MTO

Music Theory Online

ISSN 1067-3040


Volume 13 Number 1, March 2007
Copyright © 2007 Society for Music Theory
Table of Contents

Articles


Gregory J. Marion
(University of Saskatchewan)
Debussy and Recollection: trois aperçu
Christoph Neidhöfer
(McGill University)
Bruno Maderna's Serial Arrays
Diane Urista
(Oberlin College)
Chopin’s Prelude in C Major Revisited: Integrating Sound and Symbol

Employment Opportunities

New Dissertations

  • Boland, Marguerite M, "The All-Trichord Hexachord: Compositional Strategies in Elliott Carter's "Con Leggerezza" and "Gra".." La Trobe University, Melbourne, Australia, December 1999.
  • Hare, Belva Jean, "The Uses and Aesthetics of Musical Borrowing in Erik Satie’s Humoristic Piano Suites, 1913-1917." University of Texas at Austin, December 2005.
  • Hastings, Charise Y., "The Performer's Role: Storytelling in Ballades of Chopin and Brahms." University of Michigan--Ann Arbor, April 2006.
  • Nicholson, G. Gordon, "The Experience of Successful Contemporary Classical Musical Composition for Non-Computer-Assisted Performance: A Qualitative Study." Saybrook Institute, San Francisco, CA, November 1997.
  • Yust, Jason D, "Formal Models of Prolongation." University of Washington, November 2006.

New Books

Commentaries


Jeff Perry
(Louisiana State University)
Music Theory as Conversation
Fernando Benadon
(American University)
Commentary on Matthew W. Butterfield's "The Power of Anacrusis"
Daniel G Barolsky
(Lawrence University)
The Performer as Analyst

Book Review


Kimberly A. Francis
(University of North Carolina at Chapel Hill)
Review of Maureen Carr, Multiple Masks: Neoclassicism in Stravinsky’s Works on Greek Subjects
(Lincoln: University of Nebraska Press, 2002)

Announcements

Upcoming Events

Other Announcements

Please direct all queries to the or to the

MTO PERSONNEL
Editor
Timothy Koozin (University of Houston)
Reviews Editor
Jeffrey Perry (Louisiana State University)
Editorial Board
Michael Buchler (Florida State University) Norman Carey (CUNY Graduate Center)
David E. Cohen (Columbia University) Nora A. Engebretsen (Bowling Green State University)
Joel Galand (Florida International University) Kevin Korsyn (University of Michigan)
Rebecca Leydon (Oberlin College) Scott Murphy (University of Kansas)
Richard Parncutt (University of Graz, Austria)
Managing Editor
Brent Yorgason (Indiana University)

LOCKSS system has permission to collect, preserve, and serve this Archival Unit

Copyright Statement

Copyright © 2007 by the Society for Music Theory.
All rights reserved.

[1] Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

[3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory.

Return to top

Prepared by Brent Yorgason, Managing Editor
Updated 24 March 2007