Volume 23 Number 1, March 2017

Copyright © 2017 Society for Music Theory


Editor’s Message

Articles

Nature’s Voice in Crumb’s An Idyll for the Misbegotten
23.1.1
        Robert C. Cook (University of Iowa)
Inwardness and Inner Melodies in Brahms’s Piano Works
23.1.2
        Diego Cubero (University of North Texas)
Transformations in Tonal Jazz: ii–V Space
23.1.3
        Michael McClimon (Furman University)
Humorous Script Oppositions in Classical Instrumental Music
23.1.4
        James K. Palmer (University of British Columbia)
The French Path: Early Major-Minor Theory from Jean Rousseau to Saint-Lambert
23.1.5
        Julie Pedneault-Deslauriers (University of Ottawa)
Time, Territorialization, and Improvisational Spaces
23.1.6
        Chris Stover (The New School)
Mediant Mixture and “Blue Notes” in Rock: An Exploratory Study
23.1.7
        David Temperley (Eastman School of Music)
        Iris Ren (Utrecht University)
        Zhiyao Duan (University of Rochester)

Reviews

Review of Kofi Agawu, The African Imagination in Music (Oxford University Press, 2016)
23.1.8
        Stephen Blum (CUNY Graduate Center)
Review of Lawrence Kramer, The Thought of Music (University of California Press, 2016)
23.1.9
        Daniel Villegas Vélez (Rutgers University)




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Updated November 24 2017

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