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Author Type Title  Volume  Formats
BaileyShea, MattReviewReview of Michael L. Klein and Nicholas Reyland, eds., Music and Narrative since 1900 (Indiana University Press, 2013) and Peter Kivy, Antithetical Arts: On the Ancient Quarrel between Literature and Music (Clarendon Press, 2009)19.3, 2013HTML
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BaileyShea, Matt L.ArticleFilleted Mignon: A New Recipe for Analysis and Recomposition13.4, 2007HTML
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BaileyShea, Matthew L.ArticleMusical Forces and Interpretation: Some Thoughts on a Measure in Mahler18.3, 2012HTML
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BaileyShea, Matthew L. ArticleFrom Me To You: Dynamic Discourse in Popular Music20.4, 2014HTML
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Bakulina, EllenEssayThe Concept of Mutability in Russian Theory20.3, 2014HTML
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Baragwanath, NicholasArticleAnalytical Approaches to Melody in Selected Arias by Puccini14.2, 2008HTML
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Barnes, LarryReviewReview of J. Kent Williams, Theories and Analyses of Twentieth-Century Music (Harcourt Brace and Company, 1997)3.4, 1997HTML
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Barolsky, Daniel and Peter MartensArticleRendering the Prosaic Persuasive: Gould and the Performance of Bach’s C-minor Prelude (WTC I)18.1, 2012HTML
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Barolsky, DanielReportConference Report: “Performance Studies Network Second International Conference”19.2, 2013HTML
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Barolsky, Daniel and Edward KlormanEssayPerformance and Analysis Today: New Horizons22.2, 2016HTML
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Barolsky, Daniel GCommentaryThe Performer as Analyst13.1, 2007HTML
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Bass, RichardReviewReview of David Kopp, Chromatic Transformations in Nineteenth-Century Music (Cambridge University Press, 2002)10.1, 2004HTML
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Bassler, SamanthaEssay“But You Don’t Look Sick”: A Survey of Scholars with Chronic, Invisible Illnesses and their Advice on How to Live and Work in Academia15.3, 2009HTML
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Bazayev, Inessa and Ellon D. CarpenterEssayIntroduction: Russian Theoretical Thought Rediscovered and Reevaluated20.3, 2014HTML
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Bazayev, InessaEssayThe Expansion of the Concept of Mode in Twentieth-Century Russian Music Theory20.3, 2014HTML
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Benadon, FernandoCommentaryCommentary on Matthew W. Butterfield’s “The Power of Anacrusis”13.1, 2007HTML
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Benadon, FernandoArticleA Circular Plot for Rhythm Visualization and Analysis13.3, 2007HTML
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Benitez, Vincent P.ArticleSimultaneous Contrast and Additive Designs in Olivier Messiaen’s Opera, Saint François d’Assise8.2, 2002HTML/Frames
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Bent, MargaretCommentaryDiatonic ficta Revisited: Josquin’s Ave Maria in Context (MTO 2.5)2.6, 1996HTML
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Berman, Nancy M.ReviewReview of Glenn Watkins, Pyramids at the Louvre (Harvard University Press, 1994)2.4, 1996HTML
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Bernstein, ZacharyEssayDuplicated Subdivisions in Babbitt’s It Takes Twelve to Tango17.2, 2011HTML
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Bernstein, ZacharyReviewReview of Dora Hanninen, A Theory of Music Analysis: On Segmentation and Associative Organization (University of Rochester Press, 2012)19.4, 2013HTML
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Berry, David CarsonReviewReview of Philip Furia, Irving Berlin: A Life In Song (Schirmer Books, 1998)6.5, 2000HTML/Frames
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Berry, MichaelArticleThe Importance of Bodily Gesture in Sofia Gubaidulina’s Music for Low Strings15.5, 2009HTML
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Biamonte, NicoleArticleAugmented-Sixth Chords vs. Tritone Substitutes14.2, 2008HTML
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Biamonte, NicoleArticleIntroduction17.3, 2011HTML
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Biamonte, NicoleArticleFormal Functions of Metric Dissonance in Rock Music20.2, 2014HTML
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Binder, BenjaminEssayArt and Science, Beauty and Truth, Performance and Analysis?22.2, 2016HTML
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Blake, David K. ArticleTimbre as Differentiation in Indie Music18.2, 2012HTML
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Blum, StephenReviewReview of Kofi Agawu, The African Imagination in Music (Oxford University Press, 2016) 23.1, 2017HTML
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Boone, ChristineArticleMashing: Toward a Typology of Recycled Music19.3, 2013HTML
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Bor, MustafaArticleSonata-Formal Functions and Transformational Processes in the First Movement of Rochberg’s String Quartet No. 615.1, 2009HTML
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Boss, JackReviewReview of Michael Cherlin, Schoenberg’s Musical Imagination (Cambridge University Press, 2007)15.1, 2009HTML
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Boss, Jack F.Article“Schenkerian-Schoenbergian Analysis” and Hidden Repetition in the Opening Movement of Beethoven's Piano Sonata Op. 10, No. 15.1, 1999HTML/Frames
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Boss, Jack F.Article“Away with Motivic Working?” Not So Fast: Motivic Processes in Schoenberg’s op. 11, no. 321.3, 2015HTML
