Author Index    [Volume Index]


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Author Type Title  Volume  Formats
Aarden, Bret and Paul T. von HippelArticleRules for Chord Doubling (and Spacing): Which Ones Do We Need?10.2, 2004HTML/Frames
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Aaslid, VildeArticleSociable Musicopoetics in Vijay Iyer and Mike Ladd’s In What Language28.3, 2022HTML
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Adamowicz, Emily J.EssaySubjectivity and Structure in Milton Babbitt’s Philomel17.2, 2011HTML
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Adams, KyleArticleAspects of the Music/Text Relationship in Rap14.2, 2008HTML
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Adams, KyleCommentary“People’s Instinctive Assumptions and the Paths of Narrative”: A Response to Justin Williams15.2, 2009HTML
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Adams, KyleArticleOn the Metrical Techniques of Flow in Rap Music15.5, 2009HTML
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Adams, KyleArticlePlaying with Beats and Playing with Cats: Meow the Jewels, Remixes, and Reinterpretations22.3, 2016HTML
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Adams, KyleArticleHarmonic, Syntactic, and Motivic Parameters of Phrase in Hip-Hop26.2, 2020HTML
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Agawu, KofiArticleAnalyzing Music Under the New Musicological Regime2.4, 1996HTML
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Agawu, KofiArticleResponse to 1999 SMT International Plenary Session6.1, 2000HTML
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Agawu, KofiCommentaryCommentary   16.4, 2010HTML
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Agmon, EytanCommentaryConventional Harmonic Wisdom and the Scope of Schenkerian Theory: A Reply to John Rothgeb (MTO 2.1)2.3, 1996HTML
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Agmon, EytanArticleBeethoven’s Op. 81a and the Psychology of Loss2.4, 1996HTML
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Agmon, EytanArticleThe Bridges that Never Were: Schenker on the Contrapuntal Origin of the Triad and Seventh Chord3.1, 1997HTML
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Agmon, EytanArticle“Aus Mozart gestohlen”: Beethoven and Die Entführung aus dem Serail29.2, 2023HTML
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Agrawal, Susan MinaReviewReview of John Irving, Mozart: The “Haydn” Quartets6.3, 2000HTML
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Albrecht, JoshuaReviewReview of Elizabeth Margulis, On Repeat: How Music Plays the Mind (Oxford, 2013)20.4, 2014HTML
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Albrecht, Joshua D.ArticleExpressive Meaning and the Empirical Analysis of Musical Gesture: The Progressive Exposure Method and the Second Movement of Beethoven’s Pathétique Sonata24.3, 2018HTML
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Alcalde, BrunoArticleMixture Strategies: An Analytical Framework for Musical Hybridity28.1, 2022HTML
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Alpern, WayneReviewReview Article, “Will the Real Anton Webern Please Stand Up?”: Anne C. Shreffler, Webern and the Lyric Impulse (Oxford University Press, 1994)4.2, 1998HTML/Frames
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Alphonce, Bo H.ArticleDissonance and Schumann’s Reckless Counterpoint0.7, 1994HTML
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Amiot, EmmanuelArticleDiscrete Fourier Transform and Bach’s Good Temperament15.2, 2009HTML
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Amiot, Emmanuel and Gilles BaroinArticleOld and New Isometries between Pc sets in the Planet-4D Model21.3, 2015HTML
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Andersen, DrakeArticle“What can they have to do with one another?”: Approaches to Analysis and Performance in John Cage’s Four223.4, 2017HTML
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Andersen, DrakeArticle(Per)forming Open Form: A Case Study with Earle Brown’s Novara26.3, 2020HTML
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Anku, WillieArticleCircles and Time: A Theory of Structural Organization of Rhythm in African Music6.1, 2000HTML/Frames
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Argentino, JoeReviewReview of Jack Boss, Schoenberg’s Twelve-Tone Music: Symmetry and the Musical Idea (Cambridge University Press, 2014)21.4, 2015HTML
