Editorial Markings as Analysis in Bach's Partita No. 1 for Solo Violin, "Corrente"

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Crystal Peebles

Abstract

Editorial articulation marks in J. S. Bach’s solo violin repertoire reflect not only contemporary performance practice, but can represent the editor’s perception of the musical structure. This paper highlights differences in motivic, harmonic, and voice-leading structures between editions and arrangements of J. S. Bach’s Partita No. 1 for Solo Violin (BWV 1002), “Corrente.”

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