Eckert, Figure 4

Figure 4. Mozart’s Minuets K. 1–7

Minuet K. 1e in G

(modulation to the dominant at the end of the first part, the second part begins with Fonte, with upbeat)

Minuet K. 1f in C

(modulation to the dominant at the end of the first part, the second part begins with Fonte, with upbeat)

Minuet K. 2 in F

(without modulation, the first part ends with a half cadence; the second part begins with a Fonte which is extended to eight measures, four-measure expansion by way of repetition and doubling of cadence at the end of the second part)

Minuet K. 4 in F

(modulation to the dominant and two-measure expansion by way of repetition at the end of the first part; the second part begins with a Monte, expansions by way of repetition at the end of the second part)

Minuet K. 5 in F

(modulation to the dominant and two-measure expansion by way of repetition at the end of the first part; the second part begins with a Monte, expansions by way of repetition at the end of the second part)

Minuet K. 7 in D

(modulation to the dominant and two-measure expansion by way of repetition at the end of the first part; the second part begins with Ponte, expansions by way of repetition at the end of the second part)