1. Eytan Agmon, "Octave Equivalence and the Immediate Recall of Pitch Sequences," Music Perception 2 (1984): 40-51.

2. Benjamin Boretz, Meta-Variations: Studies in the Foundations of Musical Thought, rev. ed. (Red Hook, NY: Open Space, 1995).

3. Nicolas Cook, "The Perception of Large-Scale Tonal Closure," Music Perception 5.2 (1987): 197-206; see also his Music Imagination and Culture, Oxford: Clarendon Press, 1990.

4. Vladimir Konecni and Mitchell Karno, "Empirical Investigations of the Hedonic and Emotional Effects of Musical Structure," Musikpsychologie 11 (1994): 119-137.

End of Footnotes