Society for Music Theory

Volume 18 Number 4, December 2012

Copyright © 2012 Society for Music Theory

Editor’s Message


Hearing Counterpoint Within Chromaticism: Analyzing Harmonic Relationships in Lassus’s Prophetiae Sibyllarum
        Timothy K. Chenette (University of Massachusetts Amherst)
Rethinking Octatonicism: Views from Stravinsky’s Homeland
        Philip A. Ewell (Hunter College and CUNY Graduate Center)
The Interruption-Fill and Corollary Procedures
        Yosef Goldenberg (The Hebrew University of Jerusalem and the Jerusalem Academy of Music and Dance)
Instrumental Gesture in Chopin’s Étude in A-Flat Major, Op. 25, No. 1
        Eugene Montague (The George Washington University)
Tonal Pairing and the Relative-Key Paradox in the Music of Elliott Smith
        Rob Schultz (University of Massachusetts Amherst)
Three Stravinsky Analyses: Petrushka, Scene 1 (to Rehearsal No. 8); The Rake’s Progress, Act III, Scene 3 (“In a foolish dream”); Requiem Canticles, “Exaudi”
        Joseph N. Straus (Graduate Center, City University of New York)
Directional Tonality in Schumann’s Early Works
        Benjamin K. Wadsworth (Kennesaw State University)


Review of Michael Tenzer and John Roeder, eds., Analytical and Cross-Cultural Studies in World Music (Oxford University Press, 2011)
        Chelsea Burns (University of Chicago)
Review of Edward Gollin and Alexander Rehding eds., The Oxford Handbook of Neo-Riemannian Theories (Oxford University Press, 2011)
        Jonathan Kochavi (Swarthmore College)
Review of Vincent P. Benitez, The Words and Music of Paul McCartney: The Solo Years (Praeger, 2010); Ian Inglis, The Words and Music of George Harrison (Praeger, 2010); and Ben Urish and Ken Bielen, The Words and Music of John Lennon (Praeger, 2007)
        David Thurmaier (Florida Gulf Coast University)

MTO Personnel for the Current Volume

Prepared by Brent Yorgason, Managing Editor
Updated December 18 2012

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