Supplementary notes:

• Measures 1–4: The first melodic motion is on one level a neighbor, but has the effect of an interrupted passing motion, one that is completed in the following measures.
• Measures 1–16: The overall upper voice for these bars is a textbook example of boundary play, the boundary here being the stepwise connection of to .
• Measures 17–28: The large scale sixth progression from D from B is echoed briefly by the more figural downward sixth in measures 27–8 (which also restores the major dominant).