EXAMPLE TESTING

Example 1. The first bars of the unornamented “Rules” in Adlung’s “Anweisung zum Fantasieren” (ms. c. 1726–1727)

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Example 2. Adlung’s twenty-five variations on Rule 6 from the previous example

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Example 3. Heinichen’s Schemata Modorum, or bass scale harmonization, from Der General-Bass (1728, 736)

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Example 4. The three Hauptgänge (sequential bass motions) in Adlung’s Anleitung (1758, Tab. VII, Figs. 47, 49–51)

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Example 5. Walther’s three cadence types in Musicalisches Lexicon (1732, 124–25)

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Example 6. Kellner’s illustration of clausulae in Treulicher Unterricht (2nd ed., 1737, 23)

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Example 7. Vallade, “Praeludium F Dur” from Der praeludierende Organist (1757, 24–25)

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Example 8. Vallade, “Praeludium F Dur” from Der Praeludierende Organist (1757, 24–25) with analytical annotations

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Example 9. Vallade, “Preludium IV. Ex. F [Dur]” from Dreyfaches musicalisches Exercitium auf die Orgel (1755, 10–11)

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Example 10. Vallade, “Preludium VII. Ex. G [Dur]” from Dreyfaches musicalisches Exercitium auf die Orgel (1755, 12–13)

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Example 11. Vallade, “Preludium IV. Ex. F [Dur]” from Dreyfaches musicalisches Exercitium auf die Orgel (1755, 10–11)

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Example 12. Vallade, “Preludium VII. Ex. G [Dur]” from Dreyfaches musicalisches Exercitium auf die Orgel (1755, 12–13)

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