | Response to Demske (MTO 1.2) | 1.3, 1995 | ASCII | Pastille, William | Article | Schenker's Value-Judgments | 1.6, 1995 | HTML
ASCII | Peck, Robert | Review | Review of Steven Rings, Tonality and Transformation (Oxford University Press, 2011) | 18.3, 2012 | HTML
PDF | Peck, Robert W. | Review | A Review of the 2003 American Mathematical Society Spring Southeastern Section Conference, Special Session on Mathematical Techniques in Musical Analysis | 9.3, 2003 | HTML | Peck, Robert W. | Article | Klein-Bottle Tonnetze | 9.3, 2003 | PDF | Peck, Robert W. | Article | A GAP Tutorial for Transformational Music Theory | 17.1, 2011 | HTML
PDF | Perrott, David | Review | Review of Laurent Fichet, Les theories scientifiques de la musique (Paris: Librairie philosophique J. Vrin, 1996). | 5.4, 1999 | HTML
ASCII | Perry, Jeff | Commentary | Music Theory as Conversation | 13.1, 2007 | HTML | Perry, Jeff | Review | Review of Anthony K. Brandt, Sound Reasoning: A New Way to Listen | 13.3, 2007 | HTML | Perry, Jeffrey | Review | Review of Allen Forte, The Atonal Music of Anton Webern. New Haven: Yale University Press, 1999. | 6.1, 2000 | HTML/Frames
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ASCII | Perry, Jeffrey | Article | The Ladder of Evolution and Musical Progress | 6.5, 2000 | HTML/Frames
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ASCII | Perry, Jeffrey | Review | Review of M. J. Grant, Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe | 9.1, 2003 | HTML | Pieslak, Jonathan | Review | Review of Kevin Korsyn, Decentering Music: A Critique of Contemporary Musical Research (New York: Oxford University Press, 2003) | 14.1, 2008 | HTML | Platt, Heather | Report | “Brahms in the New Century”: A Conference Report | 18.2, 2012 | HTML
PDF | Polak, Rainer | Article | Rhythmic Feel as Meter: Non-Isochronous Beat Subdivision in Jembe Music from Mali | 16.4, 2010 | HTML | Pople, Anthony | Review | Review of David Epstein, Shaping Time: Music, the Brain, and Performance | 3.3, 1997 | HTML
ASCII | Quaglia, Bruce | Review | Review of Bryan Simms, The Atonal Music of Arnold Schoenberg 1908-1923 (New York: Oxford, 2000) | 8.1, 2002 | HTML | Quaglia, Bruce | Review | Reviews of Neil Lerner and Joseph Straus, editors, Sounding Off: Theorizing Disability in Music (New York: Routledge, 2006) and Joseph Straus, “Normalizing the Abnormal: Disability in Music and Music Theory” in Journal of the American Musicological Society 59, no. 1 (2006) | 13.2, 2007 | HTML | Quaglia, Bruce | Review | Review of Ethan Haimo, Schoenberg’s Transformation of Musical Language (New York: Cambridge University Press, 2006) | 14.4, 2008 | HTML | Rahn, Jay | Commentary | Reply to Smoliar's "Mathematical Logic" (MTO 0.9, 0.10) | 0.10, 1994 | ASCII | Rahn, Jay | Article | From Similarity to Distance; From Simplicity to Complexity; From Pitches to Intervals; From Description to Causal Explanation | 0.9, 1994 | ASCII | Rahn, Jay | Article | Practical Aspects of Marchetto's Tuning | 4.6, 1998 | HTML/Frames
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ASCII | Rahn, Jay | Review | Conference Report: Symposium on Neo-Riemannian Theory, State University of New York at Buffalo, July 20-21, 2001 | 7.5, 2001 | HTML | Ramirez, Miguel J. | Review | Review of Dermot Gault, The New Bruckner: Compositional Development and the Dynamics of Revision (Surrey, England: Ashgate, 2011) | 17.4, 2011 | HTML
