Author Index    [Volume Index]


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Author Type Title  Volume  Formats
Takehana, Elise O. ReviewReview of Nicola Dibben, Björk (Indiana University Press, 2009)16.3, 2010HTML
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Tan, DaphneReviewReview of Eric Clarke, Ways of Listening: An Ecological Approach to the Perception of Musical Meaning (Oxford University Press, 2005; paperback, 2011)21.3, 2015HTML
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Taylor, Stephen A.ArticleChopin, Pygmies, and Tempo Fugue: Ligeti's "Automne a Varsovie"3.3, 1997HTML/Frames
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Temperley, DavidReviewReview of Joseph Swain, Musical Languages (W.W. Norton & Company, 1997)5.3, 1999HTML
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Temperley, DavidArticleThe Cadential IV in Rock17.1, 2011HTML
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Temperley, DavidArticleScalar Shift in Popular Music17.4, 2011HTML
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Temperley, DavidReviewReview of Carl Schachter, The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory, ed. Joseph N. Straus (Oxford University Press, 2016) 22.2, 2016HTML
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Tenzer, MichaelArticleTheory and Analysis of Melody in Balinese Gamelan6.2, 2000HTML/Frames
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Tenzer, MichaelCommentaryAfrica Stand Up!—and Be Counted Among Others16.4, 2010HTML
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Theisen, AlanReviewReview of Brian Alegant, The Twelve-Tone Music of Luigi Dallapiccola (University of Rochester Press, 2010)19.1, 2013HTML
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Thomas, Margaret E.ArticleConlon Nancarrow, “Hot” Jazz, and the Principle of Collective Improvisation20.1, 2014HTML
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Thomas, Margaret E.ArticleText and Temporality: Toward an Understanding of Rhythmic Irregularities in the Music of Tom Waits22.4, 2016HTML
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Thurmaier, DavidReviewReview of Vincent P. Benitez, The Words and Music of Paul McCartney: The Solo Years (Praeger, 2010); Ian Inglis, The Words and Music of George Harrison (Praeger, 2010); and Ben Urish and Ken Bielen, The Words and Music of John Lennon (Praeger, 2007)18.4, 2012HTML
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Toorn, Pieter C. van denArticleA Response to Richard Taruskin’s “A Myth of the Twentieth Century”1.5, 1995HTML
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Traut, DonReviewReview of Henry Martin, Counterpoint: A Species Approach Based on Schenker’s “Counterpoint” (The Scarecrow Press, 2005)15.1, 2009HTML
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Traut, Donald G. EssayDyadic TC Lattices: Revisiting the TC/IS Relationship15.5, 2009HTML
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Trinastic, Michael K.ArticleDissonant Harmony and “Seed-Tones”: Organicism in the Piano Music of Dane Rudhyar20.2, 2014HTML
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Tuck, PatrickReviewReview of Jane Piper Clendinning and Elizabeth West Marvin, The Musician’s Guide to Theory and Analysis (W.W. Norton, 2005)15.2, 2009HTML
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Tuck, PatrickReviewReview of Kent D. Cleland and Mary Dobrea-Grindahl, Developing Musicianship Through Aural Skills: A Holistic Approach to Sight-Singing and Ear-Training (Routledge, 2010)17.1, 2011HTML
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Turner, JWReviewReview of Markand Thakar, Looking for the “Harp” Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011)21.4, 2015HTML
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Tymoczko, DmitriArticleVoice Leadings as Generalized Key Signatures11.4, 2005PDF
Tymoczko, DmitriCommentaryRecasting K-nets13.3, 2007HTML
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Tymoczko, DmitriCommentaryGeometrical Methods in Recent Music Theory16.1, 2010HTML
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Tymoczko, DmitriReviewReview of Michael Cuthbert, Music21: a Toolkit for Computer-aided Musicology (http://web.mit.edu/music21/)19.3, 2013HTML
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