Author Index    [Volume Index]


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Author Type Title  Volume  Formats
Easley, David B.ReviewReview of Christopher Alan Reynolds, Motives for Allusion: Context and Content in Nineteenth-Century Music (Harvard University Press, 2003)14.1, 2008HTML
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Easley, David B.ArticleRiff Schemes, Form, and the Genre of Early American Hardcore Punk (1978–83)21.1, 2015HTML
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Eckert, StefanArticle“So, you want to write a Minuet?”—Historical Perspectives in Teaching Theory11.2, 2005HTML/Frames
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Endrinal, ChristopherArticleBurning Bridges: Defining the Interverse in the Music of U217.3, 2011HTML
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Endrinal, ChristopherReviewReview of Allan Moore, Song Means: Analyzing and Interpreting Recorded Popular Song (Ashgate, 2012)19.4, 2013HTML
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Eng, Clare Sher LingReviewReview of Peter Kaminsky ed., Unmasking Ravel: New Perspectives on the Music (University of Rochester Press, 2011)18.1, 2012HTML
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Eriksson, ToreInternational ReportFour Swedish Dissertations in Music Theory5.3, 1999HTML
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Espinosa, DamianReviewReview of Annette Richards, The Free Fantasia and the Musical Picturesque: New Perspectives in Music History and Criticism (Cambridge University Press, 2001)10.3, 2004HTML
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Everett, Walter T.ReviewReview of Richard Middleton ed., Reading Pop: Approaches to Textual Analysis in Popular Music (Oxford University Press, 2000)7.6, 2001HTML/Frames
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Everett, Walter T.ArticleMaking Sense of Rock’s Tonal Systems10.4, 2004HTML/Frames
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Everett, Yayoi UnoArticleParody with an Ironic Edge: Dramatic Works by Kurt Weill, Peter Maxwell Davies, and Louis Andriessen 10.4, 2004HTML/Frames
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Ewell, Philip A.ArticleRethinking Octatonicism: Views from Stravinsky’s Homeland18.4, 2012HTML
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Ewell, Philip A.Article“On the System of Stravinsky’s Harmony” by Yuri Kholopov: Translation and Commentary19.2, 2013HTML
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Ewell, Philip A.ReportConference Report: Inaugural Meeting of the Russian Society for Music Theory (OTM)19.4, 2013HTML
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Ewell, Philip A. EssayThe Parameter Complex in the Music of Sofia Gubaidulina20.3, 2014HTML
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