We are pleased to announce that volume 9 of Integral has just
been published and will be mailed to subscribers very soon. The
contents are as follows:
ARTICLES:
Gregory J. Marion
Inciting Transformational Insights
Robert D. Morris
The Structure of First-Species Canon in
Modal, Tonal and Atonal Musics
Gordon Sly
The Architecture of Key and Motive in a Schubert Sonata
REVIEWS
Robert O. Gjerdingen
Harmonic Function in Chromatic Music:
A Renewed Dualist Theory and an Account of its Precedents
by Daniel Harrison
Robert Gauldin
Analyzing Fugue: A Schenkerian Perspective
by William Renwick
Steven Laitz
Poetry into Song: Performance and Analysis of Lieder
by Deborah Stein and Robert Spillman
SUBSCRIPTION INFORMATION
$12.00 per volume for individuals, $10.00 for students, and $16.00
for institutions. A complete set of back issues (Vols 1-8,
1987-1994) is also available for the price of seven volumes ($84,
$70, $112). Please add $4.00 per volume for postage outside North
America up to a maximum of $12.00. Prepayment for subscription
requests is appreciated but not required.
For a complete index of articles and reviews in the back issues,
please refer to the Integral web page at:
http://theory.esm.rochester.edu/www/Integral
Requests for subscriptions may be addressed to:
Evan Jones
Subscriptions Manager
Integral
Eastman School of Music
26 Gibbs Street
Rochester, NY 14604
evanj@theory.esm.rochester.edu
CALL FOR PAPERS
Integral invites articles in all areas of music theory. We are
particularly interested in papers that relate theoretical and
analytical study to compositional process and performance practice.
Integral is a fully refereed journal and all unsolicited submissions are
subjected to anonymous peer review; decisions regarding publication
normally take three to six months.
Inquiries regarding article submission, proposals for book reviews,
and other communications may be addressed to:
The Editors
Integral
Eastman School of Music
26 Gibbs Street
Rochester, NY 14604
Or via email to:
Norman Carey
nac@theory.esm.rochester.edu
FORTHCOMING ARTICLES AND REVIEWS IN VOLUME 10
ARTICLES
Lora Gingerich Dobos
Transformations of BACH in Webern's Op.16 No.4
Tiina Koivisto
Aspects of Motion in Elliott Carter's Second String Quartet
Lauri Suurpaa
Schumann, Heine, and Romantic Irony:
Music and Drama in the First Five Songs of Dichterliebe
Yayoi Uno
Tempo-span GIS as a Measure of Continuity in Elliott Carter's
Eight Pieces for Four Timpani
REVIEW ARTICLE
David Lidov
Musical Semiotics -- Science, Letters, or Art?
REVIEWS
David Butler
Shaping Time: Music, The Brain, and Performance
by David Epstein
William Kinderman
Beethoven Hero by Scott Burnham and
The 'Galitzin' Quartets of Beethoven by Daniel K.L. Chua
Norman Carey and Su Yin Mak
Co-editors, Integral
nac@theory.esm.rochester.edu
suyin@theory.esm.rochester.edu
fax: (716) 274-1088
Journal of Music Theory
Published twice a year by Yale University
For information on all aspects of the journal, including back-issue
availability, contact addresses, submission requirements, and browsable
volume and author indexes, please visit our Web site:
http://www.yale.edu/jmt
Contents of vol. 41.1 (Spring 1997, forthcoming):
ARTICLES:
Richard L. Cohn
Neo-Riemannian Operations, Parsimonious Trichords,
and Their Tonnetz Representations
John Clough and Jack Douthett
Hyperscales and the Generalized Tetrachord
Steve Larson
The Problem of Prolongation in Tonal Music:
Terminology, Perception, and Expressive Meaning
Joseph N. Straus
A Response to Larson
Fred Lerdahl
Issues in Prolongational Theory: A Response to Larson
REVIEWS:
Philip Rupprecht
Theory, Analysis, and Meaning in Music, ed. Anthony Pople
Subscription rates are as follows:
Individual: domestic $24 (3 years for $61); foreign $30 (3 years for $76).
Student: domestic $20 (3 years for $51); foreign $26 (3 years for $66).
Emeritus: domestic $14 (3 years for $36); foreign $20 (3 years for $51).
Library/Institution: domestic $32 (3 years for $82); foreign $38 (3 years
for $97).
Pre-paid subscription requests (US funds) may be sent to:
David Carson Berry, Associate Editor
Journal of Music Theory
Yale Department of Music
143 Elm Street
New Haven CT 06511-6609
[1] Music Theory Online (MTO) as a whole is Copyright � 1997, all rights reserved, by the Society for Music Theory, which is the owner of the journal. Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.
[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:
This item appeared in Music Theory Online[3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory.
in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR].
It was authored by [FULL NAME, EMAIL ADDRESS],
with whose written permission it is reprinted here.