| Author |
Type |
Title |
Volume |
Formats |
Gann, Kyle | Article | Outside the Feedback Loop: A Nancarrow Keynote Address | 20.1, 2014 | HTML
PDF | Garcia, Luis-Manuel | Article | On and On: Repetition as Process and Pleasure in Electronic Dance Music | 11.4, 2005 | HTML/Frames
HTML
PDF | Gardner, Samuel and Nicholas J. Shea | Article | Gestural Perspectives on Popular-Music Performance | 28.3, 2022 | HTML
PDF | Garza Jr., Jose M. | Article | Transcending Time (Feels): Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music | 27.1, 2021 | HTML
PDF | Gates, Sarah | Article | Developing Musical Imagery: Contributions from Pedagogy and Cognitive Science | 27.2, 2021 | HTML
PDF | Gauldin, Robert | Article | Keynote Address, Twenty-seventh Annual SMT Conference in Seattle, WA, “Tragic Love and Musical Memory” | 10.4, 2004 | HTML/Frames
HTML
PDF | Gawboy, Anna M. and Justin Townsend | Article | Scriabin and the Possible | 18.2, 2012 | HTML
PDF | Geary, David | Article | Analyzing the Beat in Metrically Consonant Popular Songs: A Multifaceted Approach | 28.4, 2022 | HTML
PDF | Geary, David | Article | Formal Functions of Drum Patterns in Post-Millennial Pop Songs, 2012–2021 | 30.2, 2024 | HTML
PDF | Givan, Benjamin | Article | Rethinking Interaction in Jazz Improvisation | 22.3, 2016 | HTML
PDF | Gjerdingen, Robert and Janet Bourne | Article | Schema Theory as a Construction Grammar | 21.2, 2015 | HTML | Goddard, Christopher | Article | “Your Soul is the Whole World”: The Spaces of Claude Vivier’s Siddhartha | 29.3, 2023 | HTML
PDF | Goehr, Lydia | Article | Does it Matter Where We Begin? Or, On the Art of Preparation and Preluding | 21.3, 2015 | HTML
PDF | Goldenberg, Yosef | Article | A Musical Gesture of Growing Obstinacy | 12.2, 2006 | HTML/Frames
HTML
PDF | Goldenberg, Yosef | Article | The Interruption-Fill and Corollary Procedures | 18.4, 2012 | HTML
PDF | Goldenberg, Yosef | Article | Continuous Question-Answer Pairs | 26.3, 2020 | HTML
PDF | Goldman, Andrew | Article | Returning to the Continuum: On the Value of Typological Distinctions in the Analysis of Improvisation | 28.3, 2022 | HTML
PDF | Goldman, Andrew J. | Article | Improvisation as a Way of Knowing | 22.4, 2016 | HTML
PDF | Gotham, Mark | Article | Meter Metrics: Characterizing Relationships Among (Mixed) Metrical Structures | 21.2, 2015 | HTML
PDF | Gotham, Mark R. H. and Iain A. D. Gunn | Article | Pitch Properties of the Pedal Harp, with an Interactive Guide | 22.4, 2016 | HTML
PDF | Gran, Jacob | Article | A General Method For Composing a Canon Against a Cantus Firmus Using Sergei Taneev’s Double-Shifting Counterpoint | 30.2, 2024 | HTML
PDF | Grauer, Victor | Article | Toward a Unified Theory of the Arts | 2.6, 1996 | HTML
PDF
ASCII | Guck, Marion | Article | Music Loving, Or the Relationship with the Musical Work | 2.2, 1996 | HTML
PDF
ASCII | Guerrero, Jeannie Ma. | Article | Serial Intervention in Nono’s Il canto sospeso | 12.1, 2006 | HTML/Frames
HTML
PDF | Guerrero, Jeannie Ma. | Article | Francesco’s Dream: Musical Logic in Landini’s Three-Voice Ballate | 13.4, 2007 | HTML
PDF | Guez, Jonathan | Article | Recapitulatory Compressions in Some Texted and Instrumental Works by Schubert | 26.2, 2020 | HTML
PDF | Guido, Massimiliano and Peter Schubert | Article | Unpacking the Box in Frescobaldi’s Ricercari of 1615 | 20.2, 2014 | HTML
PDF | Gur, Golan | Article | Body, Forces, and Paths: Metaphor and Embodiment in Jean-Philippe Rameau’s Conceptualization of Tonal Space | 14.1, 2008 | HTML
PDF | Grant, Roger Mathew | Commentary | Hysteria at the Musical Surface | 14.1, 2008 | HTML
PDF | Gadir, Tami | Essay | Understanding Agency from the Decks to the Dance Floor | 24.3, 2018 | HTML
PDF | Gillespie, Jeff | Essay | Our Common Uniqueness | 15.3, 2009 | HTML
PDF | Gimbel, Allen | Essay | Scholarship and Quadriplegia | 15.3, 2009 | HTML
PDF | Godøy, Rolfe Inge | Essay | Motor Constraints Shaping Musical Experience | 24.3, 2018 | HTML
PDF | Graybill, Roger C. | Essay | Facilitative Agency in Performance | 24.3, 2018 | HTML
PDF | Guillotel-Nothmann, Christophe | Essay | Conditional Asymmetry and Spontaneous Asymmetry of Harmonic Progressions: The Changing Status of the Directional Tendency of Root Progressions in Madrigal Cycles from Verdelot to Monteverdi (c. 1530–1638) | 24.4, 2018 | HTML
PDF | Guillotel-Nothmann, Christophe | Essay | European Perspectives on Recent Tonal Theories, their Models, and Analytical Tools | 24.4, 2018 | HTML
PDF | Gruber, Gerold W. | International Report | Review of the 3rd Congress for Music Theory, Vienna, Austria, May 10-12, 1996 | 2.7, 1996 | HTML
PDF
ASCII | Gloag, Kenneth | Review | Review of David Clarke, The Music and Thought of Michael Tippett: Modern Times and Metaphysics (Cambridge University Press, 2001) | 10.2, 2004 | HTML
PDF | Goldsmith, Melissa Ursula Dawn | Review | Review of Tim J. Anderson, Making Easy Listening: Material Culture and Postwar American Recording (University of Minnesota Press, 2006) | 12.3, 2006 | HTML
PDF | Gotham, Mark | Review | Review of Godfried Toussaint, The Geometry of Musical Rhythm: What Makes a “Good” Rhythm Good? (CRC Press, 2013) | 19.2, 2013 | HTML
PDF | Grall, Jeremy | Review | Review of Charles M. Atkinson, The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music (Oxford University Press, 2009) | 17.2, 2011 | HTML
PDF | Grave, Floyd | Review | Review of William E. Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven (Oxford University Press, 1998) | 4.6, 1998 | HTML
PDF
ASCII | Graybill, Roger | Review | Review of Edward Klorman, Mozart’s Music of Friends: Social Interplay in the Chamber Works (Cambridge University Press, 2016) | 23.2, 2017 | HTML
PDF | Green, Burdette | Review | Review of Rebecca Herissone, Music Theory in Seventeenth-Century England (Oxford University Press, 2000) | 11.2, 2005 | HTML
PDF | Guez, Jonathan | Review | Review of Lorraine Byrne Bodley and Julian Horton, eds. Rethinking Schubert (Oxford University Press, 2016) | 23.3, 2017 | HTML
PDF |