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Argentino, Joe R. ArticleTripartite Structures in Schoenberg’s A Survivor from Warsaw19.1, 2013HTML
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Arlin, Mary I.ReviewReview of L. Poundie Burstein and Joseph N. Straus, Concise Introduction to Tonal Harmony (W. W. Norton, 2016)22.3, 2016HTML
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Atkinson, SeanArticleCanons, Augmentations, and Their Meaning in Two Works by Steve Reich17.1, 2011HTML
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Atkinson, SeanArticleSoaring Through the Sky: Topics and Tropes in Video Game Music25.2, 2019HTML
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Attas, RobinArticleMetaphors in Motion: Agents and Representation in Transformational Analysis15.1, 2009HTML
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Attas, RobinArticleSarah Setting the Terms: Defining Phrase in Popular Music17.3, 2011HTML
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Attas, RobinReviewReview of Ron Moy, Authorship Roles in Popular Music: Issues and Debates (Routledge, 2015)22.1, 2016HTML
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Attas, RobinEssayMusic Theory as Social Justice: Pedagogical Applications of Kendrick Lamar’s To Pimp A Butterfly25.1, 2019HTML
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Attas, RobinReviewReview of Dylan Robinson, Hungry Listening: Resonant Theory for Indigenous Sound Studies (University of Minnesota Press, 2020)26.4, 2020HTML
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Attas, RobinEssayThe Many Paths of Decolonization: Exploring Colonizing and Decolonizing Analyses of a Tribe Called Red’s “How I Feel”28.2, 2022HTML
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Attinello, PaulEssayTime, Work, and Chronic Illness15.3, 2009HTML
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Auerbach, BrentArticlePedagogical Applications of the Video Game Dance Dance Revolution to Aural Skills Instruction16.1, 2010HTML
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Aversa, EleanorReviewReview of David Huron, Sweet Anticipation (MIT Press Books, 2006): Implications for Composers 15.3, 2009HTML
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Aziz, AndrewReviewReview of William Caplin, Analyzing Classical Form: An Approach for the Classroom (Oxford University Press, 2013)20.1, 2014HTML
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Aziz, AndrewArticleBilly Joel’s Enharmonic Duplicity28.2, 2022HTML
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Aziz, Andrew I.ArticleThe Evolution of Chopin’s Sonata Forms: Excavating the Second Theme Group21.4, 2015HTML
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BaileyShea, MattReviewReview of Michael L. Klein and Nicholas Reyland, eds., Music and Narrative since 1900 (Indiana University Press, 2013) and Peter Kivy, Antithetical Arts: On the Ancient Quarrel between Literature and Music (Clarendon Press, 2009)19.3, 2013HTML
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BaileyShea, Matt L.ArticleFilleted Mignon: A New Recipe for Analysis and Recomposition13.4, 2007HTML
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BaileyShea, Matthew L.ArticleMusical Forces and Interpretation: Some Thoughts on a Measure in Mahler18.3, 2012HTML
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BaileyShea, Matthew L. ArticleFrom Me To You: Dynamic Discourse in Popular Music20.4, 2014HTML
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Bain, JenniferArticleIntroduction: The Music of Chen Yi26.3, 2020HTML
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Baker, BenReviewReview of Keith Waters, Postbop Jazz in the 1960s: The Compositions of Wayne Shorter, Herbie Hancock, and Chick Corea (Oxford University Press, 2019)26.3, 2020HTML
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Baker, MichaelReviewReview of Eric Wen, Structurally Sound: Seven Musical Masterworks Deconstructed (Dover Publications, 2017)24.1, 2018HTML
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Bakulina, EllenEssayThe Concept of Mutability in Russian Theory20.3, 2014HTML
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Bakulina, EllenArticleCanons as Hypermetrical Transitions in Mozart23.4, 2017HTML