PDF | Raschke, Peter J. | Review | Review of Music-Theory Web Sites for the Beginner | 5.2, 1999 | HTML
ASCII | Ravenscroft, Brenda | Article | Form as Process: Celebrating the Work of Janet Schmalfeldt (Chair’s Introduction) | 16.2, 2010 | HTML | Rawlins, Robert | Review | Review of Mark Levine, The Jazz Theory Book. Petaluma, Calif.: Sher Music, 1995. | 6.1, 2000 | HTML
ASCII | Reddick, Carissa | Article | Becoming at a Deeper Level: Divisional Overlap in Sonata Forms from the Late Nineteenth Century | 16.2, 2010 | HTML | Reed, Jacob and Matthew Bain | Article | A Tetrahelix Animates Bach: Revisualization of David Lewin's Analysis of the Opening of the F# Minor Fugue from WTC I | 13.4, 2007 | HTML | Renwick, William | Article | "A Subject of Four Notes": William Crotch's Experiment in Motivic Saturation | 0.10, 1994 | ASCII | Ricci, Adam | Article | The Progress of a Motive in Brahms's Intermezzo op. 119, no. 3 | 13.3, 2007 | HTML | Robbie, Andrew D. | Review | Review of Brian Hulse and Nick Nesbitt, eds., Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music (Ashgate, 2010) | 18.1, 2012 | HTML
PDF | Robison, Brian | Article | Modifying Interval-Class Vectors of Large Collections to Reflect Registral Proximity Among Pitches | 0.10, 1994 | ASCII | Robison, Brian | Commentary | Category Structures and Fuzzy Sets (response to Lawrence Zbikowski) (MTO 1.4) | 1.5, 1995 | HTML
ASCII | Rockwell, Joti | Article | Birdcage Flights: A Perspective on Inter-Cardinality Voice Leading | 15.5, 2009 | HTML | Rodgers, Stephen | Review | Review of Matthew Santa, Hearing Form: Musical Analysis With and Without the Score (New York: Routledge, 2010) | 16.3, 2010 | HTML | Rodgers, Stephen | Article | Thinking (and Singing) in Threes: Triple Hypermeter and the Songs of Fanny Hensel | 17.1, 2011 | HTML
PDF | Rodgers, Stephen | Composition | Not So Far Away | 18.3, 2012 | HTML | Rodgers, Stephen, Henry Martin and Keith Waters | Article | Guest Editors’ Introduction: “The More Questions, The Better” | 18.3, 2012 | HTML
PDF | Roeder, John | Article | Toward a Semiotic Evaluation of Music Analyses | 0.5, 1993 | ASCII | Roeder, John | Commentary | Response to Commentaries (on his MTO 0.5 article) | 0.6, 1994 | ASCII | Roeder, John | Review | Review of Christopher F. Hasty, Meter as Rhythm (New York/Oxford: Oxford University Press, 1997) | 4.4, 1998 | HTML
ASCII | Roeder, John | Article | Pulse Streams and Problems of Grouping and Metrical Dissonance in Bartók's "With Drums and Pipes" | 7.1, 2001 | HTML | Roeder, John | Article | A Transformational Space Structuring the Counterpoint in Adès’s “Auf dem Wasser zu singen” | 15.1, 2009 | HTML | Roeder, John | Article | Constructing Transformational Signification: Gesture and Agency in Bartók’s Scherzo, Op. 14, No. 2, measures 1–32 | 15.1, 2009 | HTML | Roeder, John | Article | Introduction | 15.1, 2009 | HTML | Roemjantsew, Tamara W. | International Report | Report on Two Conferences in the Netherlands | 6.1, 2000 | HTML
ASCII | Rogers, Nancy and Michael Buchler | Article | Square Dance Moves and Twelve-Tone Operators: Isomorphisms and New Transformational Models | 9.4, 2003 | PDF
PDF/Frames | Rothgeb, John | Article | The Tristan Chord: Identity and Origin | 1.1, 1995 | ASCII | Rothgeb, John | Commentary | Eytan Agmon on Functional Theory | 2.1, 1996 | HTML
