Example 23. The delayed variant of $\hat{1}$/ii, where $\hat{1}$ sounds as a passing seventh resolving to $\hat{7}$, the third of the V chord

Note the chromatic passing tone between $\hat{2}$ and $\hat{1}$, similar to that seen in Example 22
(“Bloomdido,” chorus 3; Aebersold 1978, 109)