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Adam Ricci, The Progress of a Motive in op. 119, no. 3

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Example 5. Sequence with Alterations, mm. 49
[Hypermetric interpretations are given between the staves]

 

 

 

a. descending-second sequence without alterations

 

 

 

 

 

 

b. mm. 4–9 (reduced); circled pitches are altered relative to model