Author Index    [Volume Index]


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Author Type Title  Volume  Formats
Mailman, JoshCommentaryThe Aims of Music Theory and Neurath’s Boat: A Reply to Jonathan Walker and Matthew Brown (MTO 2.2)2.4, 1996HTML
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Malawey, VictoriaArticleHarmonic Stasis and Oscillation in Björk’s Medúlla 16.1, 2010HTML
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Malawey, VictoriaArticleStrophic Modification in Songs by Amy Beach20.4, 2014HTML
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Maler, AnabelArticleSongs for Hands: Analyzing Interactions of Sign Language and Music19.1, 2013HTML
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Marion, Gregory J.ArticleDebussy and Recollection: trois aperçu13.1, 2007HTML
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Martens, PeterArticleTactus in Performance: Constraints and Possibilities18.1, 2012HTML
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Martens, PeterEssayWays of Knowing the Body, Bodily Ways of Knowing22.2, 2016HTML
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Martens, Peter A.ArticleGlenn Gould’s “Constant Rhythmic Reference Point”:
Communicating Pulse in Bach’s Goldberg Variations, 1955 and 1981
13.4, 2007HTML
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Martin, EdArticleHarmonic Progression in Magnus Lindberg’s Twine16.1, 2010HTML
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Martin, Henry, Cynthia Folio, Steve Larson, Lori Burns, John Covach and Walter EverettCommentaryReport on the 2008 Mannes Institute for Advanced Studies in Music Theory: Jazz Meets Pop14.3, 2008HTML
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Martin, HenryCompositionPensieri18.3, 2012HTML
Martin, HenryArticleCharlie Parker and “Honeysuckle Rose”: Voice Leading, Formula, and Motive18.3, 2012HTML
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Martinez, José LuisArticleSemiotics and the Art Music of India6.1, 2000HTML/Frames
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Marvin, William M.ReviewReview of Daniel Kazez, Rhythm Reading: Elementary Through Advanced Training (W.W. Norton and Company, 1997)3.4, 1997HTML
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Marvin, William M.ReviewReview of Markus Neuwirth and Pieter Bergé, eds., What Is A Cadence? Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire (Leuven University Press, 2015)21.4, 2015HTML
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Mastic, Timothy R.ArticleNormative Wit: Haydn’s Recomposed Recapitulations21.2, 2015HTML
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Mawer, DeborahArticleExploring Complementation in Bartók’s Third Quartet13.4, 2007HTML
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McCandless, Gregory R.ArticleMetal as a Gradual Process: Additive Rhythmic Structures in the Music of Dream Theater19.2, 2013HTML
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McClary, SusanArticleIn Praise of Contingency: The Powers and Limits of Theory16.1, 2010HTML
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McCreless, PatrickReviewReview of Jean-Jacques Nattiez, Wagner Androgyne: A Study in Interpretation (Princeton University Press, 1993)2.1, 1996HTML
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McCreless, PatrickArticleContemporary Music Theory and the New Musicology: An Introduction2.2, 1996HTML
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McCreless, PatrickArticleMusic Theory as Community: A Perspective from the Late ’90’s4.2, 1998HTML/Frames
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McCreless, PatrickArticleMusic Theory and Historical Awareness6.3, 2000HTML/Frames
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McCreless, PatrickArticleOwnership, In Music and Music Theory17.1, 2011HTML
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McCreless, PatrickReviewReview of Thomas Christensen, The Work of Music Theory (Ashgate, 2014)22.1, 2016HTML
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McFarland, MarkReviewReview of Jeremy Day-O'Connell, Pentatonicism from the Eighteenth Century to Debussy (University of Rochester Press, 2007)15.2, 2009HTML
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McFarland, MarkArticleSchenker and the Tonal Jazz Repertory: A Response to Martin18.3, 2012HTML
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McNamee, Ann K.ArticleGrazyna Bacewicz’s Second Piano Sonata (1953): Octave Expansion and Sonata Form0.4, 1993HTML
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McNamee, Ann K.ArticlePublishing and Pedagogy Using Multimedia on the World-Wide Web3.5, 1997HTML/Frames
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McNutt, ElizabethArticleA Postscript on Process11.1, 2005HTML
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Meeus, NicolasInternational ReportMusic Theory and Analysis in France and Belgium3.4, 1997HTML
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Meeus, NicolasArticleToward a Post-Schoenbergian Grammar of Tonal and Pre-tonal Harmonic Progressions6.1, 2000HTML/Frames
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Mengozzi, StefanoReviewReview of Lionel Pike, Hexachords in Late-Renaissance Music (Ashgate, 1998)4.3, 1998HTML/Frames
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Mirka, DanutaArticleTexture in Penderecki’s Sonoristic Style6.1, 2000HTML/Frames
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Miyake, JanReviewReview of Ian Bent, David Bretherton, and William Drabkin, eds. Heinrich Schenker: Selected Correspondence (Boydell Press, 2014)21.4, 2015HTML
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Monahan, SethReviewReview of Janet Schmalfeldt: In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music (Oxford University Press, 2011)17.3, 2011HTML
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Monelle, RaymondCommentaryMartinez’s Concept of “Intrinsic Semiosis” (Commentary on Martinez, MTO 6.1)6.2, 2000HTML
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Montague, EugeneArticleInstrumental Gesture in Chopin’s Étude in A-Flat Major, Op. 25, No. 118.4, 2012HTML
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Moore, Allan F.ArticleThe Persona-Environment Relation in Recorded Song11.4, 2005HTML/Frames
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Morabito, FabioEssayThe Score in the Performer’s Hands: Reading Traces of the Act of Performance as a Form of Analysis?22.2, 2016HTML
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Mori, AkaneReviewReview of Maureen Carr, After the Rite: Stravinsky’s Path to Neoclassicism (1914–25) (Oxford, 2014)21.3, 2015HTML
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Morris, RebeccaEssayUniversal Design and Adaptive Equipment: Ideas and Solutions for Music Schools15.3, 2009HTML
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Morris, Robert D.ArticleIntroduction to Panorama of Music Theory, 1987–974.2, 1998HTML/Frames
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Morrison, LandonReviewReview of Brian Kane, Sound Unseen: Acousmatic Sound in Theory and Practice (Oxford, 2014)21.1, 2015HTML
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Morse, Michael WilliamCommentaryTo Rosemary Killam: An Open Letter and Reply (MTO 3.2)3.3, 1997HTML/Frames
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Moseley, RogerEssayEntextualization and the Improvised Past19.2, 2013HTML
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Moseley, RowlandReviewReview of Roger Mathew Grant, Beating Time & Measuring Music in the Early Modern Era (Oxford University Press, 2014)22.4, 2016HTML
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Murcott, DominicArticleTomorrow’s Music On Yesterday’s Machines: In Search of an ‘Authentic’ Nancarrow Performance20.1, 2014HTML
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Murphy, ScottArticleThe Major Tritone Progression in Recent Hollywood Science Fiction Films12.2, 2006HTML/Frames
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Murphy, ScottArticleConsidering Network Recursion and Bartók’s “Fourths”13.3, 2007HTML
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Murphy, ScottArticleCohn’s Platonic Model and the Regular Irregularities of Recent Popular Multimedia22.3, 2016HTML
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Muxfeldt, KristinaReviewReview of Suzannah Clark, Analyzing Schubert (Cambridge University Press, 2011)18.3, 2012HTML
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