Author Index


| A | B | C | D |

| E | F | G | H |

| I | J | K | L |

| M | N | O | P |

| Q | R | S | T |

| U | V | W | X |

| Y | Z |

 


rev. 17 October 2005
Brent Yorgason

 

 
AAAAA Type Title Vol./Issue Links
Aarden, Bret and Hippel, Paul T. von  Article Rules for Chord Doubling (and Spacing): Which Ones Do We Need? 10.2, 2004 HTML/Frames
Aarden, Bret and Hippel, Paul T. von  Commentary Rules for Chord Doubling (and Spacing): A Reply To Wibberley 10.3, 2004 HTML
Agawu, Kofi Article Analyzing Music Under the New Musicological Regime 2.4, 1996 HTML
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Agawu, Kofi Article Response to 1999 SMT International Plenary Session 6.1, 2000 HTML
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Agmon, Eytan Commentary Conventional Harmonic Wisdom and the Scope of Schenkerian Theory: A Reply to John Rothgeb (MTO 2.1) 2.3, 1996 HTML
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Agmon, Eytan Article Beethoven's Op. 81a and the Psychology of Loss 2.4, 1996 HTML
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Agmon, Eytan Article The Bridges that Never Were: Schenker on the Contrapuntal Origin of the Triad and Seventh Chord 3.1, 1997 HTML
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Alpern, Wayne Review "Will the Real Anton Webern Please Stand Up?": Anne C. Shreffler, Webern and the Lyric Impulse (Oxford, Oxford University Press: 1994) 4.2, 1998 HTML/Frames
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Alphonce, Bo H. Article Dissonance and Schumann's Reckless Counterpoint 0.7, 1994 ASCII
Anku, Willie Article Circles and Time: A Theory of Structural Organization of Rhythm in African Music 6.1, 2000 HTML/Frames
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Barnes, Larry Review Review of J. Kent Williams, Theories and Analyses of Twentieth-Century Music 3.4, 1997 HTML
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Bass, Richard Review Review of David Kopp, Chromatic Transformations in Nineteenth-Century Music. Cambridge: Cambridge University Press, 2002 10.1, 2004 HTML
Benitez, Vincent P. Article Simultaneous Contrast and Additive Designs in Olivier Messiaen’s Opera, Saint François d’Assise 8.2, 2002 HTML/Frames
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Bent, Margaret Commentary Diatonic ficta Revisited: Josquin's Ave Maria in Context (MTO 2.5) 2.6, 1996 HTML
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Berman, Nancy M. Review Review of Glenn Watkins, Pyramids at the Louvre, Harvard University Press, 1994 2.4, 1996 HTML
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Berry, David Carson Review Review of Philip Furia, Irving Berlin: A Life In Song. New York: Schirmer Books, 1998. 6.5, 2000 HTML/Frames
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Boss, Jack F. Article "Schenkerian-Schoenbergian Analysis" and Hidden Repetition in the Opening Movement of Beethoven's Piano Sonata Op. 10, No. 1 5.1, 1999 HTML/Frames
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Brinkman, Alexander, and Marvin, Elizabeth West Article Using the Tools to Teach the Tools: Teaching Multimedia Programming in Music Curricula 3.5, 1997 HTML/Frames
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Broman, Per F. International Report Report from the Three Seminars on Contemporary Music with Connection to the ISCM World Music Days in Copenhagen, 1996 2.6, 1996 HTML
