Author Index    [Volume Index]


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Author Type Title  Volume  Formats
Lafrance, Marc and Lori BurnsArticleFinding Love in Hopeless Places: Complex Relationality and Impossible Heterosexuality in Popular Music Videos by Pink and Rihanna23.2, 2017HTML
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Larson, SteveArticleExpressive Meaning and Musical Structure, Chapter 1 of Schenkerian Analysis: Pattern, Form, and Expressive Meaning18.3, 2012HTML
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Latham, Edward D.ReviewReview of Ethan Haimo, “Atonality Analysis, and the Intentional Fallacy,” Music Theory Spectrum (18/2), 167-1993.2, 1997HTML
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Latham, Edward D.ReviewBinary Oppositions in Arnold Whittall, Exploring Twentieth-Century Music: Tradition and Innovation (Cambridge University Press, 2003) and Their Implications for Analysis10.3, 2004HTML/Frames
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Lau, WingArticleComposing Declamation: Notated Meter Changes in Brahms’s Lieder21.2, 2015HTML
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Laursen, LasseArticleOrchestration Strategies in Simon Steen-Andersen’s Double Up22.3, 2016HTML
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Lavacek, JustinReviewReview of Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet (Cambridge University Press, 2015)22.2, 2016HTML
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Lee, Mike Cheng-YuArticleA Response to Schmalfeldt’s “Form as Process of Becoming”: Once More on the Performance and Analysis of Schubert’s Sonata in A minor, Op. 4216.2, 2010HTML
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Leech-Wilkinson, DanielArticleCompositions, Scores, Performances, Meanings18.1, 2012HTML
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Lehman, FrankArticleHollywood Cadences: Music and the Structure of Cinematic Expectation19.4, 2013HTML
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Leong, Daphne and Elizabeth McNuttArticleResponse to Janet Schmalfeldt’s Response11.1, 2005HTML/Frames
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Leong, Daphne and Elizabeth McNuttArticleVirtuosity in Babbitt’s Lonely Flute11.1, 2005HTML/Frames
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Leong, Daphne and David KorevaarArticleThe Performer’s Voice: Performance and Analysis in Ravel’s Concerto pour la main gauche11.3, 2005HTML/Frames
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Leong, DaphneEssayWebs and Snares: Multiple References in Babbitt’s Homily and Beaten Paths17.2, 2011HTML
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Leong, DaphneEssayAnalysis and Performance, or wissen, können, kennen22.2, 2016HTML
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Lester, JoelCommentaryCommentary on Justin London (MTO 0.2)0.3, 1993HTML
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Lester, JoelArticleHow Theorists Relate To Musicians4.2, 1998HTML/Frames
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Lewin, David B.CommentaryCommentary on Roeder (MTO 0.5)0.6, 1994HTML
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Lewin, David B.ArticleThe D major Fugue Subject from WTC II: Spatial Saturation?4.4, 1998HTML/Frames
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Lewis, George E.EssayCritical Responses to “Theorizing Improvisation (Musically)”19.2, 2013HTML
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Leydon, RebeccaArticleTowards a Typology of Minimalist Tropes8.4, 2002HTML/Frames
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Leydon, RebeccaArticleClean as a Whistle: Timbral Trajectories and the Modern Musical Sublime18.2, 2012HTML
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Leydon, RebeccaReviewReview of Matthew Brown, Debussy Redux: The Impact of his Music on Popular Culture (Indiana University Press, 2012)19.2, 2013HTML
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Lind, StephanieArticleAn Interactive Trichord Space Based on Measures 18–23 of Clermont Pépin’s Toccate no. 315.1, 2009HTML
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Lind, Stephanie and John RoederArticleTransformational Distance and Form in Berg’s “Schlafend trägt man mich”15.1, 2009HTML
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Lindley, Mark and Ronald Turner-SmithArticleAn Algebraic Approach to Mathematical Models of Scales0.3, 1993HTML
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Littlefield, RichardCommentaryCommentary on John Roeder (MTO 0.5)0.7, 1994HTML
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Littlefield, RichardArticleThe Silence of the Frames2.1, 1996HTML
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Lochhead, Judith I.ArticleRetooling the Technique4.2, 1998HTML/Frames
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Lochhead, JudyReviewReview of Leslie C. Dunn and Nancy A. Jones eds., Embodied Voices: Representing Female Vocality in Western Culture (Cambridge University Press, 1994)2.1, 1996HTML
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Lochhead, JudyReviewReview of Ellie M. Hisama, Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (Cambridge University Press, 2001)9.2, 2003HTML/Frames
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Locke, DavidArticleYewevu in the Metric Matrix16.4, 2010HTML
London, JustinArticleLoud Rests and Other Strange Metric Phenomena (or, Meter as Heard)0.2, 1993HTML
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London, JustinCommentaryCommentary on Justin London (MTO 0.2)0.3, 1993HTML
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London, JustinCommentaryMisreading Meyer: A Reply to Cochrane (MTO 1.1)1.3, 1995HTML
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London, JustinCommentaryA Different Response to Killam (MTO 3.2, 3.3)3.4, 1997HTML
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London, JustinCommentaryCommentary   16.4, 2010HTML
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London, JustinReviewReview of Yonatan Malin, Songs in Motion: Rhythm and Meter in the German Lied (Oxford University Press, 2010)17.2, 2011HTML
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Long, Megan KaesReviewReview of Ruth I. DeFord, Tactus, Mensuration, and Rhythm in Renaissance Music (Cambridge University Press, 2015)22.2, 2016HTML
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Losada, CatherineCommentaryK-nets and Hierarchical Structural Recursion: Further Considerations13.3, 2007HTML
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Love, Stefan C.Article“Possible Paths”: Schemata of Phrasing and Melody in Charlie Parker’s Blues18.3, 2012HTML
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Love, Stefan CarisArticleHistorical Hypermetrical Hearing: Cycles and Schemas in the String-Quartet Minuet21.3, 2015HTML
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Luchese, DianeReviewReview of Anthony Pople, Messiaen: Quatuor pour la fin du Temps (Cambridge University Press, 1998)5.2, 1999HTML
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Lumsden, Rachel L.Article“You Too Can Compose”: Ruth Crawford’s Mentoring of Vivian Fine23.2, 2017HTML
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Lundberg, MattiasArticle“To Let it Be Without Pretense”: Canon, Fugue, and Imitation in Progressive Rock 1968–197920.3, 2014HTML
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Luong, VivianArticleRethinking Music Loving23.2, 2017HTML
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