Society for Music Theory

Volume 21 Number 4, December 2015

Copyright © 2015 Society for Music Theory

Editor’s Message

Articles

The Evolution of Chopin’s Sonata Forms: Excavating the Second Theme Group
21.4.1
        Andrew I. Aziz (Florida State University)
Dyslexia and Post-Secondary Aural Skills Instruction
21.4.2
        Laurel Parsons (North Vancouver, BC)
On Duration and Developing Variation: The Intersecting Ideologies of Henri Bergson and Arnold Schoenberg
21.4.3
        Keith Salley (Shenandoah Conservatory)
Structural Levels in South Indian Music
21.4.4
        Michael Schachter (University of Michigan)
Voice-Leading Transformation and Generative Theories of Tonal Structure
21.4.5
        Jason Yust (Boston University)

Reviews

Review of Jack Boss, Schoenberg’s Twelve-Tone Music: Symmetry and the Musical Idea (Cambridge University Press, 2014)
21.4.6
        Joe Argentino (Memorial University of Newfoundland)
Review of Markus Neuwirth and Pieter Bergé, eds., What Is A Cadence? Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire (Leuven University Press, 2015)
21.4.7
        William M. Marvin (Eastman School of Music)
Review of Ian Bent, David Bretherton, and William Drabkin, eds. Heinrich Schenker: Selected Correspondence (Boydell Press, 2014)
21.4.8
        Jan Miyake (Oberlin College and Conservatory)
Review of Markand Thakar, Looking for the “Harp” Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011)
21.4.9
        JW Turner (High Point University)

Conference Report

Report on the Second Congress of the Russian Society for the Theory of Music
21.4.10
        Joseph Kraus (Florida State University)



MTO Personnel for the Current Volume

Prepared by Brent Yorgason, Managing Editor
Updated December 15 2015