Volume 10, Number 2, June 2004
Copyright © 2004 Society for Music Theory
Bret Aarden and Paul T. von Hippel
Rules for Chord Doubling (and Spacing): Which Ones Do We Need?
 

2.1.4 Second-Inversion Triads

Table 2.1.4a. Rules for voice-doubling in second-inversion triads. (Only theorists who identify inversion-specific rules are included.)

Theorists Double the fifth/bass Depends on quality Reinforce the key Depends on function Root > Fifth
Alchin (26) •        
Aldwell & Schachter (27) •        
Benjamin, et al.(28) •   •    
Chadwick (30) •        
Christ, et al. (31) • •      
DeLone (32) •        
Foote & Spalding (33) •        
Kostka & Payne (36) •        
MacPherson (39) •        
Morris (42) •        
Ottman (44) •        
Piston (46) •        
Rimsky-Korsakov (50)         •
Robinson (51) •        
Siegmeister (55) •        
Stainer (56) •        
Tchaikovsky (58) •        
Trotter (60) •        
Tweedy (61)       •  
Warburton (62) •        
Weidig (63) •        
Total: 19 1 1 1 1


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Back to §2 (Rules for Doubling and Spacing)

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Prepared by
Brent Yorgason, Managing Editor
Updated 03 June 2004