Author Index    [Volume Index]


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Author Type Title  Volume  Formats
Aarden, Bret and Paul T. von HippelArticleRules for Chord Doubling (and Spacing): Which Ones Do We Need?10.2, 2004HTML/Frames
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Adamowicz, Emily J.EssaySubjectivity and Structure in Milton Babbitt’s Philomel17.2, 2011HTML
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Adams, KyleArticleAspects of the Music/Text Relationship in Rap14.2, 2008HTML
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Adams, KyleCommentary“People’s Instinctive Assumptions and the Paths of Narrative”: A Response to Justin Williams15.2, 2009HTML
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Adams, KyleArticleOn the Metrical Techniques of Flow in Rap Music15.5, 2009HTML
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Adams, KyleArticlePlaying with Beats and Playing with Cats: Meow the Jewels, Remixes, and Reinterpretations22.3, 2016HTML
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Agawu, KofiArticleAnalyzing Music Under the New Musicological Regime2.4, 1996HTML
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Agawu, KofiArticleResponse to 1999 SMT International Plenary Session6.1, 2000HTML
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Agawu, KofiCommentaryCommentary   16.4, 2010HTML
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Agmon, EytanCommentaryConventional Harmonic Wisdom and the Scope of Schenkerian Theory: A Reply to John Rothgeb (MTO 2.1)2.3, 1996HTML
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Agmon, EytanArticleBeethoven’s Op. 81a and the Psychology of Loss2.4, 1996HTML
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Agmon, EytanArticleThe Bridges that Never Were: Schenker on the Contrapuntal Origin of the Triad and Seventh Chord3.1, 1997HTML
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Agrawal, Susan MinaReviewReview of John Irving, Mozart: The “Haydn” Quartets6.3, 2000HTML
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Albrecht, JoshuaReviewReview of Elizabeth Margulis, On Repeat: How Music Plays the Mind (Oxford, 2013)20.4, 2014HTML
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Alpern, WayneReviewReview Article, “Will the Real Anton Webern Please Stand Up?”: Anne C. Shreffler, Webern and the Lyric Impulse (Oxford University Press, 1994)4.2, 1998HTML/Frames
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Alphonce, Bo H.ArticleDissonance and Schumann’s Reckless Counterpoint0.7, 1994HTML
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Amiot, EmmanuelArticleDiscrete Fourier Transform and Bach’s Good Temperament15.2, 2009HTML
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Amiot, Emmanuel and Gilles BaroinArticleOld and New Isometries between Pc sets in the Planet-4D Model21.3, 2015HTML
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Anku, WillieArticleCircles and Time: A Theory of Structural Organization of Rhythm in African Music6.1, 2000HTML/Frames
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Argentino, JoeReviewReview of Jack Boss, Schoenberg’s Twelve-Tone Music: Symmetry and the Musical Idea (Cambridge University Press, 2014)21.4, 2015HTML
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Argentino, Joe R. ArticleTripartite Structures in Schoenberg’s A Survivor from Warsaw19.1, 2013HTML
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Arlin, Mary I.ReviewReview of L. Poundie Burstein and Joseph N. Straus, Concise Introduction to Tonal Harmony (W. W. Norton, 2016)22.3, 2016HTML
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Atkinson, SeanArticleCanons, Augmentations, and Their Meaning in Two Works by Steve Reich17.1, 2011HTML
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Attas, RobinArticleMetaphors in Motion: Agents and Representation in Transformational Analysis15.1, 2009HTML
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Attas, RobinArticleSarah Setting the Terms: Defining Phrase in Popular Music17.3, 2011HTML
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Attas, RobinReviewReview of Ron Moy, Authorship Roles in Popular Music: Issues and Debates (Routledge, 2015)22.1, 2016HTML
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Attinello, PaulEssayTime, Work, and Chronic Illness15.3, 2009HTML
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Auerbach, BrentArticlePedagogical Applications of the Video Game Dance Dance Revolution to Aural Skills Instruction16.1, 2010HTML
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Aversa, EleanorReviewReview of David Huron, Sweet Anticipation (MIT Press Books, 2006): Implications for Composers 15.3, 2009HTML
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Aziz, AndrewReviewReview of William Caplin, Analyzing Classical Form: An Approach for the Classroom (Oxford University Press, 2013)20.1, 2014HTML
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Aziz, Andrew I.ArticleThe Evolution of Chopin’s Sonata Forms: Excavating the Second Theme Group21.4, 2015HTML
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