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Baragwanath, NicholasArticleAnalytical Approaches to Melody in Selected Arias by Puccini14.2, 2008HTML
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Barna, AlyssaReviewReview of Drew Nobile, Form as Harmony in Rock Music (Oxford University Press, 2020)28.1, 2022HTML
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Barnes, LarryReviewReview of J. Kent Williams, Theories and Analyses of Twentieth-Century Music (Harcourt Brace and Company, 1997)3.4, 1997HTML
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Barnett, GregoryReviewReview of Megan Kaes Long, Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century (Oxford University Press, 2020)27.4, 2021HTML
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Barolsky, Daniel and Peter MartensArticleRendering the Prosaic Persuasive: Gould and the Performance of Bach’s C-minor Prelude (WTC I)18.1, 2012HTML
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Barolsky, DanielReportConference Report: “Performance Studies Network Second International Conference”19.2, 2013HTML
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Barolsky, Daniel and Edward KlormanEssayPerformance and Analysis Today: New Horizons22.2, 2016HTML
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Barolsky, Daniel GCommentaryThe Performer as Analyst13.1, 2007HTML
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Bass, RichardReviewReview of David Kopp, Chromatic Transformations in Nineteenth-Century Music (Cambridge University Press, 2002)10.1, 2004HTML
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Bassler, SamanthaEssay“But You Don’t Look Sick”: A Survey of Scholars with Chronic, Invisible Illnesses and their Advice on How to Live and Work in Academia15.3, 2009HTML
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Bazayev, Inessa and Ellon D. CarpenterEssayIntroduction: Russian Theoretical Thought Rediscovered and Reevaluated20.3, 2014HTML
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Bazayev, InessaEssayThe Expansion of the Concept of Mode in Twentieth-Century Russian Music Theory20.3, 2014HTML
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Bazayev, InessaArticleScriabin’s Atonal Problem24.1, 2018HTML
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Bazayev, InessaArticleAn Octatonic History of Prokofiev’s Compositional Oeuvre24.2, 2018HTML
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Bazayev, InessaArticleIntroduction: Prokofiev at 12524.2, 2018HTML
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Beaudoin, RichardArticleGould’s Creaking Chair, Schoenberg’s Metric Clarity27.1, 2021HTML
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Beaudoin, RichardArticleThe Pen as Camera: Finnissy and Overexposure27.3, 2021HTML
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Beavers, Jennifer P.ArticleBeyond Mere Novelty: Timbre as Primary Structural Marker in Ravel’s Piano Concerto in G Major25.4, 2019HTML
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Beavers, Jennifer P.ArticleRavel’s Sound: Timbre and Orchestration in His Late Works27.1, 2021HTML
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Belcher, Owen, Catrina Kim and Alan ReeseArticlePublic Music Theory’s Neoliberal Learning Outcomes29.2, 2023HTML
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Benadon, FernandoCommentaryCommentary on Matthew W. Butterfield’s “The Power of Anacrusis”13.1, 2007HTML
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Benadon, FernandoArticleA Circular Plot for Rhythm Visualization and Analysis13.3, 2007HTML
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Benitez, Vincent P.ArticleSimultaneous Contrast and Additive Designs in Olivier Messiaen’s Opera, Saint François d’Assise8.2, 2002HTML/Frames
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Bent, MargaretCommentaryDiatonic ficta Revisited: Josquin’s Ave Maria in Context (MTO 2.5)2.6, 1996HTML
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Berman, Nancy M.ReviewReview of Glenn Watkins, Pyramids at the Louvre (Harvard University Press, 1994)2.4, 1996HTML
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Bernstein, ZacharyEssayDuplicated Subdivisions in Babbitt’s It Takes Twelve to Tango17.2, 2011HTML
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Bernstein, ZacharyReviewReview of Dora Hanninen, A Theory of Music Analysis: On Segmentation and Associative Organization (University of Rochester Press, 2012)19.4, 2013HTML