ASCII | Rothstein, William | Commentary | The Tristan Chord in Historical Context: A Response to John Rothgeb (MTO 1.1) | 1.3, 1995 | HTML
ASCII | Rothstein, William | Article | Like Falling off a Log: Rubato in Chopin’s Prelude in A-flat Major, Op. 28 No. 17 | 11.1, 2005 | HTML/Frames
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ASCII | Rothstein, William | Article | Common-tone Tonality in Italian Romantic Opera: An Introduction | 14.1, 2008 | HTML | Royal, Matthew S. | Review | Review of Eugene Narmour, The Analysis and Cognition of Basic Melodic Structures (Chicago: University of Chicago Press, 1990) and The Analysis and Cognition of Melodic Complexity (Chicago: University of Chicago Press, 1992). | 1.6, 1995 | ASCII | Royal, Matthew S. | Review | Review of Benjamin Wardhaugh, Music, Experiment and Mathematics in England, 1653–1705 (Aldershot and Burlington: Ashgate Press, 2008) | 16.4, 2010 | HTML | Rusch, René | Article | Beyond Homage and Critique? Schubert’s Sonata in C minor, D. 958, and Beethoven’s Thirty-Two Variations in C minor, WoO 80 | 19.1, 2013 | HTML
PDF | Sallmen, Mark | Article | Listening to the Music Itself: Breaking Through the Shell of Elliott Carter’s “In Genesis” | 13.3, 2007 | HTML | Sallmen, Mark | Article | Exploring Tetrachordal Voice-Leading Spaces Within and Around the MORRIS Constellation | 17.4, 2011 | HTML
PDF | Samarotto, Frank | Review | "The Body that Beats": Review of Harald Krebs, Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann. New York: Oxford University Press, 1999. | 6.4, 2000 | HTML/Frames
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ASCII | Samarotto, Frank | Article | Sublimating Sharp ^4: An Exercise in Schenkerian Energetics | 10.3, 2004 | HTML/Frames
HTML | Samarotto, Frank | Article | “Plays of Opposing Motion”: Contra-Structural Melodic Impulses in Voice-leading Analysis | 15.2, 2009 | HTML | Samplaski, Art | Article | Interval-Classes and Psychological Space | 10.2, 2004 | HTML/Frames
HTML | Samplaski, Art | Article | Mapping the Geometries of Pitch-Class Set Similarity Measures via Multidimensional Scaling | 11.2, 2005 | HTML/Frames
HTML | Saslaw, Janna | Essay | “Teaching Blind”: Methods for Teaching Music Theory to Visually Impaired Students | 15.3, 2009 | HTML | Sauer, Amanda Stringer | Article | Cognitive Dissonance and the Performer’s Inner Conflict: A New Perspective on the First Movement of Beethoven’s Op. 101 | 13.2, 2007 | HTML | Sayrs, Elizabeth | Article | Narrative, Metaphor, and Conceptual Blending in "The Hanging Tree" | 9.1, 2003 | HTML/Frames
HTML | Schaffer, John Wm. | Review | Review of Peter Castine's Set Theory Objects: Abstractions for Computer-Aided Analysis and Composition of Serial and Atonal Music | 2.6, 1996 | HTML
ASCII | Schaffer, John Wm. | Review | Review of Eleanor Selfridge-Field, Beyond MIDI: the Handbook of Musical Codes (Cambridge, Mass.: MIT Press, 1997). | 5.4, 1999 | HTML
ASCII | Scherzinger, Martin | Article | Temporal Geometries of an African Music: A Preliminary Sketch | 16.4, 2010 | HTML | Schmalfeldt, Janet | Article | On Keeping the Score | 4.2, 1998 | HTML/Frames
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ASCII | Schmalfeldt, Janet | Article | Coming Home | 10.1, 2004 | HTML/Frames
