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Author Type Title  Volume  Formats
Gann, KyleArticleOutside the Feedback Loop: A Nancarrow Keynote Address20.1, 2014HTML
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Garcia, Luis-ManuelArticleOn and On: Repetition as Process and Pleasure in Electronic Dance Music11.4, 2005HTML/Frames
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Gauldin, RobertArticleKeynote Address, Twenty-seventh Annual SMT Conference in Seattle, WA, “Tragic Love and Musical Memory”10.4, 2004HTML/Frames
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Gawboy, Anna M. and Justin TownsendArticleScriabin and the Possible18.2, 2012HTML
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Gillespie, JeffEssayOur Common Uniqueness15.3, 2009HTML
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Gimbel, AllenEssayScholarship and Quadriplegia15.3, 2009HTML
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Givan, BenjaminArticleRethinking Interaction in Jazz Improvisation22.3, 2016HTML
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Gjerdingen, Robert and Janet BourneArticleSchema Theory as a Construction Grammar21.2, 2015HTML
Gloag, KennethReviewReview of David Clarke, The Music and Thought of Michael Tippett: Modern Times and Metaphysics (Cambridge University Press, 2001) 10.2, 2004HTML
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Goehr, LydiaArticleDoes it Matter Where We Begin? Or, On the Art of Preparation and Preluding21.3, 2015HTML
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Goldenberg, YosefArticleA Musical Gesture of Growing Obstinacy12.2, 2006HTML/Frames
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Goldenberg, YosefArticleThe Interruption-Fill and Corollary Procedures18.4, 2012HTML
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Goldman, Andrew J.ArticleImprovisation as a Way of Knowing22.4, 2016HTML
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Goldsmith, Melissa Ursula DawnReviewReview of Tim J. Anderson, Making Easy Listening: Material Culture and Postwar American Recording (University of Minnesota Press, 2006)12.3, 2006HTML
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Gotham, MarkReviewReview of Godfried Toussaint, The Geometry of Musical Rhythm: What Makes a “Good” Rhythm Good? (CRC Press, 2013)19.2, 2013HTML
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Gotham, MarkArticleMeter Metrics: Characterizing Relationships Among (Mixed) Metrical Structures21.2, 2015HTML
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Gotham, Mark R. H. and Iain A. D. GunnArticlePitch Properties of the Pedal Harp, with an Interactive Guide22.4, 2016HTML
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Grall, JeremyReviewReview of Charles M. Atkinson, The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music (Oxford University Press, 2009)17.2, 2011HTML
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Grant, Roger MathewCommentaryHysteria at the Musical Surface14.1, 2008HTML
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Grauer, VictorArticleToward a Unified Theory of the Arts2.6, 1996HTML
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Grave, FloydReviewReview of William E. Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven (Oxford University Press, 1998)4.6, 1998HTML
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Graybill, RogerReviewReview of Edward Klorman, Mozart’s Music of Friends: Social Interplay in the Chamber Works (Cambridge University Press, 2016)23.2, 2017HTML
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Green, BurdetteReviewReview of Rebecca Herissone, Music Theory in Seventeenth-Century England (Oxford University Press, 2000)11.2, 2005HTML
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Gruber, Gerold W.International ReportReview of the 3rd Congress for Music Theory, Vienna, Austria, May 10-12, 19962.7, 1996HTML
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Guck, MarionArticleMusic Loving, Or the Relationship with the Musical Work2.2, 1996HTML
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Guerrero, Jeannie Ma.ArticleSerial Intervention in Nono’s Il canto sospeso12.1, 2006HTML/Frames
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Guerrero, Jeannie Ma.ArticleFrancesco’s Dream: Musical Logic in Landini’s Three-Voice Ballate13.4, 2007HTML
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Guido, Massimiliano and Peter SchubertArticleUnpacking the Box in Frescobaldi’s Ricercari of 161520.2, 2014HTML
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Gur, GolanArticleBody, Forces, and Paths: Metaphor and Embodiment in Jean-Philippe Rameau’s Conceptualization of Tonal Space14.1, 2008HTML
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