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Berry, David CarsonReviewReview of Philip Furia, Irving Berlin: A Life In Song (Schirmer Books, 1998)6.5, 2000HTML/Frames
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Berry, MichaelArticleThe Importance of Bodily Gesture in Sofia Gubaidulina’s Music for Low Strings15.5, 2009HTML
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Bertolani, ValentinaArticleImprovisatory Exercises as Analytical Tool: The Group Dynamics of the Gruppo di Improvvisazione Nuova Consonanza25.1, 2019HTML
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Besada, José L. ArticleXenakis’ Sieve Theory: A Remnant of Serial Music?28.2, 2022HTML
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Bhogal, Gurminder K.ArticleOrchestral Tissue, Subordinate Arabesques, and Turning Inward in Maurice Ravel’s Boléro26.2, 2020HTML
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Biamonte, NicoleArticleAugmented-Sixth Chords vs. Tritone Substitutes14.2, 2008HTML
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Biamonte, NicoleArticleIntroduction17.3, 2011HTML
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Biamonte, NicoleArticleFormal Functions of Metric Dissonance in Rock Music20.2, 2014HTML
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Biamonte, NicoleReportConference Report: “A Summit of Creativity: A Celebration of the Fiftieth Anniversary of the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band23.2, 2017HTML
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Binder, BenjaminEssayArt and Science, Beauty and Truth, Performance and Analysis?22.2, 2016HTML
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Blättler, Damian J.ArticleA Voicing-Based Model for Additive Harmony23.3, 2017HTML
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Black, Brian C.ArticleSchubert’s Development of Harmonic Motives in his Early String Quartets24.3, 2018HTML
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Blake, David K. ArticleTimbre as Differentiation in Indie Music18.2, 2012HTML
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Bleij, BarbaraArticleThree Multifaceted Compositions by Wayne Shorter: “E.S.P.,” “Infant Eyes,” and “Virgo”25.4, 2019HTML
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Blum, StephenReviewReview of Kofi Agawu, The African Imagination in Music (Oxford University Press, 2016) 23.1, 2017HTML
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Boone, ChristineArticleMashing: Toward a Typology of Recycled Music19.3, 2013HTML
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Boone, ChristineArticleGendered Power Relationships in Mashups24.1, 2018HTML
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Bor, MustafaArticleSonata-Formal Functions and Transformational Processes in the First Movement of Rochberg’s String Quartet No. 615.1, 2009HTML
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Boss, JackReviewReview of Michael Cherlin, Schoenberg’s Musical Imagination (Cambridge University Press, 2007)15.1, 2009HTML
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Boss, JackArticleGeorge Walker’s Piano Music: Traditional Forms in Tonal, Serial and Atonal Styles28.3, 2022HTML
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Boss, Jack F.Article“Schenkerian-Schoenbergian Analysis” and Hidden Repetition in the Opening Movement of Beethoven's Piano Sonata Op. 10, No. 15.1, 1999HTML/Frames
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Boss, Jack F.Article“Away with Motivic Working?” Not So Fast: Motivic Processes in Schoenberg’s op. 11, no. 321.3, 2015HTML
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Bottge, Karen M.EssayReading Adorno’s Reading of the Rachmaninov Prelude in C-sharp Minor: Metaphors of Destruction, Gestures of Power17.4, 2011HTML
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Bourne, JanetArticlePerceiving Irony in Music: The Problem in Beethoven’s String Quartets22.3, 2016HTML
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Boyd, Clifton and Jade ConleeReviewReview of Philip Ewell, On Music Theory, and Making Music More Welcoming for Everyone (University of Michigan Press, 2023)29.4, 2023HTML
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Boyle, Antares, Rebecca Leydon, Paul Sherrill and Jeffrey SwinkinReviewReview of The Oxford Handbook of Critical Concepts in Music Theory, edited by Alexander Rehding and Steven Rings (Oxford University Press, 2019)27.1, 2021HTML
