Music Theory Online

General Editor	Editorial Board
Lee Rothfarb (UC Santa Barbara)	David Headlam (Eastman School of Music)
	Justin London (Carleton College)
	Catherine Nolan (University of Western Ontario)

Reviews Editor	Consulting Editors
Brian Alegant (Oberlin College)	Bo Alphonce	Thomas Mathiesen
	Jonathan Bernard	Benito Rivera
	John Clough	John Rothgeb
	Nicholas Cook	Arvid Vollsnes
	Allen Forte	Robert Wason
	Marianne Kielian-Gilbert	Gary Wittlich
	Stephen Hinton

MTO Correspondents
Per F. Broman, Sweden	Nicolas Meeus, Belgium, France
Peter Castine, Germany	Ken-ichi Sakakibara, Japan
Wai-ling Cheong, Hong Kong	Roberto Saltini, Brazil
Geoffrey Chew, England	Michiel Schuijer, Holland
Gerold W. Gruber, Austria	Uwe Seifert, Germany
Henry Klumpenhouwer, Canada	Arvid Vollsnes, Norway
Marco Renoldi, Italy

Manager	Editorial Assistants	Music Example Designer	MIDI Consultant
Robert Judd	Cindy Nicholson	William Loewe	David Patrick Watts
	Martin Steffen
	Nicholas Blanchard
	Jon Koriagin

All queries to the MTO General Editor or to the MTO Manager

TABLE OF CONTENTS

1. Target Articles

Ann K. McNamee, Publishing and Pedagogy Using Multimedia on the World-Wide Web
[Frames] [Noframes]

Dave Headlam, Multimedia for Music Study on the Web: Director from Macromedia
[Frames] [Noframes]

Alexander Brinkman and Elizabeth West Marvin, Using the Tools to Teach the Tools: Teaching Multimedia Programming in Music Curricula
[Frames] [Noframes]

2. Reviews

Richard Hermann, Reflexive Postmodern Anthropology Meets Musical "Modernism": A Review of IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde
[Frames] [Noframes]

3. Announcements

International Symposium on Iannis Xenakis

Sound System / System Sound

Joint Meeting of Georgia Association of Music Theorists/Music Theory SouthEast

Supplemental Announcements

4. Employment

Bar-Ilan University, Department of Musicology

Stanford University, Assistant/Associate Professor, Composition/Theory

CUNY Graduate Center, Professor/Associate Professor

Supplemental Opportunities

5. New Dissertations

Longo, Lauren M. Pietro Gianotti's Le Guide du compositeur: A Reworking of Rameau's "L'Art de la basse fondamentale"--An Annotated Translation and Critical Edition of Part I

Noll, Thomas. Morphologische Grundlagen der abendl�ndischen Harmonik (Morphological Foundations of Occidental Harmony)

Vlagopoulos, Panos Ph. Le nouble rhetorique: Mental Models in the Song Production of Guillaume de Machaut

6. New Books

Princeton University Press

Elaine R. Sisman, ed., Haydn and His World

Leslie David Blasius, The Music Theory of Godfrey Winham

Schirmer Books

Walter Frisch, Brahms: The Four Symphonies

Russell Stinson, Bach: The Orgelb�chlein

D. Kern Holoman, editor, The Nineteenth-Century Symphony

Rufus Hallmark, editor, German Lieder in the Nineteenth Century

W.W. Norton

Kurt Stone, Music Notation in the Twentieth Century: A Practical Guidebook

Robert Gauldin, Answer Key to Workbook for Harmonic Practice in Tonal Music

7. Advertisements

Department of Computer and Humanities (Utrecht University): Gioseffo Zarlino, Music Treatises

facsimile and transcription edited by Frans Wiering
Thesaurus Musicarum Italicarum, Volume 1
CD-ROM for Windows 95

8. Communications

Editor's Message

Copyright Statement

[1] Music Theory Online (MTO) as a whole is Copyright � 1997, all rights reserved, by the Society for Music Theory, which is the owner of the journal. Copyrights for individual items published in MTO are held by their authors. Items appearing in MTO may be saved and stored in electronic or paper form, and may be shared among individuals for purposes of scholarly research or discussion, but may not be republished in any form, electronic or print, without prior, written permission from the author(s), and advance notification of the editors of MTO.

[2] Any redistributed form of items published in MTO must include the following information in a form appropriate to the medium in which the items are to appear:

This item appeared in Music Theory Online in [VOLUME #, ISSUE #] on [DAY/MONTH/YEAR]. It was authored by [FULL NAME, EMAIL ADDRESS], with whose written permission it is reprinted here.

[3] Libraries may archive issues of MTO in electronic or paper form for public access so long as each issue is stored in its entirety, and no access fee is charged. Exceptions to these requirements must be approved in writing by the editors of MTO, who will act in accordance with the decisions of the Society for Music Theory.