Author Index    [Volume Index]


A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z |



Author Type Title  Volume  Formats
Salley, KeithReviewReview of Joe Mulholland and Tom Hojnacki, The Berklee Book of Jazz Harmony (Berklee Press, 2013) and Dariusz Terefenko, Jazz Theory: From Basic to Advanced Study (Routledge, 2014)21.1, 2015HTML
PDF
Salley, KeithArticleOn Duration and Developing Variation: The Intersecting Ideologies of Henri Bergson and Arnold Schoenberg21.4, 2015HTML
PDF
Sallmen, MarkArticleListening to the Music Itself: Breaking Through the Shell of Elliott Carter’s “In Genesis”13.3, 2007HTML
PDF
Sallmen, MarkArticleExploring Tetrachordal Voice-Leading Spaces Within and Around the MORRIS Constellation17.4, 2011HTML
PDF
Samarotto, FrankReview“The Body that Beats”: Review of Harald Krebs, Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann (Oxford University Press, 1999)6.4, 2000HTML/Frames
HTML
PDF
ASCII
Samarotto, FrankArticleSublimating Sharp 4̂: An Exercise in Schenkerian Energetics10.3, 2004HTML/Frames
HTML
PDF
Samarotto, FrankArticle“Plays of Opposing Motion”: Contra-Structural Melodic Impulses in Voice-leading Analysis15.2, 2009HTML
PDF
Samplaski, ArtArticleInterval-Classes and Psychological Space10.2, 2004HTML/Frames
HTML
PDF
Samplaski, ArtArticleMapping the Geometries of Pitch-Class Set Similarity Measures via Multidimensional Scaling11.2, 2005HTML/Frames
HTML
PDF
Saslaw, JannaEssay“Teaching Blind”: Methods for Teaching Music Theory to Visually Impaired Students15.3, 2009HTML
PDF
Sauer, Amanda StringerArticleCognitive Dissonance and the Performer’s Inner Conflict: A New Perspective on the First Movement of Beethoven’s Op. 10113.2, 2007HTML
PDF
Sayrs, ElizabethArticleNarrative, Metaphor, and Conceptual Blending in “The Hanging Tree”9.1, 2003HTML
PDF
Schachter, MichaelArticleStructural Levels in South Indian Music21.4, 2015HTML
PDF
Schaffer, John Wm.ReviewReview of Peter Castine’s Set Theory Objects: Abstractions for Computer-Aided Analysis and Composition of Serial and Atonal Music (Peter Lang, 1994)2.6, 1996HTML
PDF
ASCII
Schaffer, John Wm.ReviewReview of Eleanor Selfridge-Field, Beyond MIDI: The Handbook of Musical Codes (MIT Press, 1997)5.4, 1999HTML
PDF
ASCII
Scherzinger, MartinArticleTemporal Geometries of an African Music: A Preliminary Sketch16.4, 2010HTML
PDF
Schmalfeldt, JanetArticleOn Keeping the Score4.2, 1998HTML/Frames
HTML
PDF
ASCII
Schmalfeldt, JanetArticleKeynote Address, Twenty-Sixth Annual SMT Conference: “Coming Home”10.1, 2004HTML/Frames
HTML
PDF
Schmalfeldt, JanetArticleResponse (to the Special Issue on Performance and Analysis)11.1, 2005HTML
PDF
Schmalfeldt, Janet ArticleOne More Time on Beethoven’s “Tempest,” From Analytic and Performance Perspectives: A Response to William E. Caplin and James Hepokoski16.2, 2010HTML
PDF
Schmalfeldt, Janet ArticleResponse to Carissa Reddick16.2, 2010HTML
PDF
Schmalfeldt, Janet ArticleResponse to Mike Cheng-Yu Lee16.2, 2010HTML
PDF
Schmalfeldt, JanetEssayResponse  22.2, 2016HTML
PDF
Scholtz, Kenneth P.ArticleAlgorithms for Mapping Diatonic Keyboard Tunings and Temperaments4.4, 1998HTML/Frames