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Boyle, AntaresArticleFlexible Ostinati, Groove, and Formal Process in Craig Taborn’s Avenging Angel27.2, 2021HTML
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Boyle, AntaresArticleGestural Temporality in Sciarrino’s Recitativo oscuro29.4, 2023HTML
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Boyle, Matthew L.ArticleJohann Georg Sulzer’s “Recitativ” and North German Musical Aesthetics: Context, Translation, Commentary23.2, 2017HTML
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Bradford, Wesley J.ReviewReview of Yayoi Uno Everett, Reconfiguring Myth and Narrative in Contemporary Opera23.4, 2017HTML
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Brasky, Jill T. ArticleExtraordinary Function and the Half-Diminished Seventh in the Song of the Wood Dove16.1, 2010HTML
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Braunschweig, KarlArticleEmbedded Dissonance in Eighteenth- and Nineteenth-Century Harmonic Theory and Practice29.4, 2023HTML
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Brinkman, Alexander and Elizabeth West MarvinArticleUsing the Tools to Teach the Tools: Teaching Multimedia Programming in Music Curricula3.5, 1997HTML/Frames
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Brody, ChristopherReviewReview of Matthew Dirst, Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn (Cambridge University Press, 2012)19.3, 2013HTML
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Broesche, Garreth P.ArticleGlenn Gould, Spliced: Investigating the Filmmaking Analogy22.4, 2016HTML
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Broman, Per F.International ReportReport from the Three Seminars on Contemporary Music with Connection to the ISCM World Music Days in Copenhagen, 19962.6, 1996HTML
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Broman, Per F.International ReportReport from the Third Triennial ESCOM Conference in Uppsala, Sweden, 7-12 June, 19973.4, 1997HTML
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Broman, Per F.International ReportReport from the “Skagerack Network” Analysis Workshop at Lyseby Conference Center in Oslo, Norway, November 20–23, 19974.1, 1998HTML/Frames
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Brown, MatthewArticle“Adrift on Neurath’s Boat”: The Case for a Naturalized Music Theory2.2, 1996HTML
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Brown, Stephen C.ArticleAxis Tonality and Submediant in the Music of Shostakovich15.2, 2009HTML
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Brown, Stephen C. ReviewReview of Paolo Susanni and Elliott Antokoletz, Music and Twentieth-Century Tonality: Harmonic Progression Based on Modality and the Interval Cycles (Routledge, 2012)20.1, 2014HTML
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Browne, RichmondArticleThe Deep Background of our Society9.1, 2003HTML
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Brøvig-Hanssen, Ragnhild , Bjørnar E. Sandvik and Jon Marius Aareskjold-DreckerArticleDynamic Range Processing and Its Influence on Perceived Timing in Electronic Dance Music26.2, 2020HTML
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Buchler, MichaelArticleReconsidering Klumpenhouwer Networks13.2, 2007HTML
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Buchler, MichaelCommentaryReconsidering Klumpenhouwer Networks One More Time: A Response to Eight Responses14.1, 2008HTML
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Bugallo, HelenaArticleHarmonic and Non-Harmonic Temporal Structures in Nancarrow’s Study No. 47 for Player Piano20.1, 2014HTML
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Buhler, JamesReviewReview of Roger Scruton, The Aesthetics of Music (Clarendon Press, 1997)5.3, 1999HTML
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Bungert, JamesArticleA Tale of Three Schenkers: Analysis, Piano Pedagogy, and Performance of the Chopin Berceuse op. 57 23.3, 2017HTML
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Bungert, JamesEssay“I got a bone to pick”: Formal Ambivalence and Double Consciousness in Kendrick Lamar’s “King Kunta”25.1, 2019HTML
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Burke (submitted by L. Poundie Burstein), RichardArticle“That Awkward Scale”: Verdi, Puccini, and the Scala enigmatica21.2, 2015HTML
