Music Theory Online

The Online Journal of the Society for Music Theory

Copyright � 1997 Society for Music Theory
Volume 3, Number 2 March, 1997 ISSN 1067-3040

General Editor Editorial Board

Lee Rothfarb (UC Santa Barbara) David Headlam (Eastman School of Music) Justin London (Carleton College) Catherine Nolan (University of Western Ontario)

Reviews Editor Consulting Editors

Brian Alegant Bo Alphonce Thomas Mathiesen (McGill University) Jonathan Bernard Benito Rivera John Clough John Rothgeb Nicholas Cook Arvid Vollsnes Allen Forte Robert Wason Marianne Kielian-Gilbert Gary Wittlich Stephen Hinton

MTO Correspondents

Per Broman, Sweden Nicolas Meeus, Belgium, France Peter Castine, Germany Ken-ichi Sakakibara, Japan Wai-ling Cheong, Hong Kong Roberto Saltini, Brazil Geoffrey Chew, England Michiel Schuijer, Holland Gerold W. Gruber, Austria Uwe Seifert, Germany Henry Klumpenhouwer, Canada Arvid Vollsnes, Norway

Manager Editorial Assistants Music Example Designer MIDI Consultant

Robert Judd Cindy Nicholson William Loewe David Patrick Watts Ralph Steffen Nicholas Blanchard

All queries to the MTO 
General Editor or to the 
MTO Manager 

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1. Target Article

Rosemary Killam, Cognitive Dissonance: Should Twentieth-century Women Composers Be Grouped with Foucault's Mad Criminals?

2. Review

Edward D. Latham, Review of Ethan Haimo's article, "Atonality, Analysis, and the Intentional Fallacy," Music Theory Spectrum 18.2 (Fall 1996)

3. Announcements

New Discussion List for Analysis of Classical Music
The Ethnic in Music: A Conference
American Bach Society Meeting
Oberlin Conservatory: Workshops in Electronic and Computer Music
International Workshop on Computational Semiotics
Association for Technology in Music Instruction: Annual Meeting
International Schubert Conference - France
Society for Music Perception and Cognition: Conference
Summer Sessions at CCRMA, Stanford University
Institute for Music History, Vienna: Call for Papers
Music Theory Society of New York State: Annual Meeting
Lexikon-Sonate Online
International Schubert Conference - Vienna

4. Employment

University of the Pacific, Conservatory of Music: Composition and Theory
University of Pennsylvania: Ethnomusicology

5. New Dissertations

Burkett, Lyn E. Counterpoint as a Model for Post-Tonal Experimental Music: Theories of Seeger, Krenek, Hindemith, and Schoenberg.
Carter, Chandler. The Progress in "The Rake's" Return. City University of New York, 1995.
O'Donnell, Shaugn J. Transformational Voice Leading in Atonal Music.

6. New Books

Indiana University Press

Kenneth Drake, The Beethoven Sonatas and the Creative Experience
Robert S. Hatten, Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation
A. Peter Brown, Joseph Haydn's Keyboard Music: Souces and Style

7. Advertisements

Symbolic Composer 4.0 for the PowerMac
Experimental Etudes: 20 Pieces on Problem in Contemporary Music Performance

8. Communications

Editor's Message

Copyright Statement

[1] Music Theory Online (MTO) as a whole is Copyright � 1997, all rights reserved, by the Society for Music Theory, which is the owner of the journal. Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

[3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory.

This page prepared by
Lee A. Rothfarb, General Editor