EXAMPLE TESTING


Example 1. Parker alto part to “Passport Rhythm”

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Example 2. Trumpet part to “Swedish Schnapps”

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Example 3. Trumpet part to “Back Home Blues”

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Example 4. Library of Congress deposit EU449253 of “Bill’s Bounce”

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Example 5. Library of Congress deposit EU659286 of “Bird of Paradise”

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Example 6. Suggestive precedents of the “Ornithology” opening idea

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Example 7. Measures 7–8 of Harris’s solo on “How High the Moon” vs. mm. 7–8 of “Ornithology”

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Example 8. Continuation of “Ornithology” in mm. 7–11 with development of motive D

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Example 9 and Audio Example 1. Continuation of “Ornithology” with triplet figures

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Example 10 and Audio Example 2. “Ornithology” mm. 12–16 and 28–32 finals with voice leading

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Example 11 and Audio Example 3. “Pedro Gomez” sheet music, pp. 1 and 2

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Example 12 and Audio Example 4. “Le petit cireur noir” sheet music, pp. 2 and 3

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Example 13. “My Little Suede Shoes” A section vs. “Pedro Gomez” A section

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Example 14. “Suede Shoes” vs. “Pedro Gomez” A section voice leading, mm. 1–4

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Example 15. “Pedro Gomez” sheet music introduction, in F and C

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Example 16. “My Little Suede Shoes” B section vs. “Le petit cireur noir” verse

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Example 17 and Audio Example 6. “Mop Mop” from “Three Guesses”

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Example 18 and Audio Examples 7–8. “Red Cross”

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Example 19. “Red Cross” bridge sequences

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Example 20 and Audio Example 9. “Blues (Fast)” outtakes

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Example 21 and Audio Example 14. “Blues (Fast)” final piece and analysis

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Example 22. Motive T vs. Brahms Clarinet Quintet, op. 115

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