Author Index    [Volume Index]


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Author Type Title  Volume  Formats
Kallis, VasileiosArticlePrinciples of Pitch Organization in Scriabin’s Early Post-tonal Period: The Piano Miniatures14.3, 2008HTML
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Kaminsky, PeterReviewReview of Yrjö Heinonen et al., Beatlestudies 3: Proceedings of the BEATLES 2000 Conference (University of Jyväskylä Press, 2001)11.1, 2005HTML
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Kaminsky, PeterArticleListening to Performers’ Writings and Recordings: An Analysis of Debussy’s “Colloque sentimental”22.3, 2016HTML
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Kaminsky, Peter M.ArticleRevenge of the Boomers: Notes on the Analysis of Rock Music6.3, 2000HTML/Frames
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Karpinski, Gary S.ArticleLessons from the Past: Music Theory Pedagogy and the Future6.3, 2000HTML/Frames
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Karpinski, Gary S.ArticleAmbiguity: Another Listen18.3, 2012HTML
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Killam, RosemaryArticleFeminist Theories—Process and Continua0.8, 1994HTML
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Killam, RosemaryArticleCognitive Dissonance: Should Twentieth-century Women Composers Be Grouped with Focault’s Mad Criminals?3.2, 1997HTML
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Killam, RosemaryCommentaryResponse to Professor Morse's Open Letter (MTO 3.3)3.4, 1997HTML
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Kimberlin, Cynthia TseCommentaryCommentary   16.4, 2010HTML
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King, Jonathan T.ReviewReview of Diane Pecknold and Kristine M. McCusker, eds., Country Boys and Redneck Women: New Essays in Gender and Country Music (University Press of Mississippi, 2016) 23.3, 2017HTML
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Kleppinger, Stanley V.ArticleCopland’s Fifths and Their Structural Role in the Sonata for Violin and Piano17.2, 2011HTML
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Klorman, EdwardReport“Musical Form: Mapping the Territories”: A Conference Report20.2, 2014HTML
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Klumpenhouwer, HenryArticleSome Remarks on the Use of Riemann Transformations0.9, 1994HTML
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Klumpenhouwer, HenryCommentaryReconsidering Klumpenhouwer Networks: a Response13.3, 2007HTML
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Kochavi, JonEssayHow Do You Hear That? Autism, Blindness, and Teaching Music Theory15.3, 2009HTML
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Kochavi, JonathanReviewReview of Edward Gollin and Alexander Rehding eds., The Oxford Handbook of Neo-Riemannian Theories (Oxford University Press, 2011)18.4, 2012HTML
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Koozin, TimothyArticleOn Metaphor, Technology, and Schenkerian Analysis5.3, 1999HTML/Frames
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Shockwave
Koozin, TimothyArticleGuitar Voicing in Pop-Rock Music: A Performance-Based Analytical Approach17.3, 2011HTML
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Koozin, TimothyArticleEvolving Content and Design20.1, 2014HTML
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Kopiez, ReinhardInternational ReportReport on the Jahrestagung der Deutschen Gesellschaft fuer Musikpsycologie (DGM), Muenster, 10-12 September, 1993, trans. Richard Parncutt0.7, 1994HTML
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Kopp, DavidArticleOn the Function of Function1.3, 1995HTML
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Kopp, DavidArticleOn Performing Chopin’s Barcarolle20.4, 2014HTML
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Koslovsky, JohnReportConference Report: “Fifth International Schenker Symposium”19.2, 2013HTML
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Kosovsky, RobertCommentaryCommentary on Neumeyer (MTO 0.1)0.2, 1993HTML
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Kozak, MariuszReviewReview of Evan Jones ed., Intimate Voices: The Twentieth Century String Quartet (Rochester University Press, 2009)18.2, 2012HTML
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Kozak, Mariusz ArticleListeners’ Bodies in Music Analysis: Gestures, Motor Intentionality, and Models21.3, 2015HTML
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Kraus, JosephReviewReview of David Beach, Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form (Routledge, 2012), and accompanying Teacher’s Manual (PDF format)20.4, 2014HTML
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Kraus, JosephReportReport on the Second Congress of the Russian Society for the Theory of Music21.4, 2015HTML
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Kraus, Joseph C. ArticleCoaching Mozart’s String Quintet in E-flat major: Finding the Rhythmic Shape15.2, 2009HTML
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Krebs, HaraldReviewReview of David Ferris, Schumann’s Eichendorff Liederkreis and the Genre of the Romantic Cycle (Oxford University Press, 2000)
8.2, 2002HTML
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Krebs, HaraldReviewReview of Danuta Mirka, Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 (Oxford University Press, 2009)17.3, 2011HTML
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Krebs, HaraldArticleTreading Robert Schumann’s New Path: Understanding Declamation in the Late Lieder through Analysis and Recomposition20.4, 2014HTML
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Krims, AdamArticleBloom, Post-Structuralism(s), and Music Theory0.11, 1994HTML
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Krims, AdamCommentaryOn the Fear of Losing Our Tools (A Response to Joseph N. Straus) (MTO 1.1)1.1, 1995HTML
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Kutnowski, MartinEssayHow Register Tells the Story in Scriabin’s Op. 22, No. 217.2, 2011HTML
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Kutschke, BeateArticleMusic and Other Sign Systems20.4, 2014HTML
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Kuusi, TuireArticleThe Role of Set-Class Identity in the Estimation of Chords9.3, 2003HTML/Frames
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Kuusi, TuireArticleDiscrimination and Evaluation of Trichords15.5, 2009HTML
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