Volume 22 Number 2, June 2016

Copyright © 2016 Society for Music Theory


Editor’s Message

Articles

A Platonic Model of Funky Rhythms
22.2.1
        Richard Cohn (Yale University)
Rock Modulation and Narrative
22.2.2
        Scott J. Hanenberg (University of Toronto)
Types and Applications of P3,0 Seventh-Chord Transformations in Late Nineteenth-Century Music
22.2.3
        Samuel Reenan (Eastman School of Music)
        Richard Bass (University of Connecticut)

Essays

Performance and Analysis Today: New Horizons”

Performance and Analysis Today: New Horizons
22.2.4
        Daniel Barolsky (Beloit College)
        Edward Klorman (Queens College and Graduate Center, CUNY; and The Juilliard School)
Art and Science, Beauty and Truth, Performance and Analysis?
22.2.5
        Benjamin Binder (Duquesne University)
Analysis and Performance, or wissen, können, kennen
22.2.6
        Daphne Leong (University of Colorado Boulder)
Ways of Knowing the Body, Bodily Ways of Knowing
22.2.7
        Peter Martens (Texas Tech University)
The Score in the Performer’s Hands: Reading Traces of the Act of Performance as a Form of Analysis?
22.2.8
        Fabio Morabito (King’s College London)
Response  
22.2.9
        John Rink (University of Cambridge)
Response  
22.2.10
        Janet Schmalfeldt (Tufts University)

Reviews

Review of Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet (Cambridge University Press, 2015)
22.2.11
        Justin Lavacek (University of North Texas)
Review of Ruth I. DeFord, Tactus, Mensuration, and Rhythm in Renaissance Music (Cambridge University Press, 2015)
22.2.12
        Megan Kaes Long (Oberlin College Conservatory of Music)

Review Colloquium on Carl Schachter’s The Art of Tonal Analysis:
Twelve Lessons in Schenkerian Theory

     Introduction

Review of Carl Schachter, The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory, ed. Joseph N. Straus (Oxford University Press, 2016)
22.2.13
        L. Poundie Burstein (Hunter College and the Graduate Center of the City University of New York)
Review of Carl Schachter, The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory, ed. Joseph N. Straus (Oxford University Press, 2016)
22.2.14
        David Temperley (Eastman School of Music)



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