HTML | Schmalfeldt, Janet | Article | Response (to the Special Issue on Performance and Analysis) | 11.1, 2005 | HTML | Schmalfeldt, Janet | Article | One More Time on Beethoven’s “Tempest,” From Analytic and Performance Perspectives: A Response to William E. Caplin and James Hepokoski | 16.2, 2010 | HTML | Schmalfeldt, Janet | Article | Response to Carissa Reddick | 16.2, 2010 | HTML | Schmalfeldt, Janet | Article | Response to Mike Cheng-Yu Lee | 16.2, 2010 | HTML | Scholtz, Kenneth P. | Article | Algorithms for Mapping Diatonic Keyboard Tunings and Temperaments | 4.4, 1998 | HTML/Frames
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ASCII | Schubert, Peter | Review | Review of David Yearsley, Bach and the Meanings of Counterpoint (Cambridge: Cambridge University Press, 2002) | 12.1, 2006 | HTML | Schubert, Peter and Marcelle Lessoil-Daelman | Article | What Modular Analysis Can Tell Us About Musical Modeling in the Renaissance | 19.1, 2013 | HTML
PDF | Schubert, Peter N. | Review | Review of Musical Poetics by Joachim Burmeister. Translated, with Introduction and Notes, by Benito V. Rivera. Edited by Claude V. Palisca (New Haven and London: Yale University Press, 1993). | 1.5, 1995 | ASCII | Schulenberg, David L. | Commentary | Commentary on Channan Willner: "More on Handel and the Hemiola" (MTO 2.3) | 2.5, 1996 | HTML
ASCII | Schultz, Rob | Article | Tonal Pairing and the Relative-Key Paradox in the Music of Elliott Smith | 18.4, 2012 | HTML
PDF | Schutz, Michael and Fiona Manning | Article | Looking Beyond the Score: The Musical Role of Percussionists’ Ancillary Gestures | 18.1, 2012 | HTML
PDF | Scotto, Ciro | Essay | The Symbiosis of Disability | 15.3, 2009 | HTML | Scotto, Ciro | Essay | What Do I Hear Now, Groupwise? | 17.2, 2011 | HTML
PDF | Scotto, Ciro G. | Article | Transformational Networks, Transpositional Combination, and Aggregate Partitions in Processional by George Crumb | 8.3, 2002 | HTML/Frames
HTML | Shanahan, Daniel | Review | Review of Aniruddh D. Patel, Music, Language, and the Brain (New York and Oxford: Oxford University Press, 2008) | 15.5, 2009 | HTML | Sheehy, August | Review | Review of Elliott Antokoletz and Marianne Wheeldon, eds., Rethinking Debussy (New York: Oxford University Press, 2011) | 19.1, 2013 | HTML
PDF | Silberman, Peter | Article | Post-Tonal Improvisation in the Aural Skills Classroom | 9.2, 2003 | HTML/Frames
HTML | Sly, Gordon | Review | Review of David Damschroder, Harmony in Schubert (Cambridge University Press, 2010) | 18.2, 2012 | HTML
PDF | Smith, Elizabeth Lena | Review | Review of Edward D. Latham, Tonality as Drama: Closure and Interruption in Four Twentieth-Century American Operas (Denton: University of North Texas Press, 2008) | 14.4, 2008 | HTML | Smoliar, Stephen | Commentary | Commentary on Neumeyer (MTO 0.1) | 0.2, 1993 | ASCII | Smoliar, Stephen | Commentary | Commentary on Justin London (MTO 0.2) | 0.3, 1993 | ASCII | Smoliar, Stephen | Commentary | Mathematical Logic: Response to Jay Rahn (MTO 0.9, 0.10) | 0.10, 1994 | ASCII | Smoliar, Stephen | Commentary | Commentary on Roeder (MTO 0.5) | 0.6, 1994 | ASCII | Smoliar, Stephen | Article | Computers Compose Music, But Do We Listen? | 0.6, 1994 | ASCII | Smoliar, Stephen | Commentary | Musical Objects: Response to John Covach (MTO 0.11) | 1.1, 1995 | ASCII | Smoliar, Stephen | Review | Book Review: Robert Cogan, New Images of Musical Sound | 1.3, 1995 | ASCII | Smyth, David H. | Review | Review of Stravinsky's Histoire du soldat: A Facsimile of the Sketches, edited by Maureen A. Carr (Middleton, Wisconsin: A-R Editions, 2005) | 12.2, 2006 | HTML | Snyder, John L. | Review | Review of Richard Will, The Characteristic Symphony in the Age of Haydn and Beethoven (Cambridge: Cambridge University Press, 2002) | 10.4, 2004 | HTML | Sobaskie, James William | Article | Contextual Drama in Bach | 12.3, 2006 | HTML/Frames
HTML | Soderberg, Stephen | Article | White Note Fantasy | 4.3, 1998 | HTML/Frames
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ASCII | Soderberg, Stephen | Article | White Note Fantasy, Part II: A Few Hypertonal Variations | 5.2, 1999 | HTML/Frames
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ASCII | Spicer, Mark | Review | Review of Walter Everett, The Beatles as Musicians: The Quarry Men Through Rubber Soul
(New York and Oxford: Oxford University Press, 2001) | 11.4, 2005 | HTML/Frames
HTML | Spicer, Mark | Article | (Per)Form in(g) Rock: A Response | 17.3, 2011 | HTML
PDF | Stephenson, Ken | Review | Review of Kevin Holm-Hudson, Genesis and "The Lamb Lies Down On Broadway"
(Aldershot and Burlington: Ashgate, 2008) | 16.1, 2010 | HTML | Stoecker, Philip | Commentary | Without a Safety (k)-Net | 13.3, 2007 | HTML | Stoia, Nicholas | Article | Mode, Harmony, and Dissonance Treatment in American Folk and Popular Music, c. 1920–1945 | 16.3, 2010 | HTML | Stover, Chris | Review | Review of Keith Waters, The Studio Recordings of the Miles Davis Quintet: 1965–68 (Oxford University Press, 2011) | 18.1, 2012 | HTML
PDF | Straus, Joseph | Essay | Introduction | 15.3, 2009 | HTML | Straus, Joseph N. | Commentary | Post-structuralism and Music Theory: A Response to Adam Krims (MTO 0.11) | 1.1, 1995 | ASCII | Straus, Joseph N. | Article | SMT 1997 Plenary Session: Introductory Remarks | 4.2, 1998 | HTML/Frames
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ASCII | Straus, Joseph N. | Article | Three Stravinsky Analyses: Petrushka, Scene 1 (to Rehearsal No. 8); The Rake’s Progress, Act III, Scene 3 (“In a foolish dream”); Requiem Canticles, “Exaudi” | 18.4, 2012 | HTML
PDF | Summach, Jay | Article | The Structure, Function, and Genesis of the Prechorus | 17.3, 2011 | HTML
PDF | Takehana, Elise O. | Review | Review of Nicola Dibben, Björk (Bloomington: Indiana University Press, 2009) | 16.3, 2010 | HTML | Taylor, Stephen A. | Article | Chopin, Pygmies, and Tempo Fugue: Ligeti's "Automne a Varsovie" | 3.3, 1997 | HTML
ASCII | Temperley, David | Review | Review of Joseph Swain, Musical Languages | 5.3, 1999 | HTML
ASCII | Temperley, David | Article | The Cadential IV in Rock | 17.1, 2011 | HTML
PDF | Temperley, David | Article | Scalar Shift in Popular Music | 17.4, 2011 | HTML
PDF | Tenzer, Michael | Article | Theory and Analysis of Melody in Balinese Gamelan | 6.2, 2000 | HTML/Frames
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ASCII | Tenzer, Michael | Commentary | Africa Stand Up!—and Be Counted Among Others | 16.4, 2010 | HTML | Theisen, Alan | Review | Review of Brian Alegant, The Twelve-Tone Music of Luigi Dallapiccola, Eastman Studies in Music, vol. 76 (Rochester, NY: University of Rochester Press, 2010) | 19.1, 2013 | HTML