HTML
PDF
ASCII
Schubert, PeterReviewReview of David Yearsley, Bach and the Meanings of Counterpoint (Cambridge University Press, 2002)12.1, 2006HTML
PDF
Schubert, Peter and Marcelle Lessoil-DaelmanArticleWhat Modular Analysis Can Tell Us About Musical Modeling in the Renaissance19.1, 2013HTML
PDF
Schubert, Peter N.ReviewReview of Joachim Burmeister; Benito V. Rivera trans., Musical Poetics (Yale University Press, 1993)1.5, 1995HTML
PDF
ASCII
Schulenberg, David L.CommentaryCommentary on Channan Willner: “More on Handel and the Hemiola” (MTO 2.3)2.5, 1996HTML
PDF
ASCII
Schultz, RobArticleTonal Pairing and the Relative-Key Paradox in the Music of Elliott Smith18.4, 2012HTML
PDF
Schutz, Michael and Fiona ManningArticleLooking Beyond the Score: The Musical Role of Percussionists’ Ancillary Gestures18.1, 2012HTML
PDF
Scotto, CiroEssayThe Symbiosis of Disability15.3, 2009HTML
PDF
Scotto, CiroEssayWhat Do I Hear Now, Groupwise?17.2, 2011HTML
PDF
Scotto, Ciro G.ArticleTransformational Networks, Transpositional Combination, and Aggregate Partitions in Processional by George Crumb8.3, 2002HTML/Frames
HTML
PDF
Segall, ChristopherEssaySergei Taneev’s Vertical-Shifting Counterpoint: An Introduction20.3, 2014HTML
PDF
Shaffer, Kris P.ArticleA Proposal for Open Peer Review20.1, 2014HTML
PDF
Shaftel, MatthewArticleDemographics, Analytics, and Trends: The Shifting Sands of an Online Engagement with Music Theory20.1, 2014HTML
PDF
Shanahan, DanielReviewReview of Aniruddh D. Patel, Music, Language, and the Brain (Oxford University Press, 2008)15.5, 2009HTML
PDF
Sheehy, AugustReviewReview of Elliott Antokoletz and Marianne Wheeldon eds., Rethinking Debussy (Oxford University Press, 2011) 19.1, 2013HTML
PDF
Sheehy, AugustEssayImprovisation, Analysis, and Listening Otherwise19.2, 2013HTML
PDF
Sheehy, August and Paul SteinbeckEssayIntroduction: Theorizing Improvisation (Musically)19.2, 2013HTML
PDF
Silberman, PeterArticlePost-Tonal Improvisation in the Aural Skills Classroom9.2, 2003HTML/Frames
HTML
PDF
Sly, GordonReviewReview of David Damschroder, Harmony in Schubert (Cambridge University Press, 2010)18.2, 2012HTML
PDF
Smith, Elizabeth LenaReviewReview of Edward D. Latham, Tonality as Drama: Closure and Interruption in Four Twentieth-Century American Operas (University of North Texas Press, 2008) 14.4, 2008HTML
PDF
Smith, Jordan B. L., Isaac Schankler and Elaine ChewArticleListening as a Creative Act: Meaningful Differences in Structural Annotations of Improvised Performances20.3, 2014HTML
PDF
Smoliar, StephenCommentaryCommentary on Neumeyer (MTO 0.1)0.2, 1993HTML
PDF
ASCII
Smoliar, StephenCommentaryCommentary on Justin London (MTO 0.2)0.3, 1993HTML
PDF
ASCII
Smoliar, StephenCommentaryMathematical Logic: Response to Jay Rahn (MTO 0.9, 0.10)0.10, 1994HTML
PDF
ASCII
Smoliar, StephenCommentaryCommentary on Roeder (MTO 0.5)0.6, 1994HTML
PDF
ASCII
Smoliar, StephenArticleComputers Compose Music, But Do We Listen?0.6, 1994HTML
PDF
ASCII
Smoliar, StephenCommentaryMusical Objects: Response to John Covach (MTO 0.11)1.1, 1995HTML
PDF
