Author Index    [Volume Index]


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Author Type Title  Volume  Formats
Cairns, Zachary A. EssayA Glimpse at Iuriĭ Kholopov’s Garmonicheskiĭ analiz20.3, 2014HTML
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Callahan, MichaelArticleTeaching and Learning Undergraduate Music Theory at the Keyboard: Challenges, Solutions, and Impacts21.3, 2015HTML
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Callahan, Michael R. ArticleSentential Lyric-Types in the Great American Songbook19.3, 2013HTML
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Callender, CliftonArticlePerforming the Irrational: Paul Usher’s Arrangement of Nancarrow’s Study No. 33, Canon 2: \(\sqrt{2}\)20.1, 2014HTML
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Callender, ClintonArticleContinuous Transformations10.3, 2004PDF
Cantrick, RobertCommentaryCommentary on Nicholas Cook, “Theorizing Musical Meaning,” Music Theory Spectrum 23/2 (2001)8.2, 2002HTML
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Caplin, William E.ArticleBeethoven’s “Tempest” Exposition: A Response to Janet Schmalfeldt16.2, 2010HTML
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Capuzzo, GuyReviewReview of Robert D. Morris, Class Notes for Advanced Atonal Music Theory (Frog Peak Music, 2001)8.3, 2002HTML
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Capuzzo, GuyArticlePat Martino’s The Nature of the Guitar: An Intersection of Jazz Theory and Neo-Riemannian Theory12.1, 2006PDF
Capuzzo, GuyArticleMaximally Alpha-Like Operations14.3, 2008HTML
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Carlson, MarkReviewReview of Alexandra Pierce, Deepening Musical Performance through Movement (Indiana University Press, 2007) 17.1, 2011HTML
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Carr, Maureen A.Commentary“Who’s on First?”: Response to David H. Smyth’s review of Stravinsky’s Histoire du soldat: A Facsimile of the Sketches, edited by Maureen A. Carr (Middleton, Wisconsin: A-R Editions, 2005)12.3, 2006HTML
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Carter-Ényì, AaronArticleContour Recursion and Auto-Segmentation22.1, 2016HTML
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Casacuberta, DavidReviewReview of David Temperley, Music and Probability (MIT Press, 2007) 16.2, 2010HTML
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Castine, PeterInternational ReportReview of John Cage Symposium (Berlin, Germany)2.3, 1996HTML
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Castine, PeterInternational ReportReview of “The Beginnings of Serial Music,” Berlin, Germany, June 20–25, 19962.5, 1996HTML
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Chenette, Timothy K.ArticleHearing Counterpoint Within Chromaticism: Analyzing Harmonic Relationships in Lassus’s Prophetiae Sibyllarum18.4, 2012HTML
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Chenette, Timothy K.ReviewReview of Ronald Woodley (director), Johannes Tinctoris: Complete Theoretical Works (http://earlymusictheory.org/Tinctoris/)21.3, 2015HTML
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Cheong, Wai-LingInternational ReportTheory Reception in China: Report on Journals of Central Conservatory and Shanghai Conservatory of Music3.4, 1997HTML
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Cherlin, MichaelReviewReview of Sabine Feisst, Schoenberg’s New World: The American Years (Oxford University Press, 2011)17.4, 2011HTML
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Childs, Adrian P.ArticleStructural and Transformational Properties of All-Interval Tetrachords12.4, 2006HTML
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Christensen, ThomasReviewReview of Lee Rothfarb, August Halm: A Critical and Creative Life in Music (University of Rochester Press, 2009)17.4, 2011HTML
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Christian, BryanArticleCombination-Tone Class Sets and Redefining the Role of les Couleurs in Claude Vivier’s Bouchara20.2, 2014HTML
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Chua, Daniel K. L.ReviewReview of Mark Evan Bonds, Absolute Music: The History of an Idea (Oxford, 2014)21.2, 2015HTML
Clampitt, DavidInternational ReportReport: An International Symposium of Music and Mathematics (Bucharest, Romania)1.1, 1995HTML
