Music Theory Online

The Online Journal of the Society for Music Theory

Copyright � 1998 Society for Music Theory
Volume 4, Number 5 September, 1998 ISSN 1067-3040

General Editor

Editorial Board
Lee Rothfarb (UC Santa Barbara) Henry Klumpenhouwer (University of Alberta)
Justin London (Carleton College)
Catherine Nolan (University of Western Ontario)

Reviews Editor

Consulting Editors
Robert Gjerdingen (Northwestern University) Bo Alphonce Richard Littlefield
Jonathan Bernard Thomas Mathiesen
John Clough Benito Rivera
Nicholas Cook John Rothgeb
Allen Forte Arvid Vollsnes
Stephen Hinton Robert Wason
Marianne Kielian-Gilbert Gary Wittlich

MTO Correspondents

Per F. Broman, Sweden Nicolas Meeus, Belgium, France
Peter Castine, Germany Ken-ichi Sakakibara, Japan
Wai-ling Cheong, Hong Kong Roberto Saltini, Brazil
Geoffrey Chew, England Michiel Schuijer, Holland
Gerold W. Gruber, Austria Uwe Seifert, Germany
Henry Klumpenhouwer, Canada Arvid Vollsnes, Norway
Marco Renoldi, Italy Tess James, England


Editorial Assistants

Music Example Designer

MIDI Consultant

Ichiro Fujinaga Cindy Nicholson William Loewe David Patrick Watts
Martin Steffen
Nicholas Blanchard
Jon Koriagin

mto-talk Manager HTML and Java Consultant
Jay Rahn Bruce Petherick

All queries to the MTO General Editor or to the MTO Manager

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1. Target Article

Roger Wibberley, J.S. Bach's Prelude and Fugue in E Flat (BWV 552,1/2): An Inspiration of the Heart?
[Frames] [No Frames]

2. Music Theory International

Tess James, Celibidache and Bruckner

3. Announcements

Symposium On Music And Computers: Ionian University
Multimedia at B�renreiter-Verlag
32nd Royal Musical Association Research Students' Conference
The Schoenberg String Quartets and Trio: Concerts and Symposium
Asian Music in America: A Confluence of Two Worlds
SCI National Student Conference: "Winter Thaw" 1999
Scholarly Articles Research Alerting
Music Theory Spectrum, Volume 20, Number 1
New England Conference of Music Theorists: Call for Papers

4. Employment

Post-Doctoral Researchers, Austria
Post-Doctoral Researchers, Netherlands
Indiana University, Senior Scholar/Teacher, Music Theory

5. New Dissertations

Dogantan, Mine. "Mathis Lussy's Theory of Rhythm as a Basis for a Theory of Expressive Performance."
Fiore, Carlo. "I mottetti di Josquin Desprez: interpretazione attraverso l'analisi."
Hansen, Thomas Holme. "From Mode to Key. An Investigation of European Modal/Tonal Theories in the Seventeenth Century" [in Danish]
Paley, Elizabeth S. "Narratives of 'Incidental' Music in German Romantic Theater"
Sachania, Millan. "The Arrangements of Leopold Godowsky: An Aesthetic, Historical, and Analytical Study."
Saunders, Michael, D. "A Computer-based Notation for the Process of Musical Composition."

6. New Books

Princeton University Press
Mary Hunter. The Culture of Opera Buffa in Mozart's Vienna: A Poetics of Entertainment

Copyright Statement

[1] Music Theory Online (MTO) as a whole is Copyright � 1998, all rights reserved, by the Society for Music Theory, which is the owner of the journal. Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

[3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory.

This page prepared by
Lee A. Rothfarb, General Editor