ASCII
Smoliar, StephenReviewReview of Robert Cogan, New Images of Musical Sound (Harvard University Press, 1984)1.3, 1995HTML
PDF
ASCII
Smyth, David H.ReviewReview of Maureen A. Carr ed., Stravinsky's Histoire du soldat: A Facsimile of the Sketches (A-R Editions, 2005)12.2, 2006HTML
PDF
Snodgrass, Jennifer SterlingCommentaryIntegration, Diversity, and Creativity: Reflections on the “Manifesto” from the College Music Society22.1, 2016HTML
PDF
Snyder, John L.ReviewReview of Richard Will, The Characteristic Symphony in the Age of Haydn and Beethoven (Cambridge University Press, 2002)10.4, 2004HTML
PDF
Sobaskie, James WilliamArticleContextual Drama in Bach12.3, 2006HTML/Frames
HTML
PDF
Soderberg, StephenArticleWhite Note Fantasy4.3, 1998HTML/Frames
HTML
PDF
ASCII
Soderberg, StephenArticleWhite Note Fantasy, Part II: A Few Hypertonal Variations5.2, 1999HTML/Frames
HTML
PDF
ASCII
Spicer, MarkReviewReview of Walter Everett, The Beatles as Musicians: The Quarry Men Through Rubber Soul (Oxford University Press, 2001)11.4, 2005HTML/Frames
HTML
Spicer, MarkArticle(Per)Form in(g) Rock: A Response17.3, 2011HTML
PDF
Stankis, Jessica E.ArticleMaurice Ravel’s “Color Counterpoint” through the Perspective of Japonisme21.1, 2015HTML
PDF
Steinbeck, PaulEssayImprovisational Fictions19.2, 2013HTML
PDF
Steinbeck, PaulArticleTalking Back: Performer-Audience Interaction in Roscoe Mitchell’s “Nonaah”22.3, 2016HTML
PDF
Stephan-Robinson, AnnaReviewReview of Leigh Van Handel, Music Theory Skill Builder (Oxford University Press, 2013)20.3, 2014HTML
PDF
Stephenson, KenReviewReview of Kevin Holm-Hudson, Genesis and "The Lamb Lies Down On Broadway" (Ashgate, 2008) 16.1, 2010HTML
PDF
Stoecker, PhilipCommentaryWithout a Safety (k)-Net13.3, 2007HTML
PDF
Stoia, NicholasArticleMode, Harmony, and Dissonance Treatment in American Folk and Popular Music, c. 1920–194516.3, 2010HTML
PDF
Stover, ChrisReviewReview of Keith Waters, The Studio Recordings of the Miles Davis Quintet: 1965–68 (Oxford University Press, 2011)18.1, 2012HTML
PDF
Stover, ChrisReviewReview of Judy Lochhead, Reconceiving Structure in Contemporary Music (Routledge, 2015)22.4, 2016HTML
PDF
Stover, ChrisArticleTime, Territorialization, and Improvisational Spaces23.1, 2017HTML
PDF
Straus, Joseph EssayIntroduction  15.3, 2009HTML
PDF
Straus, Joseph N.CommentaryPost-structuralism and Music Theory: A Response to Adam Krims (MTO 0.11)1.1, 1995HTML
PDF
ASCII
Straus, Joseph N.ArticleSMT 1997 Plenary Session: Introductory Remarks4.2, 1998HTML/Frames
HTML
PDF
ASCII
Straus, Joseph N.ArticleThree Stravinsky Analyses: Petrushka, Scene 1 (to Rehearsal No. 8); The Rake’s Progress, Act III, Scene 3 (“In a foolish dream”); Requiem Canticles, “Exaudi”18.4, 2012HTML
PDF
Straus, Joseph N.ArticleTotal Voice Leading20.2, 2014HTML
PDF
Summach, JayArticleThe Structure, Function, and Genesis of the Prechorus17.3, 2011HTML
PDF
Suurpää, LauriReviewReview of Heather Platt and Peter H. Smith, eds., Expressive Intersections in Brahms: Essays in Analysis and Meaning (Indiana University Press, 2012)20.3, 2014HTML
PDF

     Show all authors

SMT