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Broman, Per F. International Report Report from the Third Triennial ESCOM Conference in Uppsala, Sweden, 7-12 June, 1997 3.4, 1997 HTML
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Broman, Per F. International Report Report from the "Skagerack Network" Analysis Workshop at Lyseby Conference Center in Oslo, Norway, November 20-23, 1997 4.1 1998 HTML/Frames
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Brown, Matthew Article Adrift on Neurath's Boat: The Case for a Naturalized Music Theory 2.2, 1996 HTML
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Browne, Richmond Article The Deep Background of our Society 9.1, 3003 HTML
Buhler, James Review Review of Roger Scruton, The Aesthetics of Music 5.3, 1999 HTML
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Burnham, Scott Article Theorists and "The Music Itself" 2.2, 1996 HTML
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Burns, Lori and Woods, Alyssa Article Authenticity, Appropriation, Signification: Tori Amos on Gender, Race, and Violence in Covers of Billie Holiday and Eminem 10.2, 2004 HTML
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Burns, Lori Article Feeling the Style: Vocal Gesture and Musical Expression in Billie Holiday, Bessie Smith, and Louis Armstrong 11.3, 2005 HTML
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Butler, Mark J. Article Turning the Beat Around: Reinterpretation, Metrical Dissonance, and Asymmetry in Electronic Dance Music 7.6, 2001 HTML/Frames
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Callender, Clinton Article Continuous Transformations 10.3, 2004 PDF
Cantrick, Robert Commentary Commentary on Nicholas Cook, "Theorizing Musical Meaning," Music Theory Spectrum 23/2 (2001) 8.2, 2002 HTML
Capuzzo, Guy Review Review of Robert D. Morris, Class Notes for Advanced Atonal Music Theory (Lebanon, N.H.: Frog Peak Music, 2001) Review of Robert D. Morris, Class Notes for Advanced Atonal Music Theory (Lebanon, N.H.: Frog Peak Music, 2001) 8.3, 2002 HTML
Castine, Peter International Report Review of John Cage Symposium (Berlin, Germany) 2.3, 1996 HTML
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Castine, Peter International Report Review of "The Beginnings of Serial Music," Berlin, Germany, June 20-25, 1996 2.5, 1996 HTML
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Cheong, Wai-Ling International Report Theory Reception in China: Report on Journals of Central Conservatory and Shanghai Conservatory of Music 3.4, 1997 HTML
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Clampitt, David International Report Report: An International Symposium of Music and Mathematics (Bucharest, Romania) 1.1, 1995 ASCII
Clendinning, Jane Review Review/Article of Miguel A. Roig-Francoli's Article "Harmonic and Formal Processes in Ligeti's Net-Structure Compositions," Music Theory Spectrum 17/2 (Fall, 1995), 242-267. 2.5, 1996 HTML
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Cochrane, Richard J. Article The Phases of Fire 1.1, 1995 ASCII
Cochrane, Richard J. Commentary The Idea of Four Minutes and Thirty-Three Seconds: Response to John Covach (MTO 0.11) 1.1, 1995 ASCII
Code, David Loberg Article Listening for Schubert's 'Doppelgaengers' 1.4, 1995 HTML
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Cohn, Richard Article Music Theory's New Pedagogability 4.2, 1998 HTML/Frames
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Cohn, Richard Article A Tetrahedral Graph of Tetrachordal Voice-Leading Space 9.4, 2003 PDF/Frames
