Author Index    [Volume Index]


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Author Type Title  Volume  Formats
Damschroder, DavidReviewReview of Pieter Bergé ed., Beethoven’s Tempest Sonata: Perspectives of Analysis and Performance (Peeters, 2009)16.2, 2010HTML
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Damschroder, David A.ReviewReview of Carl Schachter, ed., Unfoldings: Essays in Schenkerian Theory and Analysis (Oxford University Press, 1999)5.4, 1999HTML
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Davis, StaceyArticleStream Segregation and Perceived Syncopation: Analyzing the Rhythmic Effects of Implied Polyphony in Bach’s Unaccompanied String Works17.1, 2011HTML
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de Clercq, TrevorReviewReview of Ralf von Appen, André Doehring, Dietrich Helms, and Allan Moore, eds. Song Interpretation in 21st-Century Pop Music (Ashgate, 2015)22.1, 2016HTML
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de Clercq, TrevorArticleMeasuring a Measure: Absolute Time as a Factor for Determining Bar Lengths and Meter in Pop/Rock Music22.3, 2016HTML
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Deaville, JamesEssayMore Than the Blues: Clinical Depression, Invisible Disabilities and Academe15.3, 2009HTML
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Decker, Gregory J. ReviewReview of Andrew Davis, “Il Trittico,” “Turandot,” and Puccini’s Late Style (Indiana University Press, 2010)18.1, 2012HTML
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Decker, Gregory J.ArticlePastorals, Passepieds, and Pendants: Interpreting Characterization Through Aria Pairs in Handel’s Rodelinda19.4, 2013HTML
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Dempster, DouglasReviewReview of Peter Kivy, The Fine Art of Repetition (Cambridge University Press, 1993)2.3, 1996HTML
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Demske, Thomas R.ArticleOn Considering a Computational Model of Similarity Analysis1.2, 1995HTML
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Demske, Thomas R.CommentaryResponse to Parncutt (MTO 1.3)1.3, 1995HTML
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Demske, Thomas R.CommentaryReply to Richard Hermann (MTO 1.3)1.4, 1995HTML
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Dibben, NicolaReviewReview of Lawrence M. Zbikowski, Conceptualizing Music: Cognitive Structure, Theory, and Analysis (Oxford University Press, 2002)10.4, 2001HTML
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Diergarten, Felix F.Article“At times even Homer nods off”: Heinrich Christoph Koch’s Polemic against Joseph Haydn14.1, 2008HTML
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Dineen, MurrayArticleFigured Bass and Modulation: The Wiener-Tonschule of Joseph Preindl8.3, 2002HTML/Frames
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Dineen, MurrayArticleSpecies Counterpoint with a Moveable Tenor (SCAMET): Comparing Species Counterpoint and Polyphonic Music Without a Cantus Firmus19.3, 2013HTML
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Dodson, AlanArticlePerformance and Hypermetric Transformation: An Extension of the Lerdahl-Jackendoff Theory8.1, 2002HTML/Frames
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Dodson, AlanArticleSolutions to the “Great Nineteenth-Century Rhythm Problem” in Horowitz’s Recording of the Theme from Schumann’s Kreisleriana, Op. 16, No. 218.1, 2012HTML
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Doll, ChristopherArticleRockin’ Out: Expressive Modulation in Verse-Chorus Form17.3, 2011HTML
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Donin, Nicolas and Jonathan GoldmanArticleCharting the Score in a Multimedia Context: the Case of Paradigmatic Analysis14.4, 2008HTML
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Douw, Andre M. and Michiel C. SchuijerInternational ReportMusic Theory at the Amsterdam School of Music3.1, 1997HTML
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Dubiel, JosephArticleOn Getting Deconstructed2.2, 1996HTML
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Dubiel, JosephArticleAnalysis, Description, and What Really Happens6.3, 2000HTML
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Duffin, Ross W.ArticleJust Intonation in Renaissance Theory and Practice12.3, 2006HTML/Frames
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Duker, Philip, Anna Gawboy, Bryn Hughes and Kris P. ShafferArticleHacking the Music Theory Classroom: Standards-Based Grading, Just-in-Time Teaching, and the Inverted Class21.1, 2015HTML
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