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Bottge, Karen M.EssayReading Adorno’s Reading of the Rachmaninov Prelude in C-sharp Minor: Metaphors of Destruction, Gestures of Power17.4, 2011HTML
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Bourne, JanetArticlePerceiving Irony in Music: The Problem in Beethoven’s String Quartets22.3, 2016HTML
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Brasky, Jill T. ArticleExtraordinary Function and the Half-Diminished Seventh in the Song of the Wood Dove16.1, 2010HTML
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Brinkman, Alexander and Elizabeth West MarvinArticleUsing the Tools to Teach the Tools: Teaching Multimedia Programming in Music Curricula3.5, 1997HTML/Frames
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Brody, ChristopherReviewReview of Matthew Dirst, Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn (Cambridge University Press, 2012)19.3, 2013HTML
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Broesche, Garreth P.ArticleGlenn Gould, Spliced: Investigating the Filmmaking Analogy22.4, 2016HTML
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Broman, Per F.International ReportReport from the Three Seminars on Contemporary Music with Connection to the ISCM World Music Days in Copenhagen, 19962.6, 1996HTML
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Broman, Per F.International ReportReport from the Third Triennial ESCOM Conference in Uppsala, Sweden, 7-12 June, 19973.4, 1997HTML
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Broman, Per F.International ReportReport from the “Skagerack Network” Analysis Workshop at Lyseby Conference Center in Oslo, Norway, November 20–23, 19974.1, 1998HTML/Frames
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Brown, MatthewArticle“Adrift on Neurath’s Boat”: The Case for a Naturalized Music Theory2.2, 1996HTML
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Brown, Stephen C.ArticleAxis Tonality and Submediant in the Music of Shostakovich15.2, 2009HTML
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Brown, Stephen C. ReviewReview of Paolo Susanni and Elliott Antokoletz, Music and Twentieth-Century Tonality: Harmonic Progression Based on Modality and the Interval Cycles (Routledge, 2012)20.1, 2014HTML
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Browne, RichmondArticleThe Deep Background of our Society9.1, 2003HTML
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Buchler, MichaelArticleReconsidering Klumpenhouwer Networks13.2, 2007HTML
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Buchler, MichaelCommentaryReconsidering Klumpenhouwer Networks One More Time: A Response to Eight Responses14.1, 2008HTML
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Bugallo, HelenaArticleHarmonic and Non-Harmonic Temporal Structures in Nancarrow’s Study No. 47 for Player Piano20.1, 2014HTML
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Buhler, JamesReviewReview of Roger Scruton, The Aesthetics of Music (Clarendon Press, 1997)5.3, 1999HTML
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Burke (submitted by L. Poundie Burstein), RichardArticle“That Awkward Scale”: Verdi, Puccini, and the Scala enigmatica21.2, 2015HTML
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Burnham, ScottArticleTheorists and “The Music Itself”2.2, 1996HTML
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Burns, ChelseaReviewReview of Michael Tenzer and John Roeder, eds., Analytical and Cross-Cultural Studies in World Music (Oxford University Press, 2011)18.4, 2012HTML
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Burns, JamesArticleRhythmic Archetypes in Instrumental Music from Africa and the Diaspora16.4, 2010HTML
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Burns, Lori and Alyssa WoodsArticleAuthenticity, Appropriation, Signification: Tori Amos on Gender, Race, and Violence in Covers of Billie Holiday and Eminem10.2, 2004HTML/Frames
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Burns, LoriArticleFeeling the Style: Vocal Gesture and Musical Expression in Billie Holiday, Bessie Smith, and Louis Armstrong11.3, 2005HTML/Frames
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Burns, Lori, Marc Lafrance and Laura HawleyArticleEmbodied Subjectivities in the Lyrical and Musical Expression of PJ Harvey and Björk14.4, 2008HTML
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Burstein, L. PoundieReviewReview of Carl Schachter, The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory, ed. Joseph N. Straus (Oxford University Press, 2016)22.2, 2016HTML
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Butler, Mark J.ArticleTurning the Beat Around: Reinterpretation, Metrical Dissonance, and Asymmetry in Electronic Dance Music7.6, 2001HTML/Frames
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Butterfield, Matthew W.ArticleThe Power of Anacrusis: Engendered Feeling in Groove-Based Musics12.4, 2006HTML
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Butterfield, Matthew W.CommentaryResponse to Fernando Benadon13.3, 2007HTML
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Butterfield, Matthew W.ArticleVariant Timekeeping Patterns and Their Effects in Jazz Drumming16.4, 2010HTML
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Byron, AviorArticleThe Test Pressings of Schoenberg Conducting Pierrot lunaire: Sprechstimme Reconsidered12.1, 2006HTML/Frames
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Byron, Avior and Matthias PasdziernyCommentarySprechstimme Reconsidered Once Again: ‘... though Mrs. Stiedry is never in pitch’13.2, 2007HTML
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Byros, VasiliReviewReview of Giorgio Sanguinetti, The Art of Partimento: History, Theory, and Practice (Oxford University Press, 2012)18.3, 2012HTML
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Byros, VasiliArticlePrelude on a Partimento: Invention in the Compositional Pedagogy of the German States in the Time of J. S. Bach21.3, 2015HTML
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