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Burnham, ScottArticleTheorists and “The Music Itself”2.2, 1996HTML
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Burns, ChelseaReviewReview of Michael Tenzer and John Roeder, eds., Analytical and Cross-Cultural Studies in World Music (Oxford University Press, 2011)18.4, 2012HTML
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Burns, ChelseaArticle“Together Again,” but We Keep On Crying: Buck Owens, Tom Brumley, and the Pedal Steel Guitar, 196425.2, 2019HTML
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Burns, JamesArticleRhythmic Archetypes in Instrumental Music from Africa and the Diaspora16.4, 2010HTML
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Burns, Lori and Alyssa WoodsArticleAuthenticity, Appropriation, Signification: Tori Amos on Gender, Race, and Violence in Covers of Billie Holiday and Eminem10.2, 2004HTML/Frames
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Burns, LoriArticleFeeling the Style: Vocal Gesture and Musical Expression in Billie Holiday, Bessie Smith, and Louis Armstrong11.3, 2005HTML/Frames
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Burns, Lori, Marc Lafrance and Laura HawleyArticleEmbodied Subjectivities in the Lyrical and Musical Expression of PJ Harvey and Björk14.4, 2008HTML
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Burns, LoriArticleFemale Subjectivities in the Words, Music, and Images of Progressive Metal: The Case of Tatiana Shmayluk (Jinjer)29.4, 2023HTML
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Burstein, L. PoundieReviewReview of Carl Schachter, The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory, ed. Joseph N. Straus (Oxford University Press, 2016)22.2, 2016HTML
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Butler, Mark J.ArticleTurning the Beat Around: Reinterpretation, Metrical Dissonance, and Asymmetry in Electronic Dance Music7.6, 2001HTML/Frames
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Butterfield, Matthew W.ArticleThe Power of Anacrusis: Engendered Feeling in Groove-Based Musics12.4, 2006HTML
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Butterfield, Matthew W.CommentaryResponse to Fernando Benadon13.3, 2007HTML
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Butterfield, Matthew W.ArticleVariant Timekeeping Patterns and Their Effects in Jazz Drumming16.4, 2010HTML
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Byron, AviorArticleThe Test Pressings of Schoenberg Conducting Pierrot lunaire: Sprechstimme Reconsidered12.1, 2006HTML/Frames
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Byron, Avior and Matthias PasdziernyCommentarySprechstimme Reconsidered Once Again: ‘... though Mrs. Stiedry is never in pitch’13.2, 2007HTML
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Byros, VasiliReviewReview of Giorgio Sanguinetti, The Art of Partimento: History, Theory, and Practice (Oxford University Press, 2012)18.3, 2012HTML
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Byros, VasiliArticlePrelude on a Partimento: Invention in the Compositional Pedagogy of the German States in the Time of J. S. Bach21.3, 2015HTML
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Cairns, ZacharyArticleSwitching the Backbeat: The Quick Flip and Polymetric Pogo in 1980s-era Rock Music28.1, 2022HTML
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Cairns, Zachary A. EssayA Glimpse at Iuriĭ Kholopov’s Garmonicheskiĭ analiz20.3, 2014HTML
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Callahan, MichaelArticleTeaching and Learning Undergraduate Music Theory at the Keyboard: Challenges, Solutions, and Impacts21.3, 2015HTML
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Callahan, Michael R. ArticleSentential Lyric-Types in the Great American Songbook19.3, 2013HTML
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Callender, CliftonArticlePerforming the Irrational: Paul Usher’s Arrangement of Nancarrow’s Study No. 33, Canon 2: \(\sqrt{2}\)20.1, 2014HTML
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Callender, ClintonArticleContinuous Transformations10.3, 2004PDF
Canonne, ClémentArticleRehearsing Free Improvisation? An Ethnographic Study of Free Improvisers at Work24.4, 2018HTML