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Collins, Nick Article An Algorithm for the Direct Generation of Set Class Representatives in Any Pitch Class Space 10.3, 2004 PDF
Cook, Nicholas Article Between Process and Product: Music and/as Performance 7.2, 2001 HTML/Frames
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Cook, Nicholas Commentary Reply to Cantrick 8.2, 2002 HTML
Cook, Nicholas Article Prompting Performance: Text, Script, and Meaning in Bryn Harrison's être-temps 11.1, 2005 HTML/Frames
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Covach, John Article Destructuring Cartesian Dualism in Musical Analysis 0.11, 1994 ASCII
Covach, John Commentary Musical Worlds and the Metaphysics of Analysis 1.1, 1995 ASCII
Covach, John Article Schoenberg's Turn to an "Other" World 1.5, 1995 ASCII
Cramer, Alfred Article The Harmonic Function of the Altered Octave in Early Atonal Music of Schoenberg and Webern: Demonstration Using Auditory Streaming 9.2, 2003 HTML/Frames HTML
Cuciurean, John Review Review of Mark Lindley's and Ronald Turner-Smith's Mathematical Models of Musical Scales: A New Approach. 1.4, 1995 ASCII
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Damschroder, David A. Review Review of Joseph N. Straus, ed, Unfoldings: Essays in Schenkerian Theory and Analysis (Oxford: Oxford University Press, 1999) 5.4, 1999 HTML
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Dempster, Douglas Review Review of Peter Kivy's The Fine Art of Repetition 2.3, 1996 HTML
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Demske, Thomas R. Article On Considering a Computational Model of Similarity Analysis 1.2, 1995 ASCII
Demske, Thomas R. Commentary Response to Parncutt (MTO 1.3) 1.3, 1995 ASCII
Demske, Thomas R. Commentary Response to Richard Hermann (MTO 1.3) 1.4, 1995 ASCII
Dibben, Nicola Review Review of Lawrence M. Zbikowski, Conceptualizing Music: Cognitive Structure, Theory, and Analysis (New York: Oxford University Press, 2002) 10.4, 2004 HTML
Dineen, Murray Article Figured Bass and Modulation: The Wiener-Tonschule of Joseph Preindl 8.3, 2002 HTML/Frames
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Dodson, Alan Article Performance and Hypermetric Transformation: An Extension of the Lerdahl-Jackendoff Theory 8.1, 2002 HTML/Frames
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Douw, Andre M. and Schuijer, Michiel C. International Report Music Theory at the Amsterdam School of Music 3.1, 1997 HTML
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Dubiel, Joseph Article Analysis, Description, and What Really Happens 6.3, 2000 HTML
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Dubiel, Joseph Article On Getting Deconstructed 2.2, 1996 HTML
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EEEEE Type Title Vol./Issue Links
Eckert, Stefan Article "So, you want to write a Minuet?" -- Historical Perspectives in Teaching Theory 11.1, 2005 HTML/Frames HTML
Eriksson, Tore International Report Four Swedish Dissertations in Music Theory 5.3, 1999 HTML
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Espinosa, Damian Review Review of Annette Richards, The Free Fantasia and the Musical Picturesque. New Perspectives in Music History and Criticism 10.3, 2004 HTML
Everett, Walter T. Review Review of Richard Middleton, ed., Reading Pop: Approaches to Textual Analysis in Popular Music 7.6, 2001 HTML/Frames

