1. Huang Zhong 3 (1987): 70-82. According to Tong Zhong-Liang, Wuhan Music Conservatory has also published Yang Heng-Zhan's Chinese translation of Forte's The Structure of Atonal Music. See Music Study 64 (1992): 46.

2. Tore Eriksson, "The IC Max Point Structure, MM Vectors and Regions," Journal of Music Theory 30/1 (1986): 95-111, trans. Yang Heng-Zhan, Huang Zhong 5 (1988): 73-80. John Clough, "Use of the Exclusion Relation to Profile Pitch-class Sets," Journal of Music Theory 27/2 (1983): 181-201, trans. Yang Heng-Zhan, Huang Zhong 7 (1988): 75-87.

3. Wang Zhen-Ya, "The Influx and Influence of Modern Western Composition Techniques After the Cultural Revolution," Huang Zhong 25-6 (1993): 83.

4. Zheng Ying-Lie, "Letter from China: The Use of Twelve-tone Technique in Chinese Musical Composition," The Musical Quarterly 74.3 (1990): 473-88.

End of Footnotes