Example 2. The freedom of the improvised melody
Note the 2/8/2 grouping structure and the suppression of the final cadence (“Bigfoot,” chorus 6; Owens 1974, vol. 2, 160)
Example 2. The freedom of the improvised melody
Note the 2/8/2 grouping structure and the suppression of the final cadence (“Bigfoot,” chorus 6; Owens 1974, vol. 2, 160)