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Everett, Walter Article Making Sense of Rock's Tonal Systems 10.4, 2004 HTML/Frames HTML
Everett, Yayoi Uno Article Parody with an Ironic Edge: Dramatic Works by Kurt Weill, Peter Maxwell Davies, and Louis Andriessen 10.4, 2004 HTML/Frames
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FFFFF Type Title Vol./Issue Links
Fiore, Thomas M. and Satyendra, Ramon Article Generalized Contextual Groups 11.3, 2005 PDF
Forte, Allen Commentary Tristan Redux: Comments on John Rothgeb's Article on the Tristan Chord in MTO 1.1 (MTO 1.1) 1.2, 1995 ASCII
Forte, Allen Article Responses to Plenary Session Papers, NECMT 2000 6.3, 2000 HTML/Frames
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Forte, Allen Article The Founding of the Society for Music Theory 9.1, 2003 HTML
Fox, Donna Brink Review Review of Abeles, Harold; Hoffer, Charles; and Klotman, Robert. Foundations of Music Education, 2nd ed. New York: Schirmer Books 2.7, 1996 HTML
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Friedmann, Michael Review Review of Nicolas Marstons' Beethoven's Piano Sonata in E, op. 109 3.1, 1997 HTML
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Fuller, Sarah Review Review of Musica Enchiriadis and Scolica Enchiriadis, trans., with an Introduction and Notes, by Raymond Erickson, ed. Claude V. Palisca 3.1, 1997 HTML
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GGGGG Type Title Vol./Issue Links
Garcia, Luis-Manuel Article On and On: Repetition as Process and Pleasure in Electronic Dance Music 11.4, 2005 HTML/Frames
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Gauldin, Robert Article Tragic Love and Musical Memory 10.4, 2004 HTML/Frames HTML
Gloag, Kenneth  Review Review of David Clarke, The Music and Thought of Michael Tippett: Modern Times and Metaphysics (Cambridge: Cambridge University Press, 2001) 10.2, 2004 HTML
Grauer, Victor Article Toward a Unified Theory of the Arts 2.6, 1996 HTML
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Grave, Floyd Review Review of William E. Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven (New York and Oxford: Oxford University Press, 1998) 4.6, 1998 HTML
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Green, Burdette Review Review of Rebecca Herissone, Music Theory in Seventeenth-Century England (Oxford: Oxford University Press, 2000) 11.2, 2005 HTML
Gruber, Gerold W. International Report Review of the 3rd Congress for Music Theory, Vienna, Austria, May 10-12, 1996 2.7, 1996 HTML
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Guck, Marion Article Music Loving, Or the Relationship with the Musical Work 2.2, 1996 HTML
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HHHHH Type Title Vol./Issue Links
Haimo, Ethan T. Commentary Linear Analysis--A Cure for Pitch-Class Set Analysis?: A Reply (MTO 3.2) 3.3, 1997 HTML
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Hakanson, Michelle E. Review Review of Carol J. Oja, Making Music Modern: New York in the 1920s. New York: Oxford University Press, 2000 10.4, 2004 HTML
Harley, James Commentary Commentary on Stephen Smoliar (MTO 0.6) 0.7, 1994 ASCII
Harrison, Daniel Article Tolling Time 6.4, 2000 HTML/Frames
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Harrison, Daniel Review Review of Alexander Rehding, Hugo Riemann and the Birth of Modern Musical Thought
(Cambridge: Cambridge University Press, 2003)
11.2, 2005 HTML/Frames
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Haskins, Rob Review Review of The Cambridge Companion to John Cage, ed. David Nicholls (Cambridge: Cambridge University Press, 2002) 10.2, 2004 HTML
Hatten, Robert Article Introduction (to the Special Issue on Performance and Analysis) 11.1, 2005 HTML
Hatten, Robert Review Review of Berthold Hoeckner, Programming the Absolute: Nineteenth-Century German Music and the Hermeneutics of the Moment (Princeton University Press, 2002) 11.1, 2005 HTML/Frames
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Headlam, Dave Article Multimedia for Music Study on the Web: Director from Macromedia 3.5, 1997 HTML/Frames
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Heinonen, Yrjo Review Review of Walter Everett, The Beatles as Musicians: Revolver Through the Anthology. New York: Oxford University Press, 1999 6.2, 2000 HTML
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Hermann, Richard Commentary Response to Demske (MTO 1.2) 1.3, 1995 ASCII
Hermann, Richard International Report Reflexive Postmodern Anthropology Meets Musical "Modernism": Georgina Born's Rationalizing Culture. A Review of IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde. 3.5, 1997 HTML/Frames
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Hippel, Paul T. von and Aarden, Bret Article Rules for Chord Doubling (and Spacing): Which Ones Do We Need? 10.2, 2004 HTML/Frames
Hisama, Ellie M. Article Life Outside the Canon? A Walk on the Wild Side 6.3, 2000 HTML/Frames
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Hoeckner, Berthold Article Poet's Love and Composer's Love 7.5, 2000 HTML/Frames
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Hofmann-Engl, Ludger Review Review of W.B. Hewlett & E. Selfridge-Field, eds., Melodic Similarity: Concepts, Procedures, and
Applications
(Cambridge, Massachusetts: MIT Press, 1999).
5.4, 1999 HTML
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Holm-Hudson, Kevin Article Your Guitar, It Sounds So Sweet and Clear: Semiosis in Two Versions of "Superstar" 8.4, 2002 HTML/Frames
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Honing, Henkjan Commentary Some Comments on the Relation Between Music and Motion 9.1, 2003 HTML/Frames
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Horlacher, Gretchen G. Article Bartók's "Change of Time": Coming Unfixed 7.1, 2001 HTML/Frames
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Huron, David Article What is a Musical Feature? Forte's Analysis of Brahms's Opus 51, No. 1, Revisited 7.4, 2001 HTML/Frames
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Hussey, William

