Volume 24 Number 2, June 2018

Copyright © 2018 Society for Music Theory


Editor’s Message

Articles

Spectral Meter: Dramatizing Entrainment and Communicating Form in Gérard Grisey’s Vortex Temporum I (1994–96)
24.2.1
        Joseph R. Jakubowski (Washington University in St. Louis)
Musical Mimesis in Orphans of the Storm
24.2.2
        Kendra Preston Leonard (Humble, TX)
Four Studies of Charlie Parker's Compositional Processes
24.2.3
        Henry Martin (Rutgers University-Newark)
Feedback and Feedforward Models of Musical Key
24.2.4
        Christopher Wm. White (University of Massachusetts, Amherst)

Prokofiev at 125

Introduction: Prokofiev at 125
24.2.5
        Inessa Bazayev (Louisiana State University)
An Octatonic History of Prokofiev’s Compositional Oeuvre
24.2.6
        Inessa Bazayev (Louisiana State University)
Visualizing Peter: The First Animated Adaptations of Prokofiev’s Peter and the Wolf
24.2.7
        Deborah Rifkin (Ithaca College)
Prokofiev’s Symphony no. 2, Yuri Kholopov, and the Theory of Twelve-Tone Chords
24.2.8
        Christopher Segall (University of Cincinnati)

Review

Review of The Cambridge Companion to the Singer-Songwriter, ed. Katherine Williams and Justin A. Williams (Cambridge University Press, 2016)
24.2.9
        Nancy Murphy (University of Houston)




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Updated June 29 2018

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