|
|
Volume 10, Number 2, June 2004 Copyright © 2004 Society for Music Theory |
Bret Aarden and Paul T. von Hippel Rules for Chord Doubling (and Spacing): Which Ones Do We Need? |
|
Table 2.1.4a. Rules for voice-doubling in second-inversion triads. (Only theorists who identify inversion-specific rules are included.)
| Theorists | Double the fifth/bass | Depends on quality | Reinforce the key | Depends on function | Root > Fifth |
|---|---|---|---|---|---|
| Alchin (26) | • | ||||
| Aldwell & Schachter (27) | • | ||||
| Benjamin, et al.(28) | • | • | |||
| Chadwick (30) | • | ||||
| Christ, et al. (31) | • | • | |||
| DeLone (32) | • | ||||
| Foote & Spalding (33) | • | ||||
| Kostka & Payne (36) | • | ||||
| MacPherson (39) | • | ||||
| Morris (42) | • | ||||
| Ottman (44) | • | ||||
| Piston (46) | • | ||||
| Rimsky-Korsakov (50) | • | ||||
| Robinson (51) | • | ||||
| Siegmeister (55) | • | ||||
| Stainer (56) | • | ||||
| Tchaikovsky (58) | • | ||||
| Trotter (60) | • | ||||
| Tweedy (61) | • | ||||
| Warburton (62) | • | ||||
| Weidig (63) | • | ||||
| Total: | 19 | 1 | 1 | 1 | 1 |
Prepared by
Brent Yorgason, Managing Editor
Updated
03 June 2004