Article

Triadic Post-Tonality and Linear Chromaticism in the Music of Dmitri Shostakovich

9.1, 2003

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IIIII Type Title Vol./Issue Links
Isaacson, Eric J. Article Issues in the Study of Similarity in Atonal Music 2.7, 1996 HTML
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JJJJJ Type Title Vol./Issue Links
James, Tess International Report Celibidache and Bruckner 4.5, 1998 HTML
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James, Tess International Report Hans Rott (1858-1884) -- the missing link between Bruckner and Mahler 5.1, 1999 HTML
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James, Tess International Report Review of Zbigniew Preisner, Requiem for My Friend 5.4, 1999 HTML
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Jenkins, J. Daniel Review Review of David Schiff, The Music of Elliott Carter. 2nd ed. Ithaca: Cornell University Press, 1998. 6.1, 2000 HTML
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Johnson, Timothy Article The Computer Presentation of Musical Research: A Case Study 1.3, 1995 ASCII
Judd, Robert Commentary Commentary on Neumeyer (MTO 0.1) 0.2, 1993 ASCII
Judd, Robert Commentary Commentary on Justin London (MTO 0.2) 0.3, 1993 ASCII
Judd, Robert Article Composers, Performers and Notation: Solo Music Notations in Europe, 1500-1700 0.8, 1994 ASCII
KKKKK Type Title Vol./Issue Links
Kaminsky, Peter M. Article Revenge of the Boomers: Notes on the Analysis of Rock Music 6.3, 2000 HTML/Frames
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Karpinski, Gary S. Article Lessons from the Past: Music Theory Pedagogy and the Future 6.3, 2000 HTML/Frames
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Killam, Rosemary Article Feminist Theories--Process and Continua 0.8, 1994 ASCII
Killam, Rosemary Article Cognitive Dissonance: Should Twentieth-century Women Composers Be Grouped with Focault's Mad Criminals? 3.2, 1997 HTML
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Killam, Rosemary Commentary Response to Professor Morse's Open Letter (MTO 3.3) 3.4, 1997 HTML
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Klumpenhouwer, Henry Article Some Remarks on the Use of Riemann Transformations 0.9, 1994 ASCII
Koozin, Timothy Article On Metaphor, Technology, and Schenkerian Analysis 5.3, 1999 Shockwave
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Kopiez, Reinhard International Report Report on the Jahrestagung der Deutschen Gesellschaft fuer Musikpsycologie (DGM), Muenster, 10-12 September, 1993, trans. Richard Parncutt 0.7, 1994 ASCII
Kopp, David Article On the Function of Function 1.3, 1995 ASCII
Kosovsky, Robert Commentary Commentary on Neumeyer (MTO 0.1) 0.2, 1993 ASCII
Krebs, Harald Review

Review of David Ferris, Schumann's Eichendorff Liederkreis and the Genre of the Romantic Cycle. New York: Oxford University Press, 2000.