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Clampitt, David and Thomas NollArticleModes, the Height-Width Duality, and Handschin’s Tone Character17.1, 2011HTML
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Clark, SuzannahReviewReview of Susan Wollenberg, Schubert’s Fingerprints: Studies in the Instrumental Works (Ashgate, 2011)19.3, 2013HTML
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Clement, Brett G.ArticleScale Systems and Large-Scale Form in the Music of Yes21.1, 2015HTML
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Clendinning, JaneReviewReview of Miguel A. Roig-Francoli, “Harmonic and Formal Processes in Ligeti’s Net-Structure Compositions,” Music Theory Spectrum (17/2), 242–2672.5, 1996HTML
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Cochrane, Richard J.CommentaryThe Ideal Four Minutes and Thirty-Three Seconds: Response to John Covach (MTO 0.11)1.1, 1995HTML
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Cochrane, Richard J.ArticleThe Phases of Fire1.1, 1995HTML
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Code, David LobergArticleListening for Schubert’s “Doppelgängers”1.4, 1995HTML
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Cohen, GiladArticleExpansive Form in Pink Floyd’s “Dogs”21.2, 2015HTML
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Cohn, RichardArticleMusic Theory’s New Pedagogability4.2, 1998HTML/Frames
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Cohn, RichardArticleA Tetrahedral Graph of Tetrachordal Voice-Leading Space9.4, 2003PDF
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Cohn, RichardArticleA Platonic Model of Funky Rhythms22.2, 2016HTML
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Collins, NickArticleAn Algorithm for the Direct Generation of Set Class Representatives in Any Pitch Class Space10.3, 2004HTML
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Cook, NicholasArticleBetween Process and Product: Music and/as Performance7.2, 2001HTML/Frames
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Cook, NicholasCommentaryReply to Robert Cantrick8.2, 2002HTML
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Cook, NicholasArticlePrompting Performance: Text, Script, and Meaning in Bryn Harrison’s être-temps11.1, 2005HTML/Frames
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Cook, NicholasArticleIntroduction: Refocusing Theory18.1, 2012HTML
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Cook, Scott AlexanderArticleMoving Through Triadic Space: An Examination of Bryars’s Seemingly Haphazard Chord Progressions15.1, 2009HTML
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Covach, JohnArticleDestructuring Cartesian Dualism in Musical Analysis0.11, 1994HTML
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Covach, JohnCommentaryMusical Worlds and the Metaphysics of Analysis1.1, 1995HTML
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Covach, JohnArticleSchoenberg’s Turn to an “Other” World1.5, 1995HTML
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Covach, JohnEssayTo MOOC or Not To MOOC?19.3, 2013HTML
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Covach, JohnReviewReview of Robert Freeman, The Crisis of Classical Music in America: Lessons from the Life in the Education of Musicians (Rowman & Littlefield, 2014)21.2, 2015HTML
Cox, ArnieArticleEmbodying Music: Principles of the Mimetic Hypothesis17.2, 2011HTML
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Cox, ArnieReviewReview of Steve Larson, Musical Forces: Motion, Metaphor, and Meaning in Music (Indiana University Press, 2012)19.1, 2013HTML
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Cramer, AlfredArticleThe Harmonic Function of the Altered Octave in Early Atonal Music of Schoenberg and Webern: Demonstration Using Auditory Streaming9.2, 2003HTML/Frames
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Cuciurean, JohnReviewReview of Mark Lindley’s and Ronald Turner-Smith’s Mathematical Models of Musical Scales: A New Approach (Verlag fuer systematische Musikwissenschaft, 1993)1.4, 1995HTML
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Cumming, Julie E.EssayRenaissance Improvisation and Musicology19.2, 2013HTML
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Cutler, TimothyEssayCryptic Audiodiversity and the Dissonant Perfect Unison16.1, 2010HTML
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