Society for Music Theory

Volume 10 Number 3, September 2004

Copyright © 2004 Society for Music Theory

Editor’s Message

Articles

Sublimating Sharp 4̂: An Exercise in Schenkerian Energetics
10.3.1
        Frank Samarotto (Indiana University)
An Algorithm for the Direct Generation of Set Class Representatives in Any Pitch Class Space
10.3.2
        Nick Collins (University of Cambridge)
Continuous Transformations
10.3.3
        Clinton Callender (Florida State University)

Commentaries

Models for Chord Doubling (and Spacing): Which Ones Don’t We Need?
10.3.4
        Roger Wibberley (Goldsmiths University of London)
Rules for Chord Doubling (and Spacing): A Reply To Wibberley
10.3.5
        Paul T. von Hippel (Ohio State University)
        Bret Aarden (Ohio State University)

Reviews

Review of Annette Richards, The Free Fantasia and the Musical Picturesque: New Perspectives in Music History and Criticism (Cambridge University Press, 2001)
10.3.6
        Damian Espinosa (University of Chicago)
Binary Oppositions in Arnold Whittall, Exploring Twentieth-Century Music: Tradition and Innovation (Cambridge University Press, 2003) and Their Implications for Analysis
10.3.7
        Edward D. Latham (Temple University)



MTO Personnel for the Current Volume

Prepared by Brent Yorgason, Managing Editor
Updated May 31 2014