8.2, 2002 HTML
Krims, Adam Article Bloom, Post-Structuralism(s), and Music Theory 0.11, 1994 ASCII
Krims, Adam Commentary On the Fear of Losing Our Tools (A Response to Joseph N. Straus) (MTO 1.1) 1.1, 1995 ASCII
Kuusi, Tuire Article The Role of Set-Class Identity in the Estimation of Chords 9.3, 2003 HTML/Frames
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Latham, Edward D. Review Review of Ethan Haimo's article, "Atonality Analysis, and the Intentional Fallacy," Music Theory Spectrum 18/2 (Fall, 1996) 3.2, 1997 HTML
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Latham, Edward D. Review Binary Oppositions in Arnold Whittall's Exploring Twentieth-Century Music: Tradition and Innovation (Cambridge University Press, 2003) and Their Implications for Analysis 10.3, 2004 HTML/Frames
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Leong, Daphne and McNutt, Elizabeth Article Virtuosity in Babbitt’s Lonely Flute 11.1, 2005 HTML/Frames
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Leong, Daphne and McNutt, Elizabeth Article Response to Janet Schmalfeldt's Response 11.1, 2005 HTML/Frames
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Leong, Daphne and Korevaar, David Article  The Performer's Voice: Performance and Analysis in Ravel's Concerto pour la main gauche 11.3, 2005 HTML
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Lester, Joel Commentary Commentary on Justin London (MTO 0.2) 0.3, 1993 ASCII
Lester, Joel Article How Theorists Relate To Musicians 4.2, 1998 HTML/Frames
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Lewin, David B. Commentary Commentary on Roeder (MTO 0.5) 0.6, 1994 ASCII
Lewin, David B. Article The D major Fugue Subject from WTC II: Spatial Saturation? 4.4, 1998 HTML/Frames
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Leydon, Rebecca Article Towards a Typology of Minimalist Tropes 8.4, 2002 HTML/Frames
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Lindley, Mark and Turner-Smith, Ronald Article An Algebraic Approach to Mathematical Models of Scales 0.3, 1993 ASCII
Littlefield, Richard Commentary Commentary on John Roeder (MTO 0.5) 0.7, 1994 ASCII
Littlefield, Richard Article The Silence of the Frames 2.1, 1996 HTML
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Lochhead, Judith Review Review of Embodied Voices: Representing female vocality in western culture edited by Leslie C. Dunn and Nancy A. Jones. Cambridge University Press, 1994 2.1, 1996 HTML
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Lochhead, Judith I. Article Retooling the Technique 4.2, 1998 HTML/Frames
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Lochhead, Judith Review Review of Ellie M. Hisama, Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon 9.2, 2003 HTML/Frames HTML
London, Justin Article Loud Rests and Other Strange Metric Phenomena (or, Meter as Heard) 0.2, 1993 ASCII
London, Justin Commentary Commentary on Justin London (MTO 0.2) 0.3, 1993 ASCII
London, Justin Commentary Misreading Meyer: A Reply to Cochrane (MTO 1.1) 1.3, 1995 ASCII
London, Justin Commentary A Different Response to Killam (MTO 3.2, 3.3) 3.4, 1997 HTML
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Luchese, Diane Review Review of Anthony Pople, Messiaen: Quatuor pour la fin du Temps 5.2, 1999 HTML
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MMMMM Type Title Vol./Issue Links
Martinez, José Luis Article Semiotics and the Art Music of India 6.1, 2000 HTML/Frames
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McCreless, Patrick Review Review of Jean-Jacques Nattiez, Wagner Androgyne: A Study in Interpretation (Princeton: Princeton University Press, 1993) 2.1, 1996 HTML
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McCreless, Patrick Article Contemporary Music Theory and the New Musicology: An Introduction 2.2, 1996 HTML
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McCreless, Patrick Article Music Theory as Community: A Perspective from the Late '90's 4.2, 1998 HTML/Frames
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McCreless, Patrick P. Article Music Theory and Historical Awareness 6.3, 2000 HTML/Frames
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McNamee, Ann K. Article Grazyna Bacewicz's Second Piano Sonata (1953): Octave Expansion and Sonata Form 0.4, 1993 ASCII
McNamee, Ann K. Article Publishing and Pedagogy Using Multimedia on the World-Wide Web 3.5, 1997 HTML/Frames
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McNutt, Elizabeth Article A Postscript on Process 11.1, 2005 HTML
Mailman, Josh Commentary The Aims of Music Theory and Neurath's Boat: A Reply to Jonathan Walker and Matthew Brown (MTO 2.2) 2.4, 1996 HTML
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Marvin, William M. Review Review of Daniel Kazez, Rhythm Reading: Elementary Through Advanced Training 3.4, 1997 HTML