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Cantrick, RobertCommentaryCommentary on Nicholas Cook, “Theorizing Musical Meaning,” Music Theory Spectrum 23/2 (2001)8.2, 2002HTML
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Caplin, William E.ArticleBeethoven’s “Tempest” Exposition: A Response to Janet Schmalfeldt16.2, 2010HTML
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Capuzzo, GuyReviewReview of Robert D. Morris, Class Notes for Advanced Atonal Music Theory (Frog Peak Music, 2001)8.3, 2002HTML
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Capuzzo, GuyArticlePat Martino’s The Nature of the Guitar: An Intersection of Jazz Theory and Neo-Riemannian Theory12.1, 2006PDF
Capuzzo, GuyArticleMaximally Alpha-Like Operations14.3, 2008HTML
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Carlson, MarkReviewReview of Alexandra Pierce, Deepening Musical Performance through Movement (Indiana University Press, 2007) 17.1, 2011HTML
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Carr, Maureen A.Commentary“Who’s on First?”: Response to David H. Smyth’s review of Stravinsky’s Histoire du soldat: A Facsimile of the Sketches, edited by Maureen A. Carr (Middleton, Wisconsin: A-R Editions, 2005)12.3, 2006HTML
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Carter, David S.ArticleGeneric Norms, Irony, and Authenticity in the AABA Songs of the Rolling Stones, 1963–197127.4, 2021HTML
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Carter-Ényì, AaronArticleContour Recursion and Auto-Segmentation22.1, 2016HTML
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Carter-Ényì, Aaron and Gilad RabinovitchArticleOnset and Contiguity: Melodic Feature Reduction and Pattern Discovery27.4, 2021HTML
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Casacuberta, DavidReviewReview of David Temperley, Music and Probability (MIT Press, 2007) 16.2, 2010HTML
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Castine, PeterInternational ReportReview of John Cage Symposium (Berlin, Germany)2.3, 1996HTML
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Castine, PeterInternational ReportReview of “The Beginnings of Serial Music,” Berlin, Germany, June 20–25, 19962.5, 1996HTML
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Chandler, OliverArticle“Octatonic” Voice Leading and Diatonic Function in the Allegro molto from Elgar’s String Quartet in E minor, op. 8326.1, 2020HTML
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Chenette, TimothyArticleWhat Are the Truly Aural Skills?27.2, 2021HTML
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Chenette, Timothy K.ArticleHearing Counterpoint Within Chromaticism: Analyzing Harmonic Relationships in Lassus’s Prophetiae Sibyllarum18.4, 2012HTML
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Chenette, Timothy K.ReviewReview of Ronald Woodley (director), Johannes Tinctoris: Complete Theoretical Works (http://earlymusictheory.org/Tinctoris/)21.3, 2015HTML
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Cheong, Wai-LingInternational ReportTheory Reception in China: Report on Journals of Central Conservatory and Shanghai Conservatory of Music3.4, 1997HTML
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Cherlin, MichaelReviewReview of Sabine Feisst, Schoenberg’s New World: The American Years (Oxford University Press, 2011)17.4, 2011HTML
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Childs, Adrian P.ArticleStructural and Transformational Properties of All-Interval Tetrachords12.4, 2006HTML
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Chiu, MattArticleMacroharmonic Progressions through the Discrete Fourier Transform: An Analysis from Maurice Duruflé’s Requiem27.3, 2021HTML
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Christensen, ThomasReviewReview of Lee Rothfarb, August Halm: A Critical and Creative Life in Music (University of Rochester Press, 2009)17.4, 2011HTML
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Christian, BryanArticleCombination-Tone Class Sets and Redefining the Role of les Couleurs in Claude Vivier’s Bouchara20.2, 2014HTML
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Chua, Daniel K. L.ReviewReview of Mark Evan Bonds, Absolute Music: The History of an Idea (Oxford, 2014)21.2, 2015HTML
Chung, Andrew J.ArticleWhat is Musical Meaning? Theorizing Music as Performative Utterance25.1, 2019HTML
