Author Index    [Volume Index]


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Author Type Title  Volume  Formats
Rabinovitch, Gilad and Johnandrew SlominskiArticleTowards a Galant Pedagogy: Partimenti and Schemata as Tools in the Pedagogy of Eighteenth-Century Style Improvisation21.3, 2015HTML
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Rahn, JayCommentaryReply to Smoliar’s “Mathematical Logic” (MTO 0.9, 0.10)0.10, 1994HTML
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Rahn, JayArticleFrom Similarity to Distance; From Simplicity to Complexity; From Pitches to Intervals; From Description to Causal Explanation0.9, 1994HTML
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Rahn, JayArticlePractical Aspects of Marchetto’s Tuning4.6, 1998HTML/Frames
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Rahn, JayReviewConference Report: Symposium on Neo-Riemannian Theory, State University of New York at Buffalo, July 20-21, 20017.5, 2001HTML
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Ramirez, Miguel J. ReviewReview of Dermot Gault, The New Bruckner: Compositional Development and the Dynamics of Revision (Ashgate, 2011)17.4, 2011HTML
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Raschke, Peter J.ReviewReview of Music-Theory Web Sites for the Beginner5.2, 1999HTML
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Ravenscroft, BrendaArticleChair’s Introduction to “Form as Process: Celebrating the Work of Janet Schmalfeldt”16.2, 2010HTML
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Rawlins, RobertReviewReview of Mark Levine, The Jazz Theory Book (Sher Music, 1995)6.1, 2000HTML
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Reddick, CarissaArticleBecoming at a Deeper Level: Divisional Overlap in Sonata Forms from the Late Nineteenth Century16.2, 2010HTML
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Reed, Jacob and Matthew BainArticleA Tetrahelix Animates Bach: Revisualization of David Lewin’s Analysis of the Opening of the F# Minor Fugue from WTC I13.4, 2007HTML
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Reenan, Samuel and Richard BassArticleTypes and Applications of P3,0 Seventh-Chord Transformations in Late Nineteenth-Century Music22.2, 2016HTML
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Rehding, AlexanderArticleInstruments of Music Theory22.4, 2016HTML
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Renwick, WilliamArticle“A Subject of Four Notes”: William Crotch’s Experiment in Motivic Saturation0.10, 1994HTML
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Ricci, AdamArticleThe Progress of a Motive in Brahms’s Intermezzo op. 119, no. 313.3, 2007HTML
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Richards, MarkArticleFilm Music Themes: Analysis and Corpus Study22.1, 2016HTML
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Rings, StevenArticleA Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–200919.4, 2013HTML
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Rink, JohnEssayResponse  22.2, 2016HTML
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Robb, Hamish J.ArticleImagined, Supplemental Sound in Nineteenth-Century Piano Music: Towards a Fuller Understanding of Musical Embodiment21.3, 2015HTML
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Robbie, Andrew D. ReviewReview of Brian Hulse and Nick Nesbitt eds., Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music (Ashgate, 2010)18.1, 2012HTML
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Robison, BrianArticleModifying Interval-Class Vectors of Large Collections to Reflect Registral Proximity Among Pitches0.10, 1994HTML
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Robison, BrianCommentaryCategory Structures and Fuzzy Sets (response to Lawrence Zbikowski) (MTO 1.4)1.5, 1995HTML
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Rockwell, JotiArticleBirdcage Flights: A Perspective on Inter-Cardinality Voice Leading15.5, 2009HTML
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Rodgers, StephenReviewReview of Matthew Santa, Hearing Form: Musical Analysis With and Without the Score (Routledge, 2010)16.3, 2010HTML
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Rodgers, StephenArticleThinking (and Singing) in Threes: Triple Hypermeter and the Songs of Fanny Hensel17.1, 2011HTML
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Rodgers, StephenCompositionNot So Far Away18.3, 2012HTML
Rodgers, Stephen, Henry Martin and Keith WatersArticleGuest Editors’ Introduction: “The More Questions, The Better”18.3, 2012HTML
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Roeder, JohnArticleToward a Semiotic Evaluation of Music Analyses0.5, 1993HTML
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Roeder, JohnCommentaryResponse to Commentaries (on his MTO 0.5 article)0.6, 1994HTML
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Roeder, JohnReviewReview of Christopher F. Hasty, Meter as Rhythm (Oxford University Press, 1997)4.4, 1998HTML
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Roeder, JohnArticlePulse Streams and Problems of Grouping and Metrical Dissonance in Bartök’s “With Drums and Pipes”7.1, 2001HTML
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Roeder, JohnArticleA Transformational Space Structuring the Counterpoint in Adès’s “Auf dem Wasser zu singen”15.1, 2009HTML
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Roeder, JohnArticleConstructing Transformational Signification: Gesture and Agency in Bartók’s Scherzo, Op. 14, No. 2, measures 1–3215.1, 2009HTML
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Roeder, JohnArticleIntroduction   15.1, 2009HTML
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Roemjantsew, Tamara W.International ReportReport on Two Conferences in the Netherlands6.1, 2000HTML
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Rogers, Nancy and Michael BuchlerArticleSquare Dance Moves and Twelve-Tone Operators: Isomorphisms and New Transformational Models9.4, 2003PDF
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Rothfarb, LeeArticleEarly History20.1, 2014HTML
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Rothgeb, JohnArticleThe Tristan Chord: Identity and Origin1.1, 1995HTML
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Rothgeb, JohnCommentaryRe: Eytan Agmon on Functional Theory2.1, 1996HTML
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Rothstein, WilliamCommentaryThe Tristan Chord in Historical Context: A Response to John Rothgeb (MTO 1.1)1.3, 1995HTML
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Rothstein, WilliamArticleLike Falling off a Log: Rubato in Chopin’s Prelude in A-flat Major, Op. 28 No. 1711.1, 2005HTML/Frames
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Rothstein, WilliamArticleCommon-tone Tonality in Italian Romantic Opera: An Introduction14.1, 2008HTML
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Royal, Matthew S.ReviewReview of Eugene Narmour, The Analysis and Cognition of Basic Melodic Structures (University of Chicago Press, 1990) and The Analysis and Cognition of Melodic Complexity (University of Chicago Press, 1992).1.6, 1995HTML
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Royal, Matthew S. ReviewReview of Benjamin Wardhaugh, Music, Experiment and Mathematics in England, 1653–1705 (Ashgate Press, 2008)16.4, 2010HTML
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Rusch, RenéReviewReview of Lauri Suurpää, Death in Winterreise: Musico-Poetic Associations in Schubert’s Song Cycle (Indiana University Press, 2014)20.3, 2014HTML
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Rusch, RenéArticleBeyond Homage and Critique? Schubert’s Sonata in C minor, D. 958, and Beethoven’s Thirty-Two Variations in C minor, WoO 8019.1, 2013HTML
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Rusch, RenéArticleCrossing Over with Brad Mehldau’s Cover of Radiohead’s “Paranoid Android”: The Role of Jazz Improvisation in the Transformation of an Intertext19.4, 2013HTML
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Rusch, René, Keith Salley and Chris StoverArticleCapturing the Ineffable: Three Transcriptions of a Jazz Solo by Sonny Rollins22.3, 2016HTML
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