Volume 23 Number 2, June 2017

Copyright © 2017 Society for Music Theory


Editor’s Message

Articles

Johann Georg Sulzer’s “Recitativ” and North German Musical Aesthetics: Context, Translation, Commentary
23.2.1
        Matthew L. Boyle (Indiana University)
Fragile, Emergent, and Absent Tonics in Pop and Rock Songs
23.2.2
        Mark Spicer (City University of New York)
Intelligibility Redux: Motets and the Modern Medieval Sound
23.2.3
        Anna Zayaruznaya (Yale University)

Feminist Theory Essays

Rethinking Music Loving
23.2.4
        Vivian Luong (University of Michigan)
Finding Love in Hopeless Places: Complex Relationality and Impossible Heterosexuality in Popular Music Videos by Pink and Rihanna
23.2.5
        Marc Lafrance (Concordia University)
        Lori Burns (University of Ottowa)
Movement, Music, Feminism: An Analysis of Movement-Music Interactions and the Articulation of Masculinity in Tyler, the Creator’s ‘Yonkers’ Music Video
23.2.6
        Maeve Sterbenz (Columbia University)
Subjective (Re)positioning in Musical Improvisation: Analyzing the Work of Five Female Improvisers
23.2.7
        Marc E. Hannaford (Columbia University)
“You Too Can Compose”: Ruth Crawford’s Mentoring of Vivian Fine
23.2.8
        Rachel L. Lumsden (Florida State University)

Reviews

Review of Brad Osborn, Everything in its Right Place: Analyzing Radiohead (Oxford University Press, 2016)
23.2.9
        Brett Clement (Ball State University)
Review of Edward Klorman, Mozart’s Music of Friends: Social Interplay in the Chamber Works (Cambridge University Press, 2016)
23.2.10
        Roger Graybill (New England Conservatory)

Conference Reports

Conference Report: “A Summit of Creativity: A Celebration of the Fiftieth Anniversary of the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band
23.2.11
        Nicole Biamonte (McGill University)
Conference Report: “Pedagogy into Practice: Teaching Music Theory in the Twenty-First Century”
23.2.12
        Gregory R. McCandless (Appalachian State University)




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Updated November 24 2017

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