PDF | Thurmaier, David | Review | Review of Vincent P. Benitez, The Words and Music of Paul McCartney: The Solo Years (Praeger, 2010); Ian Inglis, The Words and Music of George Harrison (Praeger, 2010); and Ben Urish and Ken Bielen, The Words and Music of John Lennon (Praeger, 2007) | 18.4, 2012 | HTML
PDF | Toorn, Pieter C. van den | Article | A Response to Richard Taruskin's "A Myth of the Twentieth Century" | 1.5, 1995 | ASCII | Traut, Don | Review | Review of Henry Martin, Counterpoint: A Species Approach Based on Schenker’s “Counterpoint” (Lanham, MD: The Scarecrow Press, Inc., 2005) | 15.1, 2009 | HTML | Traut, Donald G. | Essay | Dyadic TC Lattices: Revisiting the TC/IS Relationship | 15.5, 2009 | HTML | Tuck, Patrick | Review | Review of Jane Piper Clendinning and Elizabeth West Marvin, The Musician’s Guide to Theory and Analysis (New York: W.W. Norton, 2005) | 15.2, 2009 | HTML | Tuck, Patrick | Review | Review of Kent D. Cleland and Mary Dobrea-Grindahl, Developing Musicianship Through Aural Skills: A Holistic Approach to Sight-Singing and Ear-Training (New York: W.W. Routledge, 2010) | 17.1, 2011 | HTML
PDF | Tymoczko, Dmitri | Article | Voice Leadings as Generalized Key Signatures | 11.4, 2005 | PDF | Tymoczko, Dmitri | Commentary | Recasting K-nets | 13.3, 2007 | HTML | Tymoczko, Dmitri | Commentary | Geometrical Methods in Recent Music Theory | 16.1, 2010 | HTML | Urista, Diane | Article | Chopin’s Prelude in C Major Revisited: Integrating Sound and Symbol | 13.1, 2007 | HTML | Urista, Diane J. | Article | Beyond Words: The Moving Body as a Tool for Musical Understanding | 9.3, 2003 | HTML/Frames
HTML | Väisälä, Olli | Commentary | Rhetoric and Justification in Analysis: A Commentary on Eric Wen’s Commentary | 14.2, 2008 | HTML | Väisälä, Olli | Review | Review of Timothy L. Jackson and Veijo Murtomäki, eds. Sibelius Studies (Cambridge: Cambridge University Press, 2001) | 8.4, 2002 | HTML/Frames
HTML | Vercelli, Michael and Janet Sturman | Commentary | Commentary on "Rhythm: Africa and Beyond" | 16.4, 2010 | HTML | Vetter, Roger | Review | Review of Michelle Kisliuk, Seize the Dance: BaAka Musical Life and the Ethnography of Performance. New York: Oxford University Press, 1998. | 6.1, 2000 | HTML
ASCII | Vlagopoulos, Panos | International Report | Music Theory In Greece | 4.3, 1998 | HTML
ASCII | Vlagopoulos, Panos | International Report | Report on the First Symposium On Computer and Music in Corfu, Greece (23-25 October 1998) | 5.1, 1999 | HTML
ASCII | Wadsworth, Benjamin K. | Article | Directional Tonality in Schumann’s Early Works | 18.4, 2012 | HTML
PDF | Walden, Daniel K. S. | Article | Noting Images: Understanding the Illustrated Manuscripts of Mendelssohn’s Schilflied and Hindemith’s Ludus Tonalis | 16.3, 2010 | HTML | Walker, Jonathan | Commentary | The Deconstruction of Musicology: Poison or Cure? | 2.4, 1996 | HTML
ASCII | Walker, Jonathan | Commentary | Intonational Injustice: A Defense of Just Intonation in the Performance of Renaissance Polyphony | 2.6, 1996 | HTML
ASCII | Walker, Jonathan | Review | Review of Adam Krims, Rap Music and the Poetics of Identity, Cambridge University Press, 2000 | 7.4, 2001 | HTML/Frames
HTML | Wannamaker, Robert A. | Article | Structure and Perception in Herma by Iannis Xenakis | 7.3, 2001 | HTML/Frames
