Music Theory Online

The Online Journal of the Society for Music Theory

Volume 6, Number 2,  May 2000 ISSN 1067-3040
Copyright � 2000 Society for Music Theory

General Editor
Eric Isaacson (Indiana University)
Editorial Board Reviews Editor
Jane Piper Clendinning (Florida State University) Robert Gjerdingen (Northwestern University)
Henry Klumpenhouwer (University of Alberta) mto-talk Manager
Patrick McCreless (Yale University) Jay Rahn (York University)
Catherine Nolan (University of Western Ontario) MTO Manager
Larry Zbikowski (University of Chicago) Ichiro Fujinaga (Johns Hopkins University)

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Table of Contents

1. Articles

Michael Tenzer (University of British Columbia), Theory and Analysis of Melody in Balinese Gamelan
[Frames] [No frames]

2. Commentary

Raymond Monelle, Martinez's Concept of "Intrinsic Semiosis" 

3. Review

Yrjo Heinonen, Review of Walter Everett, The Beatles as Musicians: Revolver Through the Anthology. New York: Oxford University Press, 1999

4. Announcements

5. Employment

6. New Dissertations

7. Books

8. Editor's Comments

Copyright Statement

Copyright � 2000 by the Society for Music Theory.
All rights reserved.

[1] Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

[3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory.

This page prepared by
Eric J. Isaacson, General Editor
18 November 2002