Author Index    [Volume Index]


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Author Type Title  Volume  Formats
Wadsworth, Benjamin K.ArticleDirectional Tonality in Schumann’s Early Works18.4, 2012HTML
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Wai-Ling, CheongReportIdentity and Influence: New Music Research at Wuhan Music Conservatory6.3, 2000HTML
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Walden, Daniel K. S. ArticleNoting Images: Understanding the Illustrated Manuscripts of Mendelssohn’s Schilflied and Hindemith’s Ludus Tonalis16.3, 2010HTML
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Walker, JonathanCommentaryThe Deconstruction of Musicology: Poison or Cure?2.4, 1996HTML
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Walker, JonathanCommentaryIntonational Injustice: A Defense of Just Intonation in the Performance of Renaissance Polyphony2.6, 1996HTML
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Walker, JonathanReviewReview of Adam Krims, Rap Music and the Poetics of Identity (Cambridge University Press, 2000)7.4, 2001HTML/Frames
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Wannamaker, Robert A.ArticleStructure and Perception in Herma by Iannis Xenakis7.3, 2001HTML/Frames
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Waters, KeithArticleOther Good Bridges: Continuity and Debussy’s “Reflets dans l’eau”18.3, 2012HTML
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Waters, Keith J. and J. Kent WilliamsArticleModeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 1960 16.3, 2010HTML
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Weisser, BenedictReviewReview of David Cope, Techniques of the Contemporary Composer (Schirmer Books, 1997)4.1, 1998HTML/Frames
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Wen, EricCommentaryCommentary on Samuel Ng’s review of Peter H. Smith’s Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet14.1, 2008HTML
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Wen, Eric L.CommentaryMore on Sharp 4̂ to Natural 4̂: Further thoughts on Frank Samarotto’s article “Sublimating Sharp 4̂: An Exercise in Schenkerian Energetics”10.4, 2004HTML
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Wennerstrom, MaryArticleSMT at 25: A View from the Balance Sheet9.1, 2003HTML
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Wennerstrom, MaryReviewReview of Matthew Bribitzer-Stull, Anthology for Analysis and Performance (Oxford University Press, 2014)19.4, 2013HTML
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Westerhaus, AndrewReviewReview of Gretchen Horlacher, Building Blocks: Repetition and Continuity in the Music of Stravinsky (Oxford University Press, 2011)17.4, 2011HTML
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Wibberley, RogerArticleJosquin’s Ave Maria: Musica Ficta versus Mode2.5, 1996HTML
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Wibberley, RogerCommentary“Mode versus Ficta” in Context (response to Bent, MTO 2.6)2.7, 1996HTML
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Wibberley, RogerArticleJ. S. Bach’s Prelude and Fugue in E Flat (BWV 522,1/2): An Inspiration of the Heart?4.5, 1998HTML/Frames
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Wibberley, RogerArticleQuid non ebrietas dissignat? Willaert’s didactic demonstration of Syntonic tuning10.1, 2004HTML/Frames
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Wibberley, RogerArticleSyntonic Tuning: Creating a Model for Accurate Electronic Playback10.1, 2004HTML/Frames
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Wibberley, RogerArticleSyntonic Tuning: A Sixteenth-Century Composer’s Soundscape10.1, 2004HTML/Frames
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Wibberley, RogerCommentaryModels for Chord Doubling (and Spacing): Which Ones Don’t We Need?10.3, 2004HTML
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Wild, JonathanReviewA Review of David Huron, The Humdrum Toolkit: UNIX Tools for Musical Research2.7, 1996HTML
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Wild, JonathanArticleGenus, Species and Mode in Vicentino’s 31-tone Compositional Theory20.2, 2014HTML
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Willey, RobertArticleIntroduction to the MTO Nancarrow Symposium20.1, 2014HTML
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Willey, RobertReviewReview of Jürgen Hocker; Steven Lindberg trans., Encounters With Conlon Nancarrow (Lexington Books, 2012)20.1, 2014HTML
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Willey, RobertArticleThe Editing and Arrangement of Conlon Nancarrow’s Studies for Disklavier and Synthesizers20.1, 2014HTML
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Williams, Justin A. CommentaryBeats and Flows: A Response to Kyle Adams, “Aspects of the Music/Text Relationship in Rap”15.2, 2009HTML
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Willner, ChannanArticleMore on Handel and the Hemiola: Overlapping Hemiolas2.3, 1996HTML
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Willner, ChannanCommentaryHandel, the Sarabande, and Levels of Genre: A Reply to David Schulenberg (MTO 2.5)2.7, 1996HTML
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Woodley, RonaldArticleSharp Practice in the Later Middle Ages: Exploring the Chromatic Semitone and its Implications12.2, 2006PDF
Woodruff, Eliot GhofurArticleMetrical Phase Shifts in Stravinsky’s The Rite of Spring12.1, 2006HTML/Frames
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