HTML | Waters, Keith | Article | Other Good Bridges: Continuity and Debussy’s “Reflets dans l’eau” | 18.3, 2012 | HTML
PDF | Waters, Keith J. and J. Kent Williams | Article | Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 1960 | 16.3, 2010 | HTML | Weisser, Benedict | Review | Review of David Cope, Techniques of the Contemporary Composer | 4.1, 1998 | HTML/Frames
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ASCII | Wen, Eric | Commentary | Commentary on Samuel Ng’s review of Peter H. Smith’s Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet | 14.1, 2008 | HTML | Wen, Eric L. | Commentary | More on Sharp ^4 to Natural ^4: Further thoughts on Frank Samarotto's article "Sublimating Sharp ^4: An Exercise in Schenkerian Energetics" | 10.4, 2004 | HTML | Wennerstrom, Mary | Article | SMT at 25: A View from the Balance Sheet | 9.1, 2003 | HTML | Westerhaus, Andrew | Review | Review of Gretchen Horlacher, Building Blocks: Repetition and Continuity in the Music of Stravinsky (New York: Oxford University Press, 2011) | 17.4, 2011 | HTML
PDF | Wibberley, Roger | Article | Josquin's Ave Maria: Musica Ficta versus Mode | 2.5, 1996 | HTML
ASCII | Wibberley, Roger | Commentary | "Mode versus Ficta" in Context (response to Bent, MTO 2.6) | 2.7, 1996 | HTML
ASCII | Wibberley, Roger | Article | J.S. Bach's Prelude and Fugue in E Flat (BWV 522,1/2): An Inspiration of the Heart? | 4.5, 1998 | HTML/Frames
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ASCII | Wibberley, Roger | Article | Quid non ebrietas dissignat? Willaert's didactic demonstration of Syntonic tuning | 10.1, 2004 | HTML/Frames
HTML | Wibberley, Roger | Article | Syntonic Tuning: A Sixteenth-Century Composer's Soundscape | 10.1, 2004 | HTML/Frames
HTML | Wibberley, Roger | Article | Syntonic Tuning: Creating a Model for Accurate Electronic Playback | 10.1, 2004 | HTML/Frames
HTML | Wibberley, Roger | Commentary | Models for Chord Doubling (and Spacing): Which Ones Don't We Need? | 10.3, 2004 | HTML | Wild, Jonathan | Review | A Review of the Humdrum Toolkit: UNIX Tools for Musical Research, created by David Huron | 2.7, 1996 | HTML
ASCII | Williams, Justin A. | Commentary | Beats and Flows: A Response to Kyle Adams, “Aspects of the Music/Text Relationship in Rap” | 15.2, 2009 | HTML | Willner, Channan | Article | More on Handel and the Hemiola: Overlapping Hemiolas | 2.3, 1996 | HTML
ASCII | Willner, Channan | Commentary | Handel, the Sarabande, and Levels of Genre: A Reply to David Schulenberg (MTO 2.5) | 2.7, 1996 | HTML
ASCII | Woodley, Ronald | Article | Sharp Practice in the Later Middle Ages: Exploring the Chromatic Semitone and its Implications | 12.2, 2006 | PDF | Woodruff, Eliot Ghofur | Article | Metrical Phase Shifts in Stravinsky's The Rite of Spring | 12.1, 2006 | HTML/Frames
HTML | Yust, Jason | Review | Review of Richard Cohn, Audacious Euphony: Chromaticism and the Triad’s Second Nature (Oxford University Press, 2012) | 18.3, 2012 | HTML
PDF | Zbikowski, Lawrence | Article | Theories of Categorization and Theories of Music | 1.4, 1995 | ASCII | Zbikowski, Lawrence | Commentary | Response to Robison, "Category Structures and Fuzzy Sets" (MTO 1.5) | 1.5, 1995 | ASCII | Zbikowski, Lawrence | Article | Metaphor and Music Theory: Reflections from Cognitive Science | 4.1, 1998 | HTML/Frames
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