1. Mark S. Spicer, "Large-Scale Strategy and Compositional Design in the Early Music of Genesis," in Expression in Pop-Rock Music, ed. Walter Everett (New York: Garland Publishing, 2000), p. 102.

2. Philip Tagg, "Analysing Popular Music: Theory, Method and Practice," Popular Music 2 (1982), pp. 40-43.

3. Richard Middleton, "Popular music analysis and musicology: bridging the gap," Popular Music 12 (1993), p. 189.

4. Walter Everett. The Beatles as Musicians: "Revolver" through the "Anthology" (Oxford: Oxford University Press, 1999), p. x.

5. Sting, Mercury Falling, A&M Records, 31454-0483-2, 1996.

End of Footnotes