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Clampitt, DavidInternational ReportReport: An International Symposium of Music and Mathematics (Bucharest, Romania)1.1, 1995HTML
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Clampitt, David and Thomas NollArticleModes, the Height-Width Duality, and Handschin’s Tone Character17.1, 2011HTML
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Clark, SuzannahReviewReview of Susan Wollenberg, Schubert’s Fingerprints: Studies in the Instrumental Works (Ashgate, 2011)19.3, 2013HTML
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Clarke, DavidArticleNorth Indian Classical Music and Lerdahl and Jackendoff’s Generative Theory – a Mutual Regard 23.3, 2017HTML
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Clayton, MartinArticleTheory and Practice of Long-form Non-isochronous Meters: The Case of the North Indian rūpak tāl26.1, 2020HTML
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Clement, BrettReviewReview of Brad Osborn, Everything in its Right Place: Analyzing Radiohead (Oxford University Press, 2016)23.2, 2017HTML
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Clement, Brett G.ArticleScale Systems and Large-Scale Form in the Music of Yes21.1, 2015HTML
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Clendinning, JaneReviewReview of Miguel A. Roig-Francoli, “Harmonic and Formal Processes in Ligeti’s Net-Structure Compositions,” Music Theory Spectrum (17/2), 242–2672.5, 1996HTML
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Cochrane, Richard J.CommentaryThe Ideal Four Minutes and Thirty-Three Seconds: Response to John Covach (MTO 0.11)1.1, 1995HTML
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Cochrane, Richard J.ArticleThe Phases of Fire1.1, 1995HTML
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Code, David LobergArticleListening for Schubert’s “Doppelgängers”1.4, 1995HTML
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Cohen, GiladArticleExpansive Form in Pink Floyd’s “Dogs”21.2, 2015HTML
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Cohn, RichardArticleMusic Theory’s New Pedagogability4.2, 1998HTML/Frames
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Cohn, RichardArticleA Tetrahedral Graph of Tetrachordal Voice-Leading Space9.4, 2003PDF
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Cohn, RichardArticleA Platonic Model of Funky Rhythms22.2, 2016HTML
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Collins, Denis B.ArticleHorizontal-Shifting Counterpoint and Parallel-Section Constructions in Contrapuncti 8 and 11 from J. S. Bach’s Art of Fugue24.4, 2018HTML
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Collins, NickArticleAn Algorithm for the Direct Generation of Set Class Representatives in Any Pitch Class Space10.3, 2004HTML
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Comen, CraigReviewReview of Daniel Chua, Beethoven & Freedom (Oxford University Press, 2017), and Naomi Waltham-Smith, Music and Belonging Between Revolution and Restoration (Oxford University Press, 2017)24.3, 2018HTML
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Conklin, AndrewArticleWriting Wrong Notes: Chromatic Clashes in the Music of Tune-Yards25.3, 2019HTML
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Conlee, JadeReportConference Report: “Ruptures and Convergences: Music Studies and the Anthropocene”29.2, 2023HTML
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Cook, Karen M.Article8-Bit Affordances: Jun Chikuma’s Soundtrack to Faxanadu29.3, 2023HTML
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Cook, NicholasArticleBetween Process and Product: Music and/as Performance7.2, 2001HTML/Frames
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Cook, NicholasCommentaryReply to Robert Cantrick8.2, 2002HTML
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Cook, NicholasArticlePrompting Performance: Text, Script, and Meaning in Bryn Harrison’s être-temps11.1, 2005HTML/Frames
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Cook, NicholasArticleIntroduction: Refocusing Theory18.1, 2012HTML
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Cook, Robert C.ArticleNature’s Voice in Crumb’s An Idyll for the Misbegotten23.1, 2017HTML
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Cook, Scott AlexanderArticleMoving Through Triadic Space: An Examination of Bryars’s Seemingly Haphazard Chord Progressions15.1, 2009HTML
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