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Meeus, Nicolas International Report Music Theory and Analysis in France and Belgium 3.4, 1997 HTML
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Meeus, Nicolas Article Toward a Post-Schoenbergian Grammar of Tonal and Pre-tonal Harmonic Progressions 6.1, 2000 HTML/Frames
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Mengozzi, Stefano Review Review of Lionel Pike, Hexachords in Late-Renaissance Music (Aldershot: Ashgate, 1998) 4.3, 1998 HTML/Frames
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Mirka, Danuta Article The Structural Role of Timbre and Texture in the Music of Penderecki 6.1, 2000 HTML/Frames
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Monelle Raymond Commentary Martinez's Concept of "Intrinsic Semiosis" (Commentary on Martinez, MTO 6.1) 6.2, 2000 HTML
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Moore, Allan F. Article The Persona-Environment Relation in Recorded Song 11.4, 2005 HTML/Frames
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Morris, Robert D. Article Introduction to Panorama of Music Theory, 1987-97 4.2, 1998 HTML/Frames
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Morse, Michael William Commentary To Rosemary Killam: An Open Letter and Reply (MTO 3.2) 3.3, 1997 HTML
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NNNNN Type Title Vol./Issue Links
Neumeyer, David Article Schoenberg at the Movies: Dodecaphony and Film 0.1, 1993 ASCII
Neumeyer, David Commentary Commentary on Neumeyer (MTO 0.1) 0.2, 1993 ASCII
Novak, John Review Review of Amanda Bayley, ed., The Cambridge Companion to Bartók 7.5, 2001 HTML
OOOOO Type Title Vol./Issue Links
O'Donnell, Shaugn Commentary Commentary on Neumeyer (MTO 0.1) 0.2, 1993 ASCII
PPPPP Type Title Vol./Issue Links
Parncutt, Richard Commentary Commentary on Justin London (MTO 0.2) 0.3, 1993 ASCII
Parncutt, Richard International Report Review of the 1993 Conference of the Society for Music Perception and Cognition 0.6, 1994 ASCII
Parncutt, Richard Commentary Response to Demske (MTO 1.2) 1.3, 1995 ASCII
Pastille, William Article Schenker's Value-Judgments 1.6, 1995 HTML
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Peck, Robert W. Article Klein-Bottle Tonnetze 9.3, 2003 PDF
Peck, Robert W. Review A Review of the 2003 American Mathematical Society Spring Southeastern Section Conference, Special Session on Mathematical Techniques in Musical Analysis 9.3, 2003 HTML
Perrott, David Review Review of Laurent Fichet, Les theories scientifiques de la musique (Paris: Librairie philosophique J. Vrin, 1996). 5.4 1999 HTML
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Perry, Jeffrey Review Review of Allen Forte, The Atonal Music of Anton Webern. New Haven: Yale University Press, 1999. 6.1, 2000 HTML/Frames
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Perry, Jeffrey Article The Ladder of Evolution and Musical Progress 6.5, 2000 HTML/Frames
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Perry, Jeffrey Review Review of M. J. Grant, Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe 9.1, 2003 HTML
Pople, Anthony Review Review of David Epstein, Shaping Time: Music, the Brain, and Performance 3.3, 1997 HTML
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QQQQQ Type Title Vol./Issue Links
Quaglia, Bruce Review Review of Bryan Simms, The Atonal Music of Arnold Schoenberg 1908-1923 (New York: Oxford, 2000) 8.1, 2002 HTML
RRRRR Type Title Vol./Issue Links
Rahn, Jay Article From Similarity to Distance; From Simplicity to Complexity; From Pitches to Intervals; From Description to Causal Explanation 0.9, 1994 ASCII
Rahn, Jay Commentary Reply to Smoliar's "Mathematical Logic" (MTO 0.9, 0.10) 0.10, 1994 ASCII
Rahn, Jay Article Practical Aspects of Marchetto's Tuning 4.6, 1998 HTML/Frames
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Rahn, Jay Communication Conference Report: Symposium on Neo-Riemannian Theory, State University of New York at Buffalo, July 20-21, 2001 7.5, 2001 HTML
Raschke, Peter J. Review Review of Music-Theory Web Sites for the Beginner 5.2, 1999 HTML
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Rawlins, Robert Review Review of Mark Levine, The Jazz Theory Book. Petaluma, Calif.: Sher Music, 1995. 6.1, 2000 HTML
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Renwick, William Article "A Subject of Four Notes": William Crotch's Experiment in Motivic Saturation 0.10, 1994 ASCII
Robison, Brian Article Modifying Interval-Class Vectors of Large Collections to Reflect Registral Proximity Among Pitches 0.10, 1994 ASCII
Robison, Brian Commentary Category Structures and Fuzzy Sets (response to Lawrence Zbikowski) (MTO 1.4) 1.5, 1995 HTML
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Roeder, John Article Pulse Streams and Problems of Grouping and Metrical Dissonance in Bartók's "With Drums and Pipes" 7.1, 2001 HTML
Roeder, John Commentary Response to Commentaries (on his MTO 0.5 article) 0.6, 1994 ASCII
Roeder, John Review Review of Christopher F. Hasty Meter as Rhythm (New York/Oxford: Oxford University Press, 1997). 4.4, 1998 HTML
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Roeder, John Article Toward a Semiotic Evaluation of Music Analyses 0.5, 1993 ASCII
Roemjantsew, Tamara W. International Report Report on Two Conferences in the Netherlands 6.1, 2000 HTML
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Rogers, Nancy and Michael Buchler Article Square Dance Moves and Twelve-Tone Operators: Isomorphisms and New Transformational Models 9.4, 2003 PDF/Frames
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Rothgeb, John Article The Tristan Chord: Identity and Origin 1.1, 1995 ASCII
Rothgeb, John Commentary Eytan Agmon on Functional Theory 2.1, 1996 HTML
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Rothstein, William Commentary The Tristan Chord in Historical Context: A Response to John Rothgeb (MTO 1.1) 1.3, 1995 HTML
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Rothstein, William Article Like Falling off a Log: Rubato in Chopin’s Prelude in A-flat Major, Op. 28 No. 17 11.1, 2005 HTML/Frames
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Royal, Matthew S. Review Review of Eugene Narmour, The Analysis and Cognition of Basic Melodic Structures (Chicago: University of Chicago Press, 1990) and The Analysis and Cognition of Melodic Complexity (Chicago: University of Chicago Press, 1992). 1.6, 1995 ASCII
SSSSS Type   Title Vol./Issue Links
Samarotto, Frank P. Review "The Body that Beats": Review of Harald Krebs, Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann. New York: Oxford University Press, 1999. 6.4, 2000 HTML/Frames
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Samarotto, Frank Article Sublimating Sharp ^4: An Exercise in Schenkerian Energetics 10.3, 2004 HTML/Frames HTML
Samplaski, Art Article Interval-Classes and Psychological Space 10.2, 2004 HTML/Frames
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Samplaski, Art Article Mapping the Geometries of Pitch-Class Set Similarity Measures via Multidimensional Scaling 11.2, 2005 HTML/Frames
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Sayrs, Elizabeth Article Narrative, Metaphor, and Conceptual Blending in "The Hanging Tree" 9.1, 2003 HTML/Frames
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Schaffer, John Wm. Review Review of Peter Castine's Set Theory Objects: Abstractions for Computer-Aided Analysis and Composition of Serial and Atonal Music 2.6, 1996 HTML
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Schaffer, John Wm. Review Review of Eleanor Selfridge-Field, Beyond MIDI: the Handbook of Musical Codes (Cambridge, Mass.: MIT Press, 1997). 5.4, 1999 HTML
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Schubert, Peter N. Review Review of Musical Poetics by Joachim Burmeister. Translated, with Introduction and Notes, by Benito V. Rivera. Edited by Claude V. Palisca (New Haven and London: Yale University Press, 1993). 1.5, 1995 ASCII
Schmalfeldt, Janet Article On Keeping the Score 4.2, 1998 HTML/Frames
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Schmalfeldt, Janet Article Coming Home 10.1, 2004 HTML/Frames HTML
Schmalfeldt, Janet Article Response (to the Special Issue on Performance and Analysis) 11.1, 2005 HTML
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Schulenberg, David L. Commentary Commentary on Channan Willner: "More on Handel and the Hemiola" (MTO 2.3) 2.5, 1996 HTML
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Smoliar, Stephen Article Computers Compose Music, But Do We Listen? 0.6, 1994 ASCII
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Smoliar, Stephen Commentary Musical Objects: Response to John Covach (MTO 0.11) 1.1, 1995 ASCII
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Walker, Jonathan Commentary The Deconstruction of Musicology: Poison or Cure? 2.4, 1996 HTML
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Walker, Jonathan Review Review of Adam Krims, Rap Music and the Poetics of Identity, Cambridge University Press, 2000 7.4, 2001 HTML/Frames
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Wibberley, Roger Article Quid non ebrietas dissignat? Willaert's didactic demonstration of Syntonic tuning 10.1, 2004 HTML/Frames
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Wibberley, Roger Article Syntonic Tuning: A Sixteenth-Century Composer's Soundscape 10.1, 2004 HTML/Frames
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Wibberley, Roger Article Syntonic Tuning: Creating a Model for Accurate Electronic Playback 10.1, 2004 HTML/Frames
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Zbikowski, Lawrence Article Theories of Categorization and Theories of Music 1.4, 1995 ASCII
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