Music Theory Online

ISSN 1067-3040

Please note: To post to mto-talk, you must first subscribe to the mto and mto-talk lists

Volume 11 Number 2, June 2005
Copyright � 2005 Society for Music Theory
Table of Contents


Art Samplaski
Mapping the Geometries of Pitch-Class Set Similarity Measures
via Multidimensional Scaling
[With Frames] [Without Frames]
Stefan Eckert
(Northwestern University)
"So, you want to write a Minuet?" -- Historical Perspectives in Teaching Theory
[With Frames] [Without Frames]

New Dissertations

  • Brasky, Jill Tovah. "'Far Have I Flown': Chromatic Dominants and Functional Transformations in Schoenberg's Gurrelieder." University of Buffalo, May 2005
  • Mullin, Carolyn D. "Global Coherence in Selected Atonal Works of Anton Webern." University of Oregon, June 2005.
  • Ricci, Adam. "A Theory of the Harmonic Sequence." Eastman School of Music, University of Rochester, May 2004.

Employment Opportunities


Book Reviews

Daniel Harrison
(Yale University)
Review of Alexander Rehding, Hugo Riemann and the Birth of Modern Musical Thought (Cambridge: Cambridge University Press, 2003)
[With Frames] [Without Frames]
 Burdette Green
(The Ohio State University)
Review of Rebecca Herissone, Music Theory in Seventeenth-Century England (Oxford: Oxford University Press, 2000)


Calls for Papers

Conference Announcements

Journal-Related Announcements

Please direct all queries to the MTO Editor or to the MTO Manager

Timothy Koozin (University of Houston)
Reviews Editor
Jack Boss (University of Oregon)
Editorial Board
Marion Guck (University of Michigan) Julian L. Hook (Indiana University)
Rebecca Leydon (Oberlin College) Andrew Mead (University of Michigan)
Richard Parncutt (University of Graz, Austria) Peter Schubert (McGill University)
Managing Editor
Brent Yorgason (Indiana University)
List Managers
Jay Rahn (York University): mto-talk Manager Ichiro Fujinaga (McGill University): MTO Manager

LOCKSS system has permission to collect, preserve, and serve this Archival Unit

Copyright Statement

Copyright � 2005 by the Society for Music Theory.
All rights reserved.

[1] Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

[3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory.

Return to top

Prepared by Brent Yorgason, Managing